That Old Haunted House: House on Haunted Hill (1959)
by Steve Habrat
You have to love William Castle. Even if he produced B-movie schlock, the man knew how to sell a cheese filled idea. Luring audience members in through gimmicks (buzzers on the theater seats during 1959’s The Tingler, a $1,000 life insurance policy should someone die of fright in 1958’s Macabre), Castle giddily scared the pants off people through marketing alone. Despite the flashy promotion, Castle did direct a number of fairly substantial horror films that have stood the test of time and earned a respectable cult following. One of those films happens to be 1959 haunted mansion film House on Haunted Hill, the Vincent Price funhouse that features several moments that will have you dashing off for a change of underwear. Flawed but certainly a whole bunch of fun, House on Haunted Hill is nothing but an excuse for five strangers to walk into a supposedly haunted house and simply explore the spooks it has to offer. When it sticks to this premise, the film is a horror gem but when it decides to tack on its messy final twenty minutes, things don’t turn out so well. Still, you can’t argue with that skeleton backing a shrieking woman into a vat of acid. That, my friends, is why we see horror films.
House on Haunted Hill introduces us to eccentric millionaire Frederick Loren (Played by Vincent Price) and his wife, Annabelle Loren (Played by Carol Ohmart), who rents out an old mansion that is said to be haunted and then invites five strangers to join him for a night of terror. The guests include Lance Schroeder (Played by Richard Long), Nora Manning (Played by Carolyn Craig), Dr. David Trent (Played by Alan Marshal), Watson Pritchard (Played by Elisha Cook Jr.), and Ruth Bridgers (Played by Julie Mitchum), all who appear to have never met Fredrick and Annabelle before. The group is told that whoever can last the night in the home will receive a check for $10,000. The group is given the history of the house, which includes gruesome murder and mutilation, and then they are taken on a tour. As some of the guests break off from the group, the ghosts begin to reveal themselves and certain guests hint that they may not be random strangers at all.
Like a tour through a Halloween haunted house, Castle hurls one pop-up scare at us after another. Blood drips down from the ceiling, a chandelier comes crashing down on the guests, ghosts float outside of windows, skeletons walk, severed heads wait in trunks, and a witchy ghoul emerges from the dungeon. It’s in this stretch that House on Haunted Hill isn’t exactly heavy with plot but dares to have a cheeky and spooky good time as the characters are scared half to death. Heavy doses of camp are added through the otherworldly score and Vincent Price as he richly sells the ghostly encounters. There are several moments where Castle has Price almost directly address us about the terror playing out in the twisting hallways and cobwebbed dungeons where vats of acid boil and bubble in anticipation for the victim that tumbles in. The home feels just cramped enough to gives us a claustrophobic chill yet big enough to assure us that terror could easily be hiding somewhere and just waiting for the right moment to leap out and scream “BOO” right in our face. It’s loaded with atmosphere on the inside and the outside certainly makes an imposing statement is it stands proudly in the dark.
Much of the success of House and Haunted Hill lies on the shoulders of Price, who brings his usual macabre purrs to the spook show. Only Price was morbid enough to play a character that has stuck around with Annabelle, his fourth wife who has tried to poison him. He takes great pleasure in the horror around him, chewing through a smile as he passes out guns tucked into little wooden coffins as party favors. You’re a mean one, Mr. Price. Ohmart’s Annabelle is just as devious, the lady who came up with this eerie party idea. She brings her own devilish charm to the soirée and she takes terror to a whole new level as a walking skeleton stalks her through that old basement. Cook is great as the scared stiff Pritchard, the alcoholic owner of the home who fully believes that spirits wander the halls. Craig is one hell of a scream queen as Nora, who is consistently tormented by the ghosts or perhaps even one of the other party guests. Her run in with a ghoul is cellar has got to rank as one of the most shocking scenes in a horror film.
While the ending may subtract some of the supernatural creeps that flow freely throughout it, House on Haunted Hill still is a creaky winner in the haunted house subgenre. The scenes where the characters directly speak to the audience are immensely silly and certainly haven’t aged well at all. It actually causes the film to loose some momentum but it is blatantly Castle. At the time of the film’s release, Castle asked theaters to install an elaborate pulley system that would send a skeleton gliding over the heads of the audience members. I still think it would be very cool if theaters showed the film and included that Castle gimmick. It would certainly make for a nifty piece of nostalgia. Overall, House on Haunted Hill has zero depth but it does develop its characters quite nicely and it delivers scares at just the right time. It has plenty of camp throughout, which makes it perfectly safe for the kiddies to enjoy on Halloween night after trick r’ treating. In the end, the film belongs to Price and the disturbing reveal of his character in the final seconds of the film. For those who wish to get into Castle and really have some fun with his work, House on Haunted Hill is a great starting point. Be warned, this one may scare the pants right off of you.
House on Haunted Hill is available on DVD.
Posted on October 26, 2012, in REViEW and tagged 1959, alan marshal, carol ohmart, carolyn craig, classic horror, elisha cook jr., haunted house movies, horror, julie mitchum, richard long, supernatural horror, vincent price, william castle. Bookmark the permalink. 1 Comment.