Blog Archives
American Pie (1999)
by Steve Habrat
It has been years since I have visited Jim, Stifler, Oz, Kevin, Finch, Nadia, Jessica, Heather, Vicky, Jim’s Dad, and the rest of the American Pie gang. After digging out my copy of the DVD and re-watching the film, the first thing that struck me about it was how poorly it has aged since its release. The film reeks of the late 90s, all plaid shirts, baggy jeans, and pop punk. Even the picture itself looks faded and crude by today’s standard but maybe I am getting used to watching crystal clear Blu-ray. What hasn’t aged, however, is the content of American Pie, which is all about getting laid and partying with your friends. American Pie packs a plot that will continue to resonate with high school and college kids for years to come, an aspect that solidifies its place on the list of comedy classsics. Better than a good majority of teen comedies that chug beer in the name of all that is crass, American Pie is still a heartwarming film about living it up with your friends and making memories that will last a lifetime.
The plot of American Pie is pretty simple. Four high school friends, Jim (Played by Jason Biggs), Oz (Played by Chris Klein), Kevin (Played by Thomas Ian Nicholas), and Finch (Played by Eddie Kaye Thomas) vow to all loose their virginity by prom night. They are struck with fear that they will all go off to college as virgins and they do everything in their power to make sure that won’t happen. The boys set their sights on a handful of girls including foreign exchange student Nadia (Played by Shannon Elizabeth), affectionate Vicky (Played by Tara Reid), cool girl Jessica (Played by Natasha Lyonne), choir chick Heather (Played by Mena Suvari), and band geek Michelle (Played by Alyson Hannigan). Naturally, the boys find themselves in all sorts of awkward situations, mostly Jim, who is always experimenting with different ways to pleasure himself, and every time getting caught by his parents or embarrassing himself in front of the entire school. They are also always hanging out with the vulgar Steve Stifler (Played by Seann William Scott) and finding themselves the butt of his obnoxious jokes.
It is strange to look back at American Pie, which packed a supposedly up-and-coming cast, some that never really broke out into any other roles. A good majority of the acting, mostly from Chris Klein, is downright cringe inducing now. It is no shocker that he never really became an A-list actor or a household name, as every line of dialogue he speaks is forced and embellished. The two who really do standout are Seann William Scott’s Stifler, who delivers a handful of funnies and the perfectly awkward Biggs as Jim. American Pie is carried on the shoulders of Jim’s Dad (Played by Eugene Levy) always catching him in some off-the-wall situation that is beyond embarrassing, scenes that will leave you gasping and your jaw slamming against the floor. You’ll never forget the sequence where Jim makes love to an apple pie in the film’s most iconic sequence. His father’s baffled reaction is simply, “We’ll just tell your mother that…we ate it all.” You’ll be in tears if you’ve never seen the scene.
It does still shock me how much American Pie has aged in thirteen years. Many of the skinny jean viewers of today may laugh at the film’s overall look and the corny pop punk soundtrack of yesterday. I can hear them squealing behind their smartphones, tweeting “wtf were they thinking in the 90s! GAG!” Sorry kids, there is no Justin Bieber and Wiz Khalifa anywhere in this film. Yet as I said, there is still quite a bit to relate to in this film and that is what extends its reach and ups the letter grade here. Believe me when I say that you’ll find yourself smiling over the camaraderie found in American Pie, both on the male and female side. The film’s raunchy humor can certainly match the naughty humor of today’s raunch romps, matching Judd Apatow’s cinematic offerings that are so popular. I’d also bet that the American Pie kids can party harder than the Wolf Pack from The Hangover. I dare any scene in The Hangover to go up against the opening sequence of American Pie where Jim watches porn when his mother bursts into the room. Looking back, it is easy to see that American Pie has often been imitated (Road Trip, Van Wilder, Tomcats, and any direct to video sequel) but could never truly be duplicated, this film featuring some truly inspired comedic situations.
American Pie gets far on its boys will be boys premise and the situations are mostly hysterically funny. The film literally embraces toilet humor in one scene involving a character’s crippling fear of taking a number two at school. American Pie ultimately has a touching interior that outshines a lot of the dated aspects of the film. It doesn’t shy away from the female perspective of sex, which is centered on true love and sensitivity in opposition to the boy’s hornball desperation. It is a shame there wasn’t more depth to American Pie outside of the idea of desperately trying to have one last hurrah with your high school chums. The film does have a few opportunities to explore high school cliques, but it goes no further than the band geeks having cool guy Stifler refuse them entry into a raging party, never really elaborating further. It also had a brief chance to tackle peer pressure but that too falls by the wayside. Oh well, at least everyone basically gets along in the world of American Pie and no one can argue with that in these cynical times. Even if some of the sequences have become creaky over the years, jokes have lost some of their zing, and some of the acting is unforgivably amateur, it was still nice to revisit the gang of American Pie and have a beer or three and maybe a few shots.
Grade: B
American Pie is now available on DVD.
Cedar Rapids (2011)
by Steve Habrat
Comedian Ed Helms is such a talented guy, it’s hard not to just love him. The guy can sing, dance, play instruments, and do comedy with the best comedians out there. Take 2011’s Cedar Rapids, an uproariously funny comedy decked out in earth tones and Dockers. Cedar Rapids is Helms’s first starring comedy that truly does his talent justice and doesn’t demand he resort to a string of dick jokes like The Hangover asks of him. This project also proves that Helms can do the heavy lifting and lead a film from beginning to end. A much smaller film than his Hangover franchise, Cedar Rapids is a smaller and downright friendlier project that, yes, still has the same old bawdy jokes, but it is much more earnest and cordial, with direction that is much more mature and almost old fashioned. With Cedar Rapids, Helms comes out with his pride still in one piece and in the process, we learn that he has serious chemistry with man-baby John C. Reilly, leaving us begging for another project where the lax Reilly can torment the uptight Helms.
Cedar Rapids picks up the small, sleepy town of Brown Valley, Wisconsin, where we meet mild mannered Tim Lippe (Played by Helms), a sheltered and uptight insurance salesman. We learn that Tim has never really left his hometown and ventured out into the real world. He is pre-engaged to his 7th grade teacher Macy Vanderhei (Played by Sigourney Weaver) and he dedicates himself fully to the small insurance company he is employed at. When Lippe is given the opportunity to travel to Cedar Rapids to represent his company, Brownstar Insurance, at a regional conference and bring how the coveted Two Diamonds award, he graciously accepts and prepares for his trip to the big city. When he arrives in Cedar Rapids, he meets party animal Dean Ziegler (Played by Reilly), sexy red head Joan Ostrowski-Fox (Played by Anne Heche), and monotone Ronald Wilkes (Played by Isiah Whitlock Jr.). As Tim begins to lighten up and have fun, pressure from his boss Bill (Played by Stephen Root) begins getting the best of Tim, Bill demanding that Tim bring home the Two Diamond award any way he can. But Dean soon brings new information to Tim, sparking the group to suspect how honestly the Two Diamond awards are won.
The running joke of Cedar Rapids is the idea that Tim is an insurance salesman who refuses to take any major risks. He stays on a straight, safe path and if anything disrupts that order, Tim becomes a heaving, stammering mess who refuses to curse. He is always at odds with the nothing-is-off-limits Dean, who urges Tim to lighten up every chance he gets. When Tim does cut loose, he over compensates for living such a sheltered existence. He parties with a free-spirited prostitute Bree (Played by Alia Shawkat), doing hard drugs and heavy drinking. He also sparks up a romantic relationship with Joan, who has a secret of her own. Most importantly, Tim learns he has options, something that never revealed itself until he steps out of his safe zone, Brown Valley. It is also when Tim is shaken out of his naivety that the true colors of those around him sweep through their out shells.
Is it too much to ask that we get a sequel to Cedar Rapids? Every single member of the cast seems to be at home in their roles. You’ll die laughing when Dean makes Tim squirm out of discomfort. You’ll howl when Ronald babbles on about The Wire and does his impersonations. And how about Arrested Development’s Alia Shawkat playing a bad girl prostitute with a wild streak? I wanted more of the romance between Tim and Joan, an onscreen couple who go together like peanut butter and jelly. It is always a treat when the director knows that their cast has great chemistry and he lets them go. Director Miguel Arteta allows his cats to guide the film, making his job almost effortless. Arteta does make Cedar Rapids into a bit of a celebration of the little guy. He mirrors this in his choice of the little guy Helms, who always seems pushed to the supporting role. Yet his film is a round of applause for the small, family owned business, the small, sheltered hero, and the rag tag group who has to pull together to prevail.
Even though Cedar Rapids is a smaller film, it never falls victim to the “Garden State syndrome”, ya know, the one where the film features crude illustrations for the opening credit sequence, there is Napoleon Dynamite style humor sprinkled throughout, and there are countless indie rock bands (The Shins, Belle & Sebastian, etc.) strumming their acoustic guitars on the soundtrack. While Cedar Rapids maintains its indie cred with the small scope and a slew of offbeat actors, you never feel like you need to be wearing horn rimmed glasses and skinny jeans to really appreciate it. You never get the sense that the film gives off the vibe that it is too cool to be viewed by you. In fact, Cedar Rapids in almost dorky! This makes falling for this film even easier, because it lacks all the glitz and glamour of a mainstream comedy. It really is the comedy next door.
Grade: B+
Cedar Rapids is now available on Blu-ray and DVD.
Horrible Bosses (2011)
by Steve Habrat
Let’s be honest, the premise of Horrible Bosses, a revenge-fantasy comedy that places three Average Joes at the center of an intricate plot to off their bosses a la Alfred Hitchcock’s Stranger’s on a Train could strike a chord with many casual moviegoers. Why? Because who HASN’T had a boss that has made their lives a living hell! It’s an amusing “What if?” that provides some minor laughs in the dead heat of the summer and a surprisingly small picture going toe to toe with films like Transformers, Harry Potter, and Captain America. But the film has a charming underdog persona that many can’t quite ignore (It also happens to feature an all-star cast!) and leaves you hoping it will be remembered once it’s long gone from theaters. I say this because the film walks the fine line between classic dark comedy and comedy-no-one-will-remember-in-a-year territory. I consider it a blue-collar comedy that pours it’s blood, sweat, and tears into all the shenanigans to make you laugh but sometimes it comes up a bit short. It’s a shame it might get lost in shuffle.
Every summer has a sleeper hit that audiences pass on via word of mouth. It ends up making a boatload of money and it usually turns out to be a comedy. We’ve already had a 50/50 summer when it comes to comedy and, frankly, comedy has been very uninteresting for quite a while. We had Bridesmaids which was a surprise smash and was a breath of fresh air. Two weeks later, the guys of the Hangover crashed the party and left everyone with a bad taste in their mouths. We’ve also seen Bad Teacher, one that was heavily hyped but largely written off by many and Zookeeper, another dud chucked out by Happy Madison. Now we have the often witty, sometimes disappointing Horrible Bosses, in which three nice guys decide they’ve had enough of their tyrannical bosses and decide to off them for each other. By killing each other’s, they are spared a suspected motive by the police and they end getting off punishment free. It’s a bit of a tired premise and really isn’t that inspired of an idea, but it will resonate! Especially if you take the dry asides of Jason Bateman (Arrested Development), the screeching insanity of Charlie Day (It’s Always Sunny in Philadelphia) and smart-ass narcissism of Jason Sudeikis (SNL) and pair them up against the sadistic Kevin Spacey, man-eating Jennifer Aniston, and the under-used coke addict Colin Farrell.
The three amigos, Nick (Bateman), Dale (Day), and Kurt (Sudeikis) enlist the help of a professional killer in Mother Fucker Jones, played by the dead-pan Jamie Foxx. They slam their heads together and they embark on a bumbling journey to expel their demonoid bosses from planet earth. The usually sticky situations follow and they are mostly all amusing. They sneak around their intended victims homes, accidentally get high on cocaine, stupidly leave their DNA everywhere, and drool over a lingerie clad Aniston as she deep throats a popsicle, a banana, and a hot dog. It’s good to see a fresh line-up of comedians like we have here, but they seem a bit new to the scene, in all honesty. They try to ad-lib with the best of them but sometimes it’s a bit forced and amateur, especially from Day who relies on his bat-shit crazy persona he crafted for his character on It’s Always Sunny in Philadelphia. He rattles off some winners and delivers some stink bombs that are intended to shock the audience into belly laughs. The most laughs come from Bateman, who delivers some zingers (One about fleeing to Canada will have you in stitches), Foxx who demonstrates extraordinary comedic timing (His explanation of how he got the name Mother Fucker will have you covering your mouth), and the largely ignored Colin Farrell, who delivers countless one liners that will leave you quoting for weeks (Wait until you see his outtakes!). Sudeikis fails to grab many of the chuckles and he passes himself off as a second rate Nick Swardson, who is funnier anyway. The casting could have been a bit stronger without his character. Spacey is clearly having fun but his character descends too far into downright evil territory. I know we are supposed to hate him but c’mon!! Aniston has some eyebrow-raising moments, mostly when she shows up almost nude in one particular scene and fires off more racy innuendos than any character in a Judd Apatow picture. She surprisingly churns out one of her better performances since Office Space. Julie Bowen (Modern Family) also shows up as Spacey’s wife but she is basically ignored in all the chaos.
There isn’t much to say in the way of Horrible Bosses. It’s charming even if it’s consistently raunchy and it’s hard to dislike it. There are clever gags and the film does not overstay it’s welcome by any stretch. It was a nice breather from all the explosions and superheroes that have been zipping around theaters. But I think that filmmakers could have poured a bit more time into this film. It’s a bit rough around the edges and appears rushed at times. You are left feeling that all the events that took place in the film were minor and insignificant. You want to rally behind it but sometimes it’s impossible to do just that. When all is said and done, it never really feels like these horrible bosses have had it stuck to them. Further, it falls short of the sleeper status that I thought would surely follow in its wake. Overall, it grasps at comedy greatness but comes up with comedy goodness. Don’t worry though; it will still have you chuckling to yourself as you punch the clock the next morning.
Grade: B-
Horrible Bosses is now available on Blu-ray and DVD.
Bridesmaids (2011)
by Steve Habrat
For those of you out there who were convinced that Judd Apatow was nothing but a sexist who made movies simply for immature males and about male tribulations have an argument no longer. Mr. Apatow and director Paul Feig have officially made a movie for females that tackle arduous female relationships with each other and themselves. To all the men out there who are writing Bridesmaids off as a “chick flick” need to suck it up and take the trip to pick up the Blu-ray because I guarantee you are going to laugh your ass off. Bridesmaids leaves the recent string of “bromance” films in its comedic dust and can proudly call itself one of the funniest movies since The 40 Year-Old Virgin. Much of its success lies on the slim shoulders of the comedienne in the center of all the pandemonium and that little lady is SNL alum Kristen Wiig. Wiig co-wrote the script with her pal Annie Mumolo and it is drenched in wicked shrewdness along with many other bodily fluids. Wiig also happens to prove to the suits out there that she can indeed carry a film and does not have to settle for the occasional cameo or background character. Her performance here is strikingly similar to what we saw from Steve Carell in The 40 Year-Old Virgin.
If one were to quickly glance at the title of this film and have no clue what the film is about, many would assume that it’s some new Kate Hudson bomb that follows her shallow quest to pull Matthew McConaughey for the fifth time. A disposable romantic comedy that presumes Hudson breaking a heel and falling down is comedic brilliance. The type of film that will last for about a month at the theater and then quickly make it’s way to DVD. It’s refreshing to see Wiig, who up until this film had not snagged herself a starring vehicle, a woman with pitch-perfect comedic timing step up to the plate to play Annie, a woman who has seemingly hit rock bottom. She is a victim of the recession as her bakery she started has been reduced to a boarded up graffiti wall. We also learn that her boyfriend picked up and ditched her after her bakery closed down. She spends her nights with a wealthy playboy (Played by a never better John Hamm) and spends her days paling around with her best friend Lillian (Played by another SNL alum and real life BFF Maya Rudolph). Annie complains to Lillian about her problems and figures she will always have a shoulder to lean on with her. That is until Lillian drops the bomb on Annie and proclaims that she is getting married. At the engagement party, Annie is introduced to the wildly colorful bridal party. She meets innocent Becca (Played by The Office’s Ellie Kemper), bored-housewife-with-a dark-side Rita (Played by Reno 911’s Wendi McLendon-Covey), the uber-confidant Megan (Played by scene-stealing Melissa McCarthy), and the wealthy and malicious Helen (played by Insidious star Rose Byrne). Annie finds herself pitted against Helen in the quest for maid of honor and hilariously self-destructs from the battle.
Wiig manages to play Annie not as a desperate-for-love caricature but as a wounded and vulnerable heroine. We root for her to, yes, find love but also to hold on to her best friend even as Annie and Lillian grow further and further apart. The universe has come crashing down on this poor soul and she is more desperate than ever to find a friend she can actually trust and does not come equipped with ulterior motives. Wiig also does the seemingly impossible task of making a horrific breakdown uproariously hilarious. There are scenes in this movie that will leave you howling with laughter and scenes that will have you wishing Annie was a real flesh-and-blood human you could give a big sympathetic hug and reassure her that everything will be okay.
It is an absolute thrill to watch Wiig and Mumolo lob a rowdily unpredictable comedic sequence that begins subtle and erupts into full on chaos at the audience. A bridal gown fitting that ends with food poisoning will bring you to your knees with laughter and shrieking “Oh, my God!” and a prescription drugs and scotch fueled meltdown on a plane to Vegas tops anything that was found in the incredibly overrated Hangover in terms of shock comedy. Wiig’s physical comedy comes to a head as she suffers a nervous breakdown during a shower in Helen’s mansion and battles Helen’s excessive wealth and her ability to purchase friends by throwing down with a giant cookie. Wait until you see it. It should join the ranks as one of the funniest scenes in the history of comedy.
When you’re not recovering from the countless belly laughs (trust me, there are PLENTY!), there is a scene of hushed, sincere emotion that will leave you speechless. Ones that left the entire packed theater silent in the particular showing I attended way back in May. You could actually feel the heartbreak hovering in the room and it became almost painful to sit and watch. One scene finds Annie confronted by the chunky Megan that is the definition of powerful and uplifting. Or a scene that shows Annie telling her mother that things have gone from bad to worse that will tug your heartstrings until they snap. It will warm your heart when Annie begins to find love with a sensitive Irish cop Rhodes, played by the charismatic Chris O’Dowd. The film is a testament to what great script writing and great direction can do for a film.
The ladies of Bridesmaids manage to prove that they can party just as hard as the boys and leave the Wolfpack looking like a bunch of cubs. They are real, honest, and hugely likeable even when they are reduced to hot messes. The performances here are what make the film seem effortless and strangely protracted. Like all Apatow films, it drags on about twenty minutes too long, but you’ll be willing to overlook it mostly because it blindsides you with overwhelming emotion. From the male perspective, it was nice to sit on the sidelines this time around and let the film just wash over me. It’s going to dispatch women from the theater to debate about the mechanics of their relationships just as Apatow’s “bromance” films struck chords with men. Already a strong contender for the best comedy of the year, Bridesmaids needs to party it’s way to the top of your must-see list. Grade: B+
Bridesmaids is now available on Blu-ray and DVD.