by Steve Habrat
How good it is to have the buddy cop movie back in action, brushing off the cobwebs that have formed over the tired genre all these years. Maybe it’s the odd couple pairing of funny guy Jonah Hill and chiseled Channing Tatum that gives the buddy cop genre fresh life and sends 21 Jump Street to soaring heights that I would have never thought possible! This revamped take on the 80’s television series gorges on pop culture references and classic action flicks all while leaving its own mark with its raunchy, rambunctious personality. At this party, anything goes, ranging from perfectly placed cameos, high speed action, and more toilet humor than you can shake a shot off penis at! 21 Jump Street’s keep-the-party-going mentality does get a bit exhausting at a few points, but the fatigue is quickly shaken by the uncertainty over what the film will throw at us next.
21 Jump Street picks up in 2005 where we meet nerdy Schmidt (Played by Jonah Hill), who looks like a slouchy Eminem without the rage and the jock bully Jenko (Played by Channing Tatum) as they near the end of their high school careers. Jenko can’t keep his grades up and therefore can’t attend the school prom. Schmidt, meanwhile, is trying to work up the nerve to ask the girl of his dreams to the prom, only to be coldly shot down and laughed at. The film speeds ahead to present day, where Schmidt and Jenko are currently attending a police academy and earning their badges. The two bump into each other and strike up a friendship despite the fact that Jenko bullied Schmidt in high school. They aid each other through the police academy and finally earn their badges, but after botching a drug bust, they are sent to 21 Jump Street. It is here that they meet their new scowling boss Captain Dickson (Played by Ice Cube) and learn they are going undercover at a local high school to bust up a drug ring. The two begin trying to infiltrate the group of kids they believe to be dealing the drugs, but they soon find themselves losing sight of their mission and get caught up reliving their glory days.
There is plenty of Hill’s trademark off-the-cuff adlibs to keep the audience in stitches through much of 21 Jump Street and the surprisingly funny Tatum matches Hill every step of the way. They are absolutely hysterical together watching their opposite personalities clash was a riot. Their chemistry keeps the audience giddy through much of the film and they are always making sure that you have a smile slapped across your face. It is clearly their show and everyone else makes sure that they don’t step on their toes, especially an insanely likable Ice Cube, who finally gets to release a few bellowing F-bombs that he has been bottling up inside while he has been starring in kiddie flicks. Then there is the supporting cast that is made up of Ellie Kemper as the tongue tied science teacher Ms. Giggs, who has the hots for Jenko, Nick Offerman as straight shooting Deputy Chief Hardy, Chris Parnell as ostentatious theater teacher Mr. Gordon, and Rob Riggle as the wacky motor-mouth coach Mr. Walters. The beauty is that every guest comedian gets a moment to shine, a chance to be center stage and leave his or her own mark in 21 Jump Street.
Much of 21 Jump Street plays around with the idea of reliving your glory days, when you didn’t have a care in the world. Schmidt suffers from never having taken a risk and never having much confidence in himself. When he goes undercover at the high school, he quickly works his way in with the cool kids and begins living the popular kid dream. Jenko, on the other hand, had way too much fun on his first run and now finds himself spending his evenings with the nerdy crowd, people he would have laughed at and tormented when he was in school. It is a knee slapping role reversal and it consistently works. Seeing Tatum play nerd is comedic gold but it is Hill who really turns up the funny, slowly finding himself infatuated with instant messenger and texting. He even gets a run at popular girl Molly (Played by Brie Larson), which adds a bubbly if a bit creepy romance aspect to the film.
Director’s Phil Lord and Chris Miller both keep 21 Jump Street zipping along making the finished product feel like a crazy party rather than a movie. It is ripe with nostalgia for rollicking action films and outrageously coarse teen comedies. They keep the film moving at a brisk pace, but at times, 21 Jump Street would hit a bump in the road that stalls the momentum the film naturally builds up. There are a few spots where the comedy isn’t as sharp as it was a few minutes earlier or even worse, a joke falls flat. Part of the problem is that both the directors and our leads fire off jokes so rapidly, it is hard to keep up and they begin getting lost in each other. This isn’t constant in 21 Jump Street and what a relief that is, but part of the problem may also lie in the fact that the film is a bit too long. An extended party sequence could have used a little trimming, as could a scene where Schmidt hangs out with teenage drug dealer Eric (Played by Dave Franco) at his home. But the film balances out with scenes like the uproariously funny car chase where our heroes, both wearing outrageous getups and zooming along in a driving school car, battle to be in control of the chase. It’s absolutely awesome, right down to the string of failed explosions that leave our heroes disappointed with each dud.
21 Jump Street may have a few dry spots but the film never looses our interest. You will be consistently entertained by it and you are left eager to see where they will take Schmidt and Jenko next, as I’m sure there will be another 21 Jump Street. The film also has an awesome cameo from original 21 Jump Street cast members Johnny Depp and Peter DeLuise, a sequence that almost steals all the thunder from Hill and Tatum. Be warned that 21 Jump Street is a ball of energy that will leave you choking on its dust if you are unable to keep up with it. I can’t say that you will walk away a better person when the credits roll on 21 Jump Street, but like the morning after a good party, you will stumble away breathless and energized, a little drained and dazed, raring to do it all again. That, my friends, is never a bad thing.
by Steve Habrat
For those of you out there who were convinced that Judd Apatow was nothing but a sexist who made movies simply for immature males and about male tribulations have an argument no longer. Mr. Apatow and director Paul Feig have officially made a movie for females that tackle arduous female relationships with each other and themselves. To all the men out there who are writing Bridesmaids off as a “chick flick” need to suck it up and take the trip to pick up the Blu-ray because I guarantee you are going to laugh your ass off. Bridesmaids leaves the recent string of “bromance” films in its comedic dust and can proudly call itself one of the funniest movies since The 40 Year-Old Virgin. Much of its success lies on the slim shoulders of the comedienne in the center of all the pandemonium and that little lady is SNL alum Kristen Wiig. Wiig co-wrote the script with her pal Annie Mumolo and it is drenched in wicked shrewdness along with many other bodily fluids. Wiig also happens to prove to the suits out there that she can indeed carry a film and does not have to settle for the occasional cameo or background character. Her performance here is strikingly similar to what we saw from Steve Carell in The 40 Year-Old Virgin.
If one were to quickly glance at the title of this film and have no clue what the film is about, many would assume that it’s some new Kate Hudson bomb that follows her shallow quest to pull Matthew McConaughey for the fifth time. A disposable romantic comedy that presumes Hudson breaking a heel and falling down is comedic brilliance. The type of film that will last for about a month at the theater and then quickly make it’s way to DVD. It’s refreshing to see Wiig, who up until this film had not snagged herself a starring vehicle, a woman with pitch-perfect comedic timing step up to the plate to play Annie, a woman who has seemingly hit rock bottom. She is a victim of the recession as her bakery she started has been reduced to a boarded up graffiti wall. We also learn that her boyfriend picked up and ditched her after her bakery closed down. She spends her nights with a wealthy playboy (Played by a never better John Hamm) and spends her days paling around with her best friend Lillian (Played by another SNL alum and real life BFF Maya Rudolph). Annie complains to Lillian about her problems and figures she will always have a shoulder to lean on with her. That is until Lillian drops the bomb on Annie and proclaims that she is getting married. At the engagement party, Annie is introduced to the wildly colorful bridal party. She meets innocent Becca (Played by The Office’s Ellie Kemper), bored-housewife-with-a dark-side Rita (Played by Reno 911’s Wendi McLendon-Covey), the uber-confidant Megan (Played by scene-stealing Melissa McCarthy), and the wealthy and malicious Helen (played by Insidious star Rose Byrne). Annie finds herself pitted against Helen in the quest for maid of honor and hilariously self-destructs from the battle.
Wiig manages to play Annie not as a desperate-for-love caricature but as a wounded and vulnerable heroine. We root for her to, yes, find love but also to hold on to her best friend even as Annie and Lillian grow further and further apart. The universe has come crashing down on this poor soul and she is more desperate than ever to find a friend she can actually trust and does not come equipped with ulterior motives. Wiig also does the seemingly impossible task of making a horrific breakdown uproariously hilarious. There are scenes in this movie that will leave you howling with laughter and scenes that will have you wishing Annie was a real flesh-and-blood human you could give a big sympathetic hug and reassure her that everything will be okay.
It is an absolute thrill to watch Wiig and Mumolo lob a rowdily unpredictable comedic sequence that begins subtle and erupts into full on chaos at the audience. A bridal gown fitting that ends with food poisoning will bring you to your knees with laughter and shrieking “Oh, my God!” and a prescription drugs and scotch fueled meltdown on a plane to Vegas tops anything that was found in the incredibly overrated Hangover in terms of shock comedy. Wiig’s physical comedy comes to a head as she suffers a nervous breakdown during a shower in Helen’s mansion and battles Helen’s excessive wealth and her ability to purchase friends by throwing down with a giant cookie. Wait until you see it. It should join the ranks as one of the funniest scenes in the history of comedy.
When you’re not recovering from the countless belly laughs (trust me, there are PLENTY!), there is a scene of hushed, sincere emotion that will leave you speechless. Ones that left the entire packed theater silent in the particular showing I attended way back in May. You could actually feel the heartbreak hovering in the room and it became almost painful to sit and watch. One scene finds Annie confronted by the chunky Megan that is the definition of powerful and uplifting. Or a scene that shows Annie telling her mother that things have gone from bad to worse that will tug your heartstrings until they snap. It will warm your heart when Annie begins to find love with a sensitive Irish cop Rhodes, played by the charismatic Chris O’Dowd. The film is a testament to what great script writing and great direction can do for a film.
The ladies of Bridesmaids manage to prove that they can party just as hard as the boys and leave the Wolfpack looking like a bunch of cubs. They are real, honest, and hugely likeable even when they are reduced to hot messes. The performances here are what make the film seem effortless and strangely protracted. Like all Apatow films, it drags on about twenty minutes too long, but you’ll be willing to overlook it mostly because it blindsides you with overwhelming emotion. From the male perspective, it was nice to sit on the sidelines this time around and let the film just wash over me. It’s going to dispatch women from the theater to debate about the mechanics of their relationships just as Apatow’s “bromance” films struck chords with men. Already a strong contender for the best comedy of the year, Bridesmaids needs to party it’s way to the top of your must-see list. Grade: B+
Bridesmaids is now available on Blu-ray and DVD.