Apollo 18 (2011)
by Steve Habrat
Is it just me or is every single mockumentary horror movie that is “uncovered” a letdown to its audience? It seems like the individuals involved can’t quite help themselves in the final moments and add some unrealistic CGI scam that throws the whole film off balance. This is a problem that plagued Paranormal Activity, a film that had a stellar build up only to shoot itself in the foot with an out-of-place facial distortion that was achieved by CGI in the final seconds. It actually ruined this film for me. It doesn’t help that they made an unnecessary sequel that further clipped the wings of the somewhat effective original. Then we have horror master George A. Romero’s Diary of the Dead, a film that used the same mockumentary approach. Diary acts as a restart to his famous Dead series that began with Night of the Living Dead in 1968. The film has some tense moments but it embraces camp with some CGI kills and blood spurts that suck the realism right out of the film. This one hurt because the film is supposed to be taking place at the exact time that Night of the Living Dead is and that film relied on it’s shoestring budget to create realistic scares. It lacked elaborate death scenes and silly weapons. Overall, Night achieved more of an atmosphere of realism that Diary can even dream of. Or Cloverfield, an action/sci-fi/horror mockumentary that has a jumpy tone that is ruined by showing the alien/monster up close and preposterously personal. It’s a classic case of never show the monster!
Apollo 18, a film that mixes history and fiction quite successfully, ushers the summer movie season out with a slight whimper. Perhaps you’ve seen trailers for this film, which was originally supposed to be out in the spring, then summer, and then settled for September. The film suggests that NASA put together a final hush-hush space mission in the 1970’s that sent three astronauts to the moon to set up sensors that alert the United States of an ICBM attack from the Soviet Union. Once on the moon, the two astronauts in the lunar module Liberty, Captain Ben Anderson (Played by Warren Christie) and Commander Nathan Walker (Played by Lloyd Owen), head out to complete their mission and also collect moon rock samples. In orbit over the moon aboard Freedom is Lieutenant Colonel Johnny Grey (Played by Ryan Robbins), who is the watchful eye for the two tough-as-nails astronauts below. Walker and Anderson soon begin hearing strange noises and bangs which naturally disrupt their sleep. Their moon rock samples begin mysteriously moving and they hear strange gargling static over their radios. They then stumble across an abandoned Soviet lunar module and a dead cosmonaut near the ship. As the events become more and more bizarre, Anderson and Walker begin to suspect that they are on the moon for an alternative reason—to investigate the possibility of extraterrestrial life on the moon.
The film is fairly uneventful for the first half-hour or so. The astronauts engage in bland conversation and complain about their cramped space in the ship. They groan over the meals provided for them and play practical jokes on each other. The film picks up once the two men stumble upon the Russian lunar module and this actually leads to one of the more disturbing moments of the film. While out investigating strange occurrences, a spider-like alien worms its way into Walker’s suit and burrows into his stomach. Walker slowly begins getting sick and becoming homicidal in the wake of the attack. The infection scene, which culminates in a surgical scene that nods to Alien, also manages to be one of the more fascinating sequences in the film.
Almost every critic under the moon has critically panned Apollo 18. They have criticized it for a lack of depth and complained that the film established no atmosphere or mood of any kind. They also cry that the film isn’t scary. I will agree that the film isn’t the most terrifying motion picture experience, but a couple of scenes will give you the willies. Yes, the film is slow moving and a bit droll at points, but in my humble opinion the subtly adds to the film. A moon rock twitches here and the American flag is shredded there. Apollo 18 does pack a few of the inevitable boo moments, but the film isn’t overly reliant on this cheap technique.
There is really nothing for the audience to connect with here. I’ll admit that. The characters are not relatable and the film is ultimately unremarkable. The climax is brief but thrilling and the few clips we see of the aliens are relatively creepy, mostly because much of them are left to our imagination (are you paying attention Don’t Be Afraid of the Dark?). There is a clip at the end of the film that, just like all the other mockumentary horror films before it, resorts to CGI overload and ruins what was otherwise a tense scene. The filmmakers did a good job mixing stock footage with the low budget stuff they came up with. The film’s premise is inspired and is a fresh idea to the countless other middling alien invasion films that have taken over the box office (Super 8 was the crown jewel). The film is worth a watch but you will never find yourself clamoring to experience it again. It does appall me that this film is actually receiving worse reviews than the abysmal Battle: Los Angles did. Perhaps we didn’t see the same movie. Apollo 18 is disappointing, that I will not deny, but it is also a disposable and fun gimmick. Grade: B-