Edward Scissorhands (1990)
by Steve Habrat
The first pairing between director Tim Burton and versatile actor Johnny Depp would become one of their most beloved collaborations in the years the duo have been working together. The 1990 gothic fairy tale Edward Scissorhands is a fragile and enchanting bedtime story that seems to come from a personal place within Burton himself. Over the years, Edward Scissorhands has climbed the classic film ranks as it seems to gain more and more popularity as the years pass and new generations are introduced to it. While a wide audience sticks by Burton’s tale, the film has really resonated with the Hot Topic goth crowd. It’s easy to see why they love the film, as it follows a soft-spoken misfit who is encouraged to mingle with conformist suburbia where he is at first viewed as an alluring oddity and then is quickly misunderstood. Edward Scissorhands also features a tender love story, one that ends in a cracked heart but also happens to be vaguely romantic in its longing. The film is also incredibly memorable for Depp’s performance as shy recluse who is inquisitive of the world around him, a world he has never ventured out to explore.
Edward Scissorhands ushers us into candy colored suburbia where we meet local Avon saleswoman Peg Boggs (Played by Dianne Wiest) who has a heart of gold. While going door to door, she makes her way up to a seemingly abandoned mansion where she stumbles upon a shy young man cowering in the shadows. It turns out that this shy young lad is Edward Scissorhands (Played by Johnny Depp), who Peg manages to coax out and interact with. She notices that his face is horribly scared and that his hands are made out of scissors. Noticing that he is alone in the dilapidated mansion, Peg encourages Edward to come home with her and to meet her family. Upon arriving, Edward meets Peg’s husband Bill (Played by Alan Arkin), her young son Kevin (Played by Robert Oliveri), and her beautiful teenage daughter Kim (Played by Winona Ryder), who Edward quickly falls in love with. Peg begins to introduce Edward to the rest of the curious neighborhood, who quickly discover his stunning artistic talents. It turns out that Edward is a master at hedge trimming and hair cutting, making him an instant hit of the neighborhood. Soon, Edward meets Kim’s boyfriend Jim (Played by Anthony Michael Hall), who refuses to warm up to Edward. Edward also finds himself being seduced by the sultry neighbor Joyce (Played by Kathy Baker), who after being rejected by the nervous Edward, accuses him of trying to rape her. The neighborhood soon grows suspicious of terrified Edward and they begin attempting to run him out of the neighborhood.
Edward Scissorhands is such a joy to watch because we get to see Edward exploring a world that he never knew existed. It’s a delight to see him interacting with a waterbed, a mirror, and whatever else he happens to come in contact with. A scene where he attempts to eat peas is a pure “awwwwe” moment. He warms your heart with his attempts to fit in with the neighborhood. He is unassuming and always has a sheepish smile for the eccentric housewives who flock around him. He is even more intriguing because he never has too much to say and he lets his twinkling eyes do most of the talking. Credit the talented Depp, who says so much with just his movement. When he cuts hair and trims hedges, his face contorts with extreme focus and confidence but when he wanders around the neighborhood, that confidence dries up and in its place is uncertainty and wonder. In my opinion, Depp makes this film the heartwarming tale that it is.
Director Burton, who is working with a script by Caroline Thompson, allows his interest in Vincent Price and classic horror films to find a place in Edward Scissorhands. Vincent Price has a cameo in the film as a lonely inventor who creates Edward but dies of a heart attack before he is able to finish Edward’s hands. When the film is wandering the halls of the mansion, Burton relentlessly tips his hat to films like 1931’s Frankenstein and the Hammer horror films that he loved as a kid. The film also happens to be about a misfit loner artist who is misunderstood by the conservative suburbia, who only seem to accept him when they are benefitting from his talent. Even the character of Edward seems to be a haven for both Burton and Depp, a misunderstood outcast who is tormented by Kim’s jock boyfriend. In many respects, the world that Edward comes from seems much more normal and disciplined unlike the circus that is suburbia. Burton twists this suburbia into a day-glo world of routine and ennui, a place where many take comfort in gossip and empty pampering, nothing that is ever truly fulfilling.
Edward Scissorhands also finds a strong supporting cast, especially Ryder as the sympathetic Kim. Kim begins to find herself hypnotized and attracted to this peculiar young man and rejecting the obnoxious jerk that mistreats her. Her performance is absolutely magnetic. Wiest shines as the kindhearted Peg who sticks by Edward until the very end, becoming a motherly figure to poor Edward. Her patience and grace are absolutely stunning. Arkin is comical in the role of a dry husband who does his very best to connect with Edward even if that connection is a weak one. A scene in which they share a drink is absolutely hilarious, especially Edward’s reaction to the alcohol. Baker as the dishonest housewife Joyce who accuses Edward of rape is a despicable individual as is Hall’s aggressive Jim, who is equally terrible to the naive Edward. The dark horse here is the briefly seen Price as the inventor that builds Edward. The few scenes in which we get to see his radiant love for Edward is the strongest part of Edward Scissorhands and the ones that hit the hardest.
Tragic and sweet, Edward Scissorhands does have a handful of dark and sinister moments that are a staple of Burton’s work. You can try to resist the film all you want but there are moments that will charm you whether you like it or not. Like any good fairy tale, Edward Scissorhands lures us back to its magical world again and again to make us feel all warm and fuzzy from it’s fish out of water story. The film proves that there was magic to be found when you pair up Burton with Depp, as it leaves us ravenous for another collaboration from the unconventional duo. Overall, Edward Scissorhands stands as one of Burton’s strongest efforts and one of Depp’s best performances to date. If you haven’t already, I strongly encourage you to step into the wondrously gothic world and get to know Edward Scissorhands. A true marvel in every sense of the word.
Edward Scissorhands is available on Blu-ray and DVD.
Posted on May 7, 2012, in REViEW and tagged 1990, alan arkin, anthony michael hall, bedtime stories, classic films, dianne wiest, drama, fairy tale, horror, johnny depp, kathy baker, robert oliveri, romance, tim burton, vincent price, winona ryder. Bookmark the permalink. 4 Comments.
I love these older Tim Burton films; especially Pee-Wee, Beetlejuice, Edward Scissorhands and Nightmare before Christmas. I must admit however that Ed Wood is probably the last film I really enjoyed from Burton. Well, okay, Mars Attacks definitely has its moments. I know this will probably make me terribly unpopular, but I have been quite underwhelmed by everything he has done since. I just can’t get very excited about new Burton films. Can’t say I’m not just a little bit curious however.
Even Big Fish?
I’m afraid so. I didn’t dislike it, but it did not move me either.
I’m with Craig and surprised you weren’t too keen on ‘Big Fish’! I really enjoyed ‘Charlie and the Chocolate Factory’ and ‘Sweeny Todd’ but I wasn’t too thrilled with ‘Alice in Wonderland’. That review should be posted Friday and I don’t plan on being too kind. I really don’t think you’re alone in your opinion of Burton. He is hit or miss for the most part.