by Steve Habrat
Even though Quentin Tarantino did not direct the 1993 romantic thriller True Romance, one would swear that it was made by the vigorous film buff. Directed by the late Tony Scott and written by Mr. Tarantino, True Romance is a fast, funny, gory, and sexy tale about gangsters, drugs, pimps, comic books, Sonny Chiba, Elvis, and some of the strangest characters you are ever likely to see in a motion picture. Hot of the success of 1992’s indie Reservoir Dogs and made just before 1994’s star-studded Pulp Fiction, Tarantino’s script is a fiery blast of nerdy dialogue and fizzy romance matched up with an all-star cast (Christian Slater! Patricia Arquette! Samuel L. Jackson! Dennis Hopper! Brad Pitt! Christopher Walken! Val Kilmer! Gary Oldman!), who all give insanely memorable performances. You can feel Tarantino’s energy humming through the entire project but it’s Scott’s edgy and flashy directorial style that makes this nearly two hour film seem like it is only about a half-hour long. Seriously, I couldn’t believe how quickly this film moves and how short it actually felt. While True Romance is always fun and exciting, the film sadly looses a little steam near the climax. Maybe I was just fatigued from the Scott’s hyperactive style and Tarantino’s fast paced film-referencing conversations that led up to the final confrontation. I mean, did you ever think there would be a film that references both The Streefighter and Terrence Malick’s Badlands?
True Romance introduces us to comic book store clerk Clarence (Played by Christian Slater), a nerdy loner who attends a kung fu triple feature on his birth. While at the movies, he crosses paths with a beautiful blonde named Alabama (Played by Patricia Arquette). The two hit it off instantly over pie and conversations about Elvis, comic books, and kung fu. After a night of steamy passion, Alabama reveals that she was a call girl hired by Clarence’s boss as a birthday present but that she has fallen madly in love with him. The two marry and Clarence decides that he is going to seek out Alabama’s pimp, Drexel (Played by Gary Oldman), and let him know that his blonde bombshell is quitting. This meeting between Clarence and Drexel doesn’t go according to plan and Clarance ends up killing Drexel and accidentally leaving with a bag of stolen cocaine. Unsure what to do, Clarance seeks out the help of his estranged father, Clifford (Played by Dennis Hopper), and plans to flee to California. Hot on Clarence and Alabama’s trail is a gangster Vincenzo Coccoti (Played by Christopher Walken) and his sadistic enforcer Virgil (Played by James Gandolfini). Once they arrive in California and hook up with Clarence’s buddies Dick Ritchie (Played by Michael Rapaport) and Floyd (Played by Brad Pitt), things really get dangerous.
True Romance is loaded with juicy Tarantino moments, the ones where characters sit down to have a completely quotable conversation. You will be fighting off a grin during a diner conversation between Slater’s Clarence and Arquette’s Alabama. Comic geeks will swoon when Clarence takes Alabama to the comic shop where he works and they share a kiss over the first issue of Spider-Man. Fear not, folks, the great chatty moments don’t stop there. There is a hilarious scene where Hopper and Walken fire up cigarettes and have a war of words before one of them is staring down the barrel of a gun. And we can’t forget any dazed zinger that comes from Pitt’s Floyd. For as talky as True Romance gets, Tarantino and Scott deliver some seriously nasty moments of violence. The showdown between Drexel and Clarence will get the blood pumping something fierce with all its claustrophobic brutality while Alabama receives a vicious beating from Virgil, as he demands to know where the big bag of cocaine is hidden. And then there is the strangely beautiful gunfight at the end that has three groups going toe to toe as feathers and cocaine fly through the air.
True Romance may be a whirlwind of geeky chats and stomach churning violence, but it would be nothing without the oddball performances from its all-star cast. Slater is a knockout as Clarence, a comic and B-movie geek who finally gets the girl. His opening moments with Arquette are out of this world as they get to know each other over popcorn, pie, and Sonny Chiba. Arquette as a ray of sunshine with a violent streak, moved to tears when Clarence kills someone for her. Oldman gives a jaw-dropping performance as Drexel, the dread-locked pimp who chows down of Chinese while taking in The Mack. He taunts Clarence by calling him a “regular Charlie Bronson!” Walken gets a fine cameo as a soft-spoken gangster who cackles when Hooper insults him for his Sicilian background. It’s a small role, borderline cameo, but Walken nails it like he is the star of the show. Hooper leaves crazy on the shelf as Clarence’s father, a washed up ex cop who seems to be living a lonely existence with his dog in a rundown trailer. Pitt is absolutely hilarious as Floyd, a stoner rooted to the living room couch. He’s hysterical when he asks a handful of gangsters if they want to get high. Rapaport is his usual restless self as Dick Ritchie, an aspiring actor who is consistently exasperated with Floyd. And then there is Val Kilmer as Elvis, an apparition that appears and whispers words of encouragement to Clarence.
If you’re a cinema buff or a comic book fan, True Romance should be essential viewing for you. It’s consistently clever, retro, funny, pulpy, and heart pounding all while bopping along to Hans Zimmer’s score that pays tribute to Malick’s Badlands. When the film swaps the snowy streets of Detroit for the sun-kissed streets of California, the film looses some of the momentum it had gathered early on. The end showdown is visually thrilling and certainly a bloody, gory show, but the viewer is suffering burn out from the white-knuckle pace of the rest of the film to really appreciate it. Still, its worth catching True Romance simply to see this cast really let their crazy sides fly and it’s the true definition of entertaining. It’s also worth it to catch Pitt in a hilarious haze of marijuana smoke and lukewarm beers. Overall, its hard not to wonder what Tarantino would have done with the film had he directed it but Scott shapes all the action into a banshee of a thrill ride. Just make sure you keep a B-movie history book close by and you brush up on your comic knowledge. It will lead to a deeper appreciation of the film.
True Romance is available on Blu-ray and DVD.
by Steve Habrat
After Tim Burton took Batman to the darkest depths of evil’s soul in 1992’s Batman Returns, Warner Bros. wanted to make the Batman franchise friendlier to families all over America (No death to children here!). With Burton out of the director’s chair and wearing the producer’s hat, Joel Schumacher steps in to brighten the mood, yanking the brooding Batman out of the shadows and tossing him head first into a world of neon lights and rubber nipples on the Batsuit. Schumacher’s Batman Forever, the third installment in the franchise, was without question the grandest Batman film to date. It sprints all over this art deco Gotham City that looks more like a nightclub than an actual metropolis. Some of the dark tones of the original two films remain loosely in tact and newcomer Val Kilmer, who steps in for Michael Keaton, refuses to quit brooding as Bruce Wayne, but the film welcomes in two campy villains, an annoying sidekick, and a homoerotic feel that turns Batman and his antagonists into glam rock drag queens with no purpose or direction. Completely reversing the plot to create a darker Batman, Schumacher takes things back to the campy 60’s television series that starred Adam West as a much more cartoonish version of the Dark Knight and in the process, he horrifies Batfans everywhere.
Batman Forever begins with the dreaded Harvey Dent/Two-Face (Played by Tommy Lee Jones), the former do-gooder D.A. of Gotham City, terrorizing the good citizens of the sprawling city. He blames Batman (Played by Val Kilmer) for not intervening in a courtroom accident that left half of his face horribly scarred. Two-Face soon finds an ally in the rubbery terrorist Edward Nygma/The Riddler (Played by Jim Carrey), a disgruntled former employee of Wayne Enterprises who is out to stick it to his idol, Bruce Wayne. The Riddler devises a way to suck the secrets out of the heads of the helpless citizens of Gotham, which allows him to get inside Batman’s mind and figure out his true identity. Meanwhile, Bruce Wayne has assumed responsibility for the young Dick Grayson (Played by Chris O’Donnell), who watched helplessly as his parents were murdered by the bloodthirsty Two-Face. As Dick spends more and more time in Wayne Manor, he begins to suspect that Wayne is hiding something and he is determined to find out what that secret is. As The Riddler and Two-Face close in on the city, Bruce Wayne begins to grapple with his true identity, leading him to consider hanging up the cape for good.
In the past, I have criticized Burton’s Batman films for not exploring the psychology of Bruce Wayne and what drives him to dress up like a giant bat. Schumacher’s Batman Forever attempts to wrap its head around why Bruce does this and while I admire the effort, it is shoddy and half-hearted. Bruce is urged by love interest Dr. Chase Meridian (Played by Nicole Kidman) to face down his demons, which leads to a handful of moody flashbacks that are ripe with the darkness of the first two films. Unfortunately, a good majority of this side plot was removed from Batman Forever due to the studio’s fear of venturing back into the dark side of Batman. This is just one of the missed opportunities in Batman Forever. There are tons of moments that appear to be going in the right direction but are thrown off by studio interference. Many are quick to place ALL the blame on Schumacher, labeling him the only person responsible for Batman crumbling to glittery ash, but I think Warner Bros. also played a part in this monstrosity. I was always hesitant to put all of the blame on him because you will catch glimpses of the film that Schumacher wanted to make. There are some bleak touches to be found if you are willing to look closely, something that saves Batman Forever from being a total turd.
Another positive that Batman Forever has working in its favor is the casting of Val Kilmer as Bruce Wayne/Batman. Kilmer continues to play Wayne with a straight face, refusing to stop and wink at the audience even when Schumacher slaps nipples on his armor. When he puts on the Batsuit, Kilmer communicates in a whisper that does seem perfect for a guy dressing up like a giant bat, which softens the blow of campy lines of dialogue like, “I’ll get drive-thru.” Things really hit rock bottom for Kilmer when he is forced to team up with O’Donnell’s Robin, who does nothing to lift the creeping veil of camp that is slowly draping over the film. Schumacher also hints at a homosexual spark between the two crime fighters, which would be okay if the previous two films had hinted that Bruce grapples with his sexuality but that isn’t the case here. Kilmer is forced to morph the brooding hero, who has had feelings for Vicki Vale and Selina Kyle in the past, into a bisexual with an identity crisis. It’s a bizarre touch to throw into the series in the third quarter but Kilmer keeps a cool head with the murky twist.
To make things worse for Batman Forever, O’Donnell has no clue how to approach the Boy Wonder. At times, he wants to be just as brooding and dark as Kilmer’s Bruce Wayne and at others, he wants to be a party-boy rebel without a real cause. I had mixed feelings about his character but he really rubbed me the wrong way when he jacked the Batmobile and takes it out for a joyride. Personally, I could have done without the inclusion of Robin, as I personally have never been a huge fan of the character. Then we have the two villains, both who lift the buffoonery of Nicholson’s Joker but forget the measured menace that made his character so unforgettable. When Carrey isn’t on the screen with him, Jones actually knows how to handle his split-personality wacko but whenever the question-mark-clad Carrey enters the scene, the two seem like they are in a contest to see who can out-camp the other. Carrey wins the contest and turns the Riddler into a heavily caffeinated version of the Joker who loves one-liners and loves light-up jackets. Jones and Carrey do an admirable job with the material they are given, but I wish they weren’t asked to act like they are two giddy teenagers. Matching Kilmer’s somber tone is Nicole Kidman’s sexy psychologist (a fitting love interest for this film), who is here to coax the demons out of Wayne. Also back is Michael Gough as the faithful butler Alfred, who contributes another quality performance, and Pat Hingle as Commissioner Gordon, who once again has absolutely nothing to do with his iconic character.
As I stated earlier, Batman Forever was the biggest Batman film at the time and Schumacher loads it with enough action to live up to that reputation. The film does have some marvelous sets even if they do turn Batman Forever into a gigantic neon dance club. The fight scenes lack the brutality of Batman and Batman Returns, at times seeming like the characters are dance fighting (It wouldn’t surprise me if they were) rather than actually fighting for their lives. Schumacher and his crew hope to overwhelm us with action and eye candy so that we won’t notice the fact that the film basically has no plot and they almost succeed. Luckily, Kilmer is a nice fit for Batman and it is a shame he didn’t stick around to elaborate on his performance, but I can’t say I blame him for abandoning the character when the studio is more interested in selling toys rather than making something coherent. Overall, Batman Forever is a regressive film that appeals more to kids than it does to the adult viewers looking for something substantial and weighty. Oh well, at least there wasn’t any “Wham” or “Pow” to speak of, which was a relief for a film that hits the ground with a campy joke about Batman stopping for drive-thru.
Batman Forever is available on Blu-ray and DVD.