by Steve Habrat
While Rob Zombie tried his damndest to put his own fresh spin on the Halloween series while also staying true to the original story in his 2007 remake, you could tell that Zombie was on a short leash. It felt like he was holding something back, whatever that something was. Initially, Zombie swore he would not make a sequel to his remake but after the studio threatened to make a sequel without him, he agreed to slip back into the director’s chair to prevent someone else from desecrating his vision. Personally, I felt his vision was complete and that it really didn’t need a sequel but you know how Hollywood is. Apparently, they wanted to ignore the period he placed on the end of his film. In 2009, Zombie unleashed the deranged funhouse Halloween II, a meaner, bloodier, and busier follow-up that has to rank as one of the most unusual slasher horror films I have ever seen. Even more hit or miss than his 2007 reboot, Zombie attempts to mix exploitation gore, surreal black and white horror, and Michael Myers together and the results are… interesting. Halloween II finds Zombie off his leash and fully embracing that something that he was holding back. That something, it turns out, is full on brutality and countless nods to the classic horror that inspires him.
Picking up just moments after the first film ended, Laurie Strode (Played by Scout Taylor-Compton) is found wandering the streets of Haddonfield with a gun in her hand. Badly injured and in severe shock, Laurie is taken to the emergency room where her wounds are cleaned and mended through ear splitting cries for her family and friends. A year passes and Laurie, now a punk rock rebel who suffers from horrific dreams, is under the care of Sheriff Lee Brackett (Played by Brad Dourif) and shacking up with fellow survivor Annie (Played by Danielle Harris). As Halloween approaches, Laurie’s dreams begin to hint that Michael Myers (Played by Tyler Mane) may not be dead at all. Fueling Laurie’s fears is the fact that the authorities never found a body. Meanwhile, Michael has been searching for his long, lost sister and finding encouragement from the apparition of his deceased mother (Played by Sheri Moon Zombie). To make matters worse, Dr. Samuel Loomis (Played by Malcolm McDowell), who is no longer the good doctor he once was, is capitalizing on the massacre that ripped the small town apart.
While Halloween II has been panned by critics and dismissed by fans as being one of the worst films in the Halloween series, I have to say that I actually found the film fairly entertaining even if it is gleefully repulsive and slightly unfocused. I will agree that the plotline of the film is a mess and that things don’t tie up like Zombie wants them to but the film has such a striking visual approach that it was easy for me to dismiss many of the flaws. I loved the gothic, dreamlike sequences that Zombie uses to cut up his grainy, foul-mouthed slasher exercise. I actually found them to be quite spooky and glaringly Zombie, something that was severely lacking in the 2007 remake. I also really liked the look of Michael in this film. Minus a pair of bloodstained coveralls and half a mask, Michael is filthy dirty and proud of it. Another new touch is Michael’s loud grunts as he brutally stabs to death countless more victims who bump into him. It certainly is a new take on the character and it does deviate from what we have become used to but that is why I like it. While I still prefer silent, coverall-clad Mikey, this one still makes my skin crawl in a good way.
As far as Scout Taylor-Compton goes, her Laurie has undergone a strange shift in character since we last saw her. No longer as buttoned up as she was in the remake, the dark side hinted at has been unleashed and boy, is she grungy. Her shift is unusual, there is no doubt about it, but I feel like Zombie could have found another way to convey that she has embraced more of a darker side after her encounter with Michael. She hangs out with a duo of punk rock chicks that work in a local record shop but these friends are left severely undeveloped and only there to meet the sharp end of Michael’s knife. If you think Laurie’s shift in character is out of left field, wait until you get a load of Loomis. Acting like an arrogant jerk, Loomis is a hot shot flirt who makes big money off of ugly tragedy and it is the complete opposite of what we saw in the first film. I hardly believe that Loomis would have such a drastic shift in his character after getting beaten up by Michael but I guess anything is possible. Dourif is still great as Sheriff Brackett and Danielle Harris works hard as the still-shaky fellow survivor Annie. Sheri Moon Zombie is also back as Michael’s ghostly mother, who encourages her son’s killing spree from the other side. It honestly feels like a way for Zombie to work his wife into the mix but her presence does give Halloween II the unique feel it possesses. Just like Halloween, Zombie throws in a number of B-horror fan favorites including Margot Kidder, ‘Weird Al’ Yankovic, and Richard Riehle.
Throughout Halloween II, Zombie also applies the psychological ‘White Horse’ theory, which he defines at the beginning of the film and then spends the next two hours cramming it down our throats. While I admire Zombie’s attempt to give the film a little psychological depth, he just goes overboard trying to convince us the film is smart. The film does have a seriously eerie opening sequence set in the quiet halls of a hospital while The Moody Blues moan in the background. It superbly pays tribute to the original Halloween II while also working double time to set itself apart from that film. The hospital sequence also features an awesome cameo from Octavia Spencer, who dies extra gruesomely. Steeped in bloody, tie-dyed visuals and unashamed to wear its inspiration on its sleeve, Halloween II comes out just ahead of its predecessor as far as I’m concerned. It feels more original and, dare I say, much more personal than the first film. I personally feel that this film solidifies Zombie’s place on the list of directors to pay close attention to. As he sharpens his skills as a filmmaker, I feel like he will really come up with something that is stunning visually and truly imaginative in the story department. All he needs to do is scale back on the repulsive dialogue and slow down. You can’t quite shake the feeling that Halloween II was rushed and that Zombie was under a lot of pressure to get this thing out. Overall, it certainly isn’t perfect but it is fun to see Zombie set himself apart from the formulaic pack.
Halloween II is available on Blu-ray and DVD.
by Steve Habrat
I think everyone remembers where they were when they learned that there was going to be a remake of John Carpenter’s 1978 flawless horror classic Halloween. I remember I was at my best friends house playing around on his laptop when we happened upon the news. We were in shock, unable to process the fact that there was going to be a remake of one of the scariest films of all time. While half not surprised that Hollywood was going to tinker with a great thing, it still made me sick to my stomach because I figured they would hand the film over to some John Doe director who would screw it up royally. My anger turned to intrigue when I learned that the film was being written, produced, and directed by shock rocker turned filmmaker Rob Zombie. Rob Zombie! While I was a fan of the 2005 splatter flick The Devil’s Rejects, I was so-so with his day-glow Texas Chain Saw Massacre wannabe House of 1000 Corpses. Well, opening weekend came and me and my chums piled into a car and headed to the local theater to check out Zombie’s remake and I must say, we were all fairly impressed with what we saw. Just as nasty, mean, and brutal as I figured it would be, Zombie’s Halloween was actually a surprisingly eerie slasher film that was equally parts new and familiar at the same time, striking just the right balance. It also helps that Zombie populated his dingy remake with a slew of familiar B-horror faces that would make most gore hounds grin from ear to ear. But the most astonishing thing of all remains the fact that the film isn’t nearly as bad as it could have been. Whew!
Halloween 2007 introduces us to young Michael Myers (Played by Daeg Faerch), a ruthlessly bullied boy who already suffers from deranged tendencies. Michael shacks up with his stripper mother Deborah (Played by Sheri Moon Zombie), her deadbeat boyfriend Ronnie (Played by William Forsythe), his older sister Judith (Played by Hanna R. Hall), and his baby sister, only finding affection from his loving mother. On Halloween night, Michael finally snaps from his relentless torment and brutally murders a school bully, Ronnie, Judith, and Judith’s boyfriend Steve. With no recollection of the murders, Michael is taken into custody and sent to Smith’s Grove Sanitarium where is put under the care of kindly Dr. Samuel Loomis (Played by Malcolm McDowell). As the years pass, Michael becomes more and more fixated on papier-mâché masks that he makes in his cell. Dr. Loomis begins to suspect that Michael uses the masks to hide from both himself and the world. Fifteen years pass and Michael (Played by Tyler Mane), now a hulking adult, has stopped speaking to everyone. On the night before Halloween, Michael escapes from his cell and begins making his way back to Haddonfield to find his baby sister, now named Laurie Strode (Played by Scout-Taylor Compton). As Dr. Loomis rushes to contact the authorities, the body count rises as Michael ruthlessly searches for the only person he loves.
The argument has been made that Zombie misunderstood what made the original Halloween such a terrifying experience. It was the fact that we didn’t know anything about Michael or why he is killing anyone who crosses his path. Over the years, he has become known as the “Shape,” the Boogieman walking among us in complete silence. With Halloween 2007, Zombie is forced to dive into Michael’s background and in the process; he explains literally every single aspect of the character. We learn why he wears that legendary mask, what made him snap, that he demonstrated psychotic behavior before he went on his killing spree, and that he is pretty close with that old Dr. Loomis. All of this is complimented with heaping amounts of gore and profane dialogue that does get a bit ludicrous at times. Trust me, I’m no prude but at points you can’t help but picture Zombie hunched over a computer straining to think of the most repulsive dialogue he can. He certainly succeeds. Even though Zombie explains everything, I argue that he had no choice but to explain away the character. What else was he going to do? Hardcore Halloween fans would have grumbled if he would have done a shot for shot remake and thankfully, he didn’t resort to that. I give Zombie credit for daring to try something new with the character and taking a peak behind that legendary mask rather than doing what has already been done. I can certainly say that he does make Halloween his own to an extent because he leaves the ending relatively the same.
The acting of Halloween 2007 ends up being a mixed trick or treat bag of sugary sweets and bitter sours. Sheri Moon Zombie is better at the big-hearted mommy than I ever thought she’d be. She is sort of hit or miss with me but here she proves that she possesses some dramatic depth even if she is forced to spit out cliché lines of dialogue. I really enjoyed her bickering and fighting with Forsythe’s abusive boyfriend Ronnie. He was a real piece of work but he doesn’t stick around long. Faerch is so-so as little Michael, a little too forced but he is creepy when he finally slips into madness. Tyler Mane plays Michael Myers exactly how you would expect him to. He cocks his head from side to side but he stabs, hacks, and slashes just a little more violently than he did in the 1978 original. McDowell was a welcome presence as Dr. Loomis, an interesting choice to play Michael’s psychiatrist. McDowell gives it his all and he comes out with the best performance in the film. Then there is Scout Taylor-Compton as the slightly annoying Laurie Strode, a buttoned up teen with a dark edge according the skulls on her black hoodie. There isn’t really anything that particularly stands out about her and that is precisely her problem. She does prove to audiences that she is a hell of a screamer and her cries of terror could wake the dead. Kristina Klebe and Danielle Harris are on board as Lynda and Annie, Laurie’s friends who lack the fizzy magnetism that they had in the original film but they provide a little eye candy. Brad Dourif is second to McDowell as the skeptical Sheriff Lee Brackett and boy, does he come close to stealing the film from the good doctor. For fans of B-horror, keep a look for cameos from Ken Foree, Udo Kier, Danny Trejo, Clint Howard, Sid Haig, and Sybil Danning, to name a few.
Zombie also makes the wise choice of including the iconic Halloween score, sped up and layered with a few more electronics by Tyler Bates. He adds a few new little synthesizer warbles here and there while paying tribute to the little electronic jolts that Carpenter threw into his film. Zombie applies (unsurprisingly) a grainy and aged look to the film with costumes and sets that are reminiscent of the late 70’s and early 80’s with a gloss of modern caked on. Where the original Halloween sees little to no gore at all throughout its runtime, Zombie brings buckets full of blood and guts to his hillbillies-from-Hell party. I will warn you that the film is exceptionally brutal and grotesque so be prepared and plan accordingly. While I do feel Zombie’s exhausting explanations do take away from some of the horror, I still have to give him credit for staying true to the original film’s story while also daring to add on a fairly engaging prequel. Is the film perfect? Oh no, it certainly isn’t. If someone asked me if I wanted to watch Zombie’s film or Carpenter’s, I’d go with Carpenter’s classic in a heartbeat. Overall, Halloween 2007 could have been much worse but it actually turns out to be a pretty entertaining slasher film with a filthy, razor-sharp edge. I’ll take this ugly beast any day over most other tired and hollow remakes.
Halloween 2007 is available on Blu-ray and DVD.