by Steve Habrat
Since May of 2008, Marvel has begun to hype their heavily anticipated superhero mash-up The Avengers with little Easter egg hints in the origin stories for Iron Man, The Hulk, Thor, and Captain America. It has been a torturous journey for Marvel fans but we finally have the crown jewel of Marvel superhero offerings and I’m just going to be frank when I say that it kicks a whole bunch of ass. Clocking in at just shy of two and a half hours, The Avengers is one gigantic nerd money shot, not bogged down by any longwinded origin tale or story set-up. With The Avengers, director Joss Whedon, allows his superhero titans to let loose and show off what they are capable of. There is a whole bunch of flying, jumping, punching, shooting, smashing, destroying, hammer throwing, shield throwing, missile launching fun that will keep a smile plastered across your face and drool splattering onto your Thor t-shirt. Yet The Avengers is even more of a triumph because it is actually a really good movie. This isn’t a big empty excuse that stretched things to get all these do-gooders into the same movie, which is what I feared when I first heard about The Avengers.
The Avengers begins in a remote research facility where a powerful energy source and portal known as the Tesseract is currently being held. The Tesseract suddenly activates, allowing the exiled Norse god Loki (Played by Tom Hiddleston) to step through the portal and attack the S.H.I.E.L.D. agents that are guarding it. Loki finds himself confronted by S.H.I.E.L.D director Nick Fury (Played by Samuel L. Jackson), who attempts to stop Loki from making off with the Tesseract. In the process, Loki declares war on planet earth and announces that he is in control of a powerful alien army that is capable of wiping earth out. Running out of options, Fury and Russian agent Natasha Romanoff/The Black Widow (Played by Scarlett Johansson) begin rounding up the exiled Dr. Bruce Banner/The Hulk (Played by Mark Ruffalo), weapons defense expert Tony Stark/Iron Man (Played by Robert Downey, Jr.), Loki’s brother and fellow Norse god Thor (Played by Chris Hemsworth), the recently rediscovered super-soldier Steve Rodgers/Captain America (Played by Chris Evans), and kidnapped assassin Clint Barton/Hawkeye (Played by Jeremy Renner). The group forms a rickety alliance and begins trying to find a way to stop Loki and convince him not to attack earth but it turns out that S.H.I.E.L.D. may be hiding a few secrets about the Tesseract of their own.
Every hero that makes up The Avengers team gets a classic moment that sent the audience members of the midnight showing I attended into a frenzy of cheering, whistling, hooting, and hollering. It helped when the sequences that were filmed in Cleveland blasted their way onto the screen, which really drove my audience wild. Every hero gets the opportunity to fight the other or team up to take on Loki’s relentless army of hideous aliens. A sequence where Iron Man and Captain America gang up on Thor is an earthshaking encounter as well as an aerial battle between Black Widow, The Hulk, and Thor. The Thor/Hulk brawl exceeded awesome when Hulk tries to lob Thor’s hammer at him but is unable to lift it. It is just as glorious as you might expect. The final battle almost exceeds words, each character getting a “HOLY SHIT!” moment that you will have to see to believe. Much has been made over the 3D in The Avengers, which was added in post production, many saying that it leaves a lot to be desired but I was actually impressed with it. Arrows fly out of the screen along with ruble, sparks, and more. Next to Avatar and Hugo, this is one of the movies that if you can see it in IMAX 3D, you should.
While the special effects will blow your mind, it’s Joss Whedon’s script that really sends The Avengers to the forefront of superhero movies. He catches us up on all four of the main heroes; so if you’re worrying about seeing the other films that have led up to this, don’t worry too much. You’ll be able to figure out what is going on with no problem at all. Whedon measures out every hero and gives him or her an equal amount of screen time so they can do their superhero thing. Mark Ruffalo is the newest member to this tights party and he smoothly settles in. He ends up being the best Bruce Banner/The Hulk of all the actors who have tried to tackle the role. Ruffalo is a poor soul who adds the grittiest emotion to the role (a scene where he discusses a suicide attempt will really stick with you), oozing with loneliness and longing for acceptance. Thor, Stark, and Rodgers are not far behind, as the three of them all have to come to terms with their outsider status. Rodgers tries to settle in at a time when the world may not even need him, Thor continues to act like a strutting brute, and Stark continues to act like a self-center brat. Hiddleston’s Loki proves to be a formidable foe for the dream team, a smirking baddie who can do quite a bit of damage on his own. I feared his character would be unable to carry the weight of the villain considering he wasn’t front and center in last summer’s Thor but he rises to the challenge and knocks it out of the park. The two characters that I would have liked to have seen more of and developed a bit further was Black Widow and Hawkeye, who only get fleeting hints at their past. You’ll forgive because Whedon is clearly trying to juggle a lot and pulling it off exceedingly well.
The Avengers does become its own worst enemy in a way. I found myself getting so caught up in the idea of the film (Four legendary superhero in ONE movie!) that some of the sci-fi chatter and story development ends up being overshadowed. When the heroes would sit down with Fury and discuss all the science behind the Tesseract, my mind would wander a bit from the story and I would become antsy for the next action sequence. It was clear that the entire theater was getting restless during these scenes and craving more explosions, rescues, brawls, and more. There is a flipside to this and it works in the film’s favor. Since I have seen the film, I have been itching to get back to the theater to see it again and invest myself more into the story. This isn’t to say that The Avengers is a difficult film to follow (it certainly isn’t) but the gimmick of spectacle outweighs the story every step of the way. But hey, what do you expect from a summer blockbuster?
Despite a few minor hiccups, The Avengers is still a must-see action extravaganza that will be one of the biggest films of the summer. It has everything you could want in a superhero movie and then even more that you didn’t even know that you wanted. The Avengers is Marvel’s best film to date and I fear almost every film they do in the wake of it will pale (unless of course it is another Avengers movie). The film has a strong script with applause worthy one-liners, pristine CGI (get a load of Hulk!!), devoted performances, and a strong patriotic spirit that leaves American soil and infects everyone around the world. Kicking the summer movie season off with a nuclear explosion, The Avengers will awaken the inner fanboy or girl in each and every one of us, even if you think there isn’t one to be found in you. A top-notch crowd pleaser of the highest order.
In case you haven’t checked out my reviews of last summer’s Thor and Captain America: The First Avenger, you can check them out before you head out to see The Avengers by clicking the links below! Also, throughout the evening I will be posting some updates from the midnight showing. I may post some pictures, comments, and just general coverage of one of the biggest films of the year from one of the places it was shot: Cleveland, Ohio. The updates will be attached to this post, so just scroll down under the two attached reviews! Who knows what I may get and keep your eyes on the Anti-Film School Twitter (Follow us if you haven’t already!) for updates as well. So, let’s kick this summer off with a bang!
-(Theater Management) Steve
Click here to read the Anti-Film School review of THOR
Click here to read the Anti-Film School review of CAPTAIN AMERICA: THE FIRST AVENGER
All next week, Anti-Film School is being taken over by Marvel Studios movie reviews! I am doing this in honor of The Avengers, which hits theaters Friday and is destined to be a huge hit. As a massive comic book fan and collector, I am extremely excited to be posting reviews of The Punisher (2004), Hulk (2003), The Incredible Hulk (2008), Iron Man (2008), and Iron Man 2 (2010), all leading up to Friday’s review of The Avengers. It is time to get excited for the summer movie season and it certainly looks like it is starting with a bang on May 4th. So, comic fans, drop in tomorrow as The Punisher will be kicking things off!
-Theater Management (Steve)
For those who don’t know me, I am a huge comic book fan (Batman is my favorite and yes, I am beyond excited for The Dark Knight Rises) and many of you know that The Avengers hits theaters this May. The Avengers filmed major action sequences in downtown Cleveland, Ohio, which is just a short little drive from me (less than a half hour). I went downtown to check out some of the filming and I have to say, The Avengers looks mighty impressive. Here is the new full length trailer for the superhero epic that features Iron Man, The Hulk, Thor, and Captain America! You’ll watch it twice. Trust me!
The Avengers hits theaters May 4th.
by Steve Habrat
Another year has come to a close and I know I will fondly remember 2011 as the year nostalgia ran rampant through cinema. We couldn’t get enough of the retro throwbacks that Hollywood dumped onto us! It touched horror (Insidious), superheroes (Captain America: The First Avenger), dramas (The Artist), thrillers (Drive), and even more than that. Many proclaimed that the year was lacking strong, well-made films that will live on but I have to disagree with those statements. I found 2011 to be a very good year for film with a number of wonderful films flickering across the silver screen. I will admit that, yes, the awards season was a bit dry with the usual awards tailored releases but one could make the argument that they were spread throughout the year. Hell, Spetember, which is usually the dumping ground for crappy movies, saw several great releases. So, my loyal readers, here is my picks for the 10 Best Films of 2011. I will follow the best with the honorable mentions and the 5 Worst Films of 2011.
10.) Tinker Tailor Soldier Spy
This Cold War thriller about a group of spies at the upper levels of British Intelligence trying to locate a Soviet mole that has apparently been walking among them for years is tense, paranoid, dry, and quietly threatening. With a discreet but brilliant performance from Gary Oldman and a slew of supporting acts not far behind (Toby Jones, Colin Firth, and Tom Hardy all give it 110%), Tinker Tailor Soldier Spy becomes a film not about the mole but about the casualties of the Cold War. The casualties are the egos, careers, and lives of the men and women battling this war where accusations are fired instead of bullets. I remained on the fence about including this film in my Best of 2011 list but as the days pass, I find myself being squeezed tighter and tighter by its frosty grip.
9.) The Help
You know that chick flick that wasn’t Bridesmaids or Crazy Stupid Love (both awesome movies, by the way) that your girlfriend really wanted to see but you groused about going to? Yeah, The Help. It was really, really good and you missed out. The Help was a dazzling and patient film that was a cry for female camaraderie while never isolating the male viewer. It was a film about speaking your mind while opening up and listening to those around us. It was a film about unlikely friendships and cathartic confiding in one another. It was also a really great drama with moments of howling hilarity and stinging heartbreak. So yeah, that film you refused to see because it was just a “chick flick”? Yeah, you might want to see it because it happens to be a whole lot more than just for “chicks”. See it also for the show stopping performances from Octavia Spencer and Viola Davis.
Moneyball is to baseball what The Social Network was to Facebook. Featuring a crackling script by Steven Zaillian and Aaron Sorkin and top notch performances from Brad Pitt as Oakland A’s GM Billy Beane and Jonah Hill as the number crunching Peter Brand, Moneyball is consistently engrossing. If you can’t get enough of the babble about how to properly recruit a player, you’ll be thrilled to watch a film about a man on a search to make concise and solid decisions yet has failed to make the best ones in his own life. Pitt throws himself into Beane and for the first time in quite a while, disappears completely in the skin of his character. Hill breaks from his funnyman typecast and delivers a brainy performance that will open up more doors for him in the future. Even if you are the furthest thing from a baseball fan, you will find yourself hanging on every word and every frame of Moneyball.
7.) War Horse
Steven Spielberg’s majestic and epic interpretation of Michael Morpurgo’s children’s book is a touching and traditional opus. The film is pure Spielberg, a feel good blockbuster that leaps across Europe spying on the regal horse Joey and the several lives that he touches as he navigates through war torn landscapes. The film is complimented with an extraordinary score from John Williams that will become just as iconic as his scores for Star Wars, Indiana Jones, and Jaws. Whether you are jolted by the intense WWI battle sequences, marveling at the jaw-dropping cinematography, or still reeling from the barbed wire sequence, everyone can agree that War Horse is a cinematic triumph for, yes, all ages.
6.) The Girl with the Dragon Tattoo
Director David Fincher’s frigid crime thriller that follows a disgraced liberal journalist and a punk rock hacker is a mature thrill ride that will leave you the viewer scarred. Refusing to pull any punches, Fincher’s take on Stieg Larsson’s source material is fully realized, confident, and just as unpredictable as its heroine Lisbeth Salander. Mara transforms herself into the troubled and prickly hacker while also making her extremely charismatic. Daniel Craig has fun as a man trying to repair what is left of both his dignity and his career. Just as graphic as you’ve heard (there is not one, but two squirm-inducing rape sequences), intense, and featuring the coolest opening credit sequence of any movie in 2011, The Girl with the Dragon Tattoo leaves you pinned to your seat. You will also never listen to Enya’s “Sail Away” the same way ever again.
5.) The Artist
The nostalgia of 2011 hit its peak with the silent French film The Artist, a vivacious film about a silent film actor facing the death of the silent film. The Artist proved that we do not need loud action sequences, explosions, or words, for that matter, to be deeply affected by a motion picture. It also stands as a tribute to artists themselves, who stand by the medium that they contribute to. The Artist thrilled us with haunting images, on point slapstick, and gooey gobs of cuteness. Good luck getting the performances from Jean Dujardin and Bérénice Bejo out of your head. You’ll also eat up all the affection that director Michel Hazanavicius bestows on every single frame. You’ll find yourself longing for a musical sequel and to relive the chemistry between the two leads. Trust me.
4.) The Tree of Life
Terrence Malick’s cosmic symphony of creation and evolution is so resplendently beautiful, it will practically drive you crazy. You’ll never forget the vivid swirls of the creation of the universe sequence or the crystal clear wonder in 1950’s suburbia. While the film is truly a work of art to gaze at, the film is made even stronger by the performances at the heart of it. Brad Pitt as a stern and cynical father who possesses an explosive temper will strike child-like fear into the viewer and Jessica Chastain as a naive and awe-struck housewife is graceful and inviting. The real beauty of The Tree of Life is in what you take away from the film. To me, Malick seems to simply be reminding us that life will throw some emotional curves at us, but don’t ever forget to stop and take in the glory around us.
3.) The Descendants
Paradise is not all its cracked up to be in Alexander Payne’s The Descendants. George Clooney gives the best performance of his career as Matt King, a man whose wife is comatose from a boating accident and while she is in the hospital, he learns she was having an affair. Doleful and sporadically hilarious, The Descendants moved me beyond words and at times, is almost unwatchable due to the mental and emotional beatings that King takes. While Clooney steals the show, his troublemaker teenage daughter Alexandra, played by Shailene Woodley, is the life vest keeping King’s head above water. You’ll feel every blow that life dishes out to King but that is what makes The Descendants so emotionally raw, real, and just plain great.
Nicholas Winding Refn’s rough and tough thriller Drive has been wrongfully overlooked this awards season. It’s an unabashedly cool art house thrill ride that is one part homage to the 1980’s and one part existential tribute to Alejandro Jodorowsky. Featuring moments of angelic tranquility and fits of nerve frying rage and unflinching gore, Drive dared to be different and all the more power to it. Featuring the one-two punch of Ryan Gosling’s loner, nameless Driver and the erratic brutality of Albert Brooks’ gangster Bernie Rose, Drive isn’t simply all muscle with nothing under the hood. The film boasts the coolest soundtrack of the year, features moments that are instant classics (the head stomping scene, the opening car chase), and is the epitome of badass, all while taking you for a ride you’ll never soon forget.
There is a scene in Martin Scorsese’s Hugo where our child protagonists Hugo and Isabelle take a trip to the movies. Scorsese’s camera captures their wonderment, their gasping thrills, and their imaginations running wild all while they have smiles plastered across their faces. They are watching their dreams of adventure play out on a larger-than-life screen and they haven’t a care in the world. This is why I go to the movies. For two hours, I get to forget the outside world and I get to step into another, one where my dreams come alive and my imagination is at play. While Scorsese’s ultimate message is the call for film preservation, one I can stand behind, Hugo is alive with the love of cinema. If you are willing to immerse yourself in its glorious 3D universe that Scorsese meticulously creates, you will want to remain in the world along with Hugo and thrill as he darts around the 1930s train station that he calls home. A film that is tailored for film fans and film students a bit more than the casual moviegoer, Hugo is a love letter delicately written and magnificently composed by a living legend. Hugo is why I go to the movies.
– Crazy Stupid Love is a return to form for the romantic comedy genre.
– Midnight in Paris is a return to form for Woody Allen and is unapologetically charming.
– Thor, Captain American: The First Avenger, and X-Men: First Class were all stellar comic book offerings from Marvel Studios.
– Super 8 was a super cool retro action/science fiction film that fans of 1980s Spielberg gushed over. Myself included.
– The Adventures of Tintin was a rollicking nod to Raiders of the Lost Ark and stood as the best animated film of the year.
– Rango was quirky tribute to Chinatown, Fear and Loathing in Las Vegas, and Sergio Leone.
– Insidious was a flawed but fun haunted house freak out.
– Mission Impossible: Ghost Protocol was the best and most nerve-racking action film of the year.
– 50/50 was at once hilarious and heartfelt. Be prepared to wipe away a few tears.
2011 also had its fair share of cinematic duds and man, were they disappointing. For my Worst Films of 2011, I chose not to go for the easy choices (Bucky Larson, Jack & Jill) and go for the films that had potentially but fell short of their expectations. These were the ones that hurt bad and were an immense challenge to sit through. These are the films you should have stayed far away from in 2011.
5.) Cowboys & Aliens
Not a downright awful movie but given the talent surrounding this science fiction/western mash up, it should have been a hell of a lot better and much more fun. Flat and one note, this clunker threw one lifeless action sequence after another at us, never once getting an “Ooooooh” or an “Ahhhhh” from its viewer. The aliens were also pretty lame looking too. Daniel Craig tries his hardest but he can’t save this one. Heck, not even a naked Olivia Wilde had the magic!
4.) Green Lantern
The only superhero outing from DC Comics this summer turned out to be a candy colored nightmare of trippy special effects and a cluttered script. Ryan Reynolds as the cosmic cop was also a pretty horrible choice on the part of the filmmakers. It didn’t help that Warner Brothers tried to make this the successor to the mega successful Batman franchise and they ended up marketing the film to death. Weird and with more shifts in tone than you could shake a green ring at, Green Lantern was headache inducing and laughable, with enough plot holes to fuel a dozen terrible blockbusters. If you don’t believe me, just watch the massive climax of this thing. You won’t believe your eyes.
3.) Breaking Dawn Pt. 1
America, don’t you feel the slightest bit of shame that this passes for pop culture in our country? The Twilight Saga struck again in 2011 and left countless girls and grown women (You all should know better) swooning over Taylor Lautner and Robert Pattinson yet again. With nothing resembling a plot, Breaking Dawn Pt. 1 existed for simply one reason: To cheat young girls and grown women out of ten bucks. And sadly, they flocked right to Lautner’s abs like moths to a light bulb. If you are not a part of the hysterical hype, you will want to bash your head against the wall while you watch this.
2.) The Hangover Part II
Before all the girls were robbed blind while hyperventilating over the sight of Lautner’s abs, bros everywhere were robbed blind while howling over the painfully unfunny jokes by Zach Galifinakis and his brutish wolf-pack. An unnecessary sequel that did nothing to elaborate on the mostly unfunny first installment, The Hangover Part II was offensive in almost every possible way. If you missed this while it was in theaters, don’t fret and certainly don’t go seeking it out. It seemed like near the end of its theatrical run, the film lost steam as many people started realizing that this was a flat out horrendous movie. Maybe there is a God. Seriously, folks, this is an ugly, ugly movie that should have never seen the light of day.
1.) Battle: Los Angeles
Bad doesn’t even scratch the surface of the vociferous, stupid, and aggravating Battle: Los Angeles. You couldn’t tell if this abomination was supposed to be the most expensive commercial for the Marines ever made or the unholy brainchild of a kid who watched District 9 too many times and was obsessed with Call of Duty: Modern Warfare. Whether you’re cringing over the eye-rolling dialogue, trying to decipher just what the hell is going on in the non-stop gun fights, or trying not burst out laughing when the film goes for the dramatic territory, one thing is for sure, Battle: Los Angeles was the worst thing Hollywood dumped on audiences in 2011! Avoid it like a plague.
by Steve Habrat
In a summer where the local movie theater has been besieged by tights–wearing superheroes who mostly found their allegiance to the Marvel camp, it was only a matter of time before one of them stumbled over their cape. This is not to say that we haven’t had a good summer movie season so far. Thor was an unexpected treasure and X-Men: First Class sits nicely at the top as one of the greatest to come out in quite a while. Now, we have DC Comic’s offering and his name is the Green Lantern. Perhaps you’ve seen a TV spot or two for this one? Or maybe a poster or three? Warner Bros. has launched a massively epic promotional campaign for Green Lantern in an attempt to lure crowds to the movie theater and I think I know why—because he is so excruciatingly un-extraordinary it becomes almost unfathomable. Green Lantern doesn’t really DO anything! He just spouts off one-liners, flies around in a green suit, and hits on Blake Lively. That pretty much sums up the experience of Green Lantern—it doesn’t particularly have much to do. It just thinks it does.
To be fair, I know basically nothing about the Green Lantern. I know he sports a green suit and has a magical ring that lets him create anything that he wants. That was as far as my knowledge went on the DC space cop. I didn’t know that the lore was alien-heavy and drenched in a vibrant day-glo ambiance. His first cinematic outing showed promise by a decently edited trailer and the presence of director Martin Campbell, who shocked the Bond franchise back to life with what I believe to be the best Bond film ever made, Casino Royale. But Green Lantern is a gigantic neon mess of a movie. The film boasts four writers and it’s painfully obvious. The film also inexplicably appears to be directed by three different directors, as it can’t decide on one specific tone. One moment it’s a light-hearted superhero flick for kiddies, the next second it’s a trippy sci-fi action film, then it shifts into dark and gritty territory, then a self-discovery drama, and finally taking the camp route all while drenching itself in endless clichés. It does manage to cough up a few bright moments every once in a while, which makes this jumble somewhat more endurable.
The film starts off with a complex back-story that I wont dive into in my review. I will however tell you this—the movie follows Hal Jordan (played by the wise-cracking Ryan Reynolds) who is an irresponsible hotshot pilot for the Air Force. One night, dying purple skinned alien Abin Sur, who has crash-landed on earth after narrowly escaping a menacing encounter with the hair-raising Parallax, rips Jordan away from his nephew’s birthday party. Abin Sur proceeds to tell Jordan that his Green Lantern ring has chosen him as his replacement in the Green Lantern Corps. Thus begins Jordan’s journey as the Green Lantern, the first human chosen as one of the protectors of the galaxy. Soon the same force that killed Abin Sur threatens Earth and it’s up to Jordan to defend mankind. Green Lantern of course has a love interest. She’s fellow pilot Carrol Ferris (played by The Town’s Blake Lively), who criticizes Jordan for his reckless behavior and has apparently been burned by Jordan in the past. She naturally still houses feelings for him and vice versa. Jordan finds himself envied by the eccentric and timid scientist Hector Hammond (played by the superb Peter Sarsgaard), who accidentally contracts the powers of Parallax in an autopsy on Abin Sur.
Somewhere in Green Lantern, there is a good movie trying to get out. Instead it settles for mediocrity. The Green Lantern’s ring provides him with the ability to create anything his imagination conjures up in a battle with a baddie. At one point, he creates a Gatling gun and in another moment, he creates a racetrack and turns a crashing helicopter into a dragster. In a back alley brawl, he dreams up a giant fist and knocks three thugs on their asses. It’s a neat gimmick that is rarely utilized by the film. It simply never makes a big deal about this ability and instead it subtly shows up from time to time. Further troubling is Reynolds himself, he at times looks like he is so bored in this role and that he’s secretly dreaming he’s on the set of a different movie. He shows absolutely no commitment in Hal Jordan and gives him about as much depth as a kiddie pool. He plays Jordan like a bad imitation combination of Bruce Wayne and Tony Stark. I was troubled from the get-go over his casting and the film only solidifies my concern. Just like his superpower power, he is exceedingly lackluster.
Given all the talent that signed on to the movie (Tim Robbins!?), there is one shining star among the group and that is Sarsgaard’s Hector Hammond. If they are to do a sequel to this, and I’m quite sure that they will, they should make a prequel about Hammond. He’s the only character that isn’t a walking cliché from another superhero movie. He’s an intriguing antagonist and his descent into homicidal madness is the films high point partly because it is basically the only part of the film that provides some real emotion. He slithers through the role as if he’s the only one aware of how bad everyone else is in it. He’s the only one who shows any effort. The most thrilling part of the movie is the climatic showdown between him and the Green Lantern. Unfortunately, it’s all too brief.
Green Lantern further blinds the audience to its mediocre story with heaping globs of neon CGI. It’s non-stop eye candy that is agonizingly artificial. The people behind this thing poured so much into the visuals that they completely forgot to give the thing a human heart. Nothing seems genuine about it and it’s a tailor-made franchise flick. It does offer up a couple intriguing sequences, which are mostly the ones consisting of Hammond and Green Lantern duking it out. The rest are dazzling trips to Oa, the planet that the Green Lantern Corps finds its headquarters. It’s teeming with peculiar aliens that babble on with nonsensical mumbo-jumbo about fear but it’s a place that you won’t mind visiting.
Putting it bluntly, Green Lantern is a pretty lousy movie. Before the film came out, several Warner Bros. heads ranted and raved about how superb the script was for this movie. After seeing the finished product, it must have sounded better on paper because the film is a blatant cash cow franchise flick with absolutely no build-up, a limp hero, and weighed down with too much CGI. The film is impersonal, lacking any trace of spirit. It seems like they were desperate to have another superhero hit outside of Batman, given the tanking of Superman Returns. It’s too bad that the Green Lantern can’t use his ring and imagine a better movie, one that is not all over the place and with a back-story that is not quickly brushed over in a senseless action scene.
Green Lantern is now available on Blu-ray and DVD.
by Steve Habrat
It’s a great time to be a fan of comic book movies. The quality of these products have never been better and in the wake of The Dark Knight, there has been a scramble to craft another megahit superhero film that can submit both the spectacle and the complex storytelling that the mighty The Dark Knight mixed so brilliantly. While May’s Thor surpassed many of the recent releases as downright entertaining even if it was a bit hollow, the closest to perfection is without question X-Men: First Class. I always wrote off the X-Men films mostly because I found them to be quite inaccessible and their only appeal was to X-Men fanboys who were familiar with the countless hoards of mutants invented by creator Stan Lee. What ultimately rubbed salt in the wound was the flimsy origin tale Wolverine, which seemed to exist simply to be an indulgent pet project for the limitedly talented Hugh Jackman. It also put the bullet in the head of the X-Men film franchise.
Rejoice, fanboys! Marvel has cleaned house in their quality control department (Did you SEE some of the movies they were releasing before this summer? Seriously? Elektra? Ghost Rider? Anyone?!) and brought in Matthew Vaughn, the competent director of such films as last year’s underrated gem Kick-Ass and the ferocious dark comedy/gangster pic Layer Cake to shock the franchise back to life and infuse it with some fresh blood. Paired up with Bryan Singer, the director of the respectable X-Men, X2, and the lifeless Superman Returns, the two make a heady, personal, flashy, and swinging thrill ride that turns out to be the best origin film for superheroes since 2005’s Batman Begins. X-Men: First Class is set during the Cold War and finds itself besting the recent Cold War superhero extravaganza Watchmen in almost every way. It’s funny that this film would be the knockout punch to Watchmen, which many consider to be adapted from arguably the greatest graphic novel ever written.
Marvelously weaving history with the atomic age heroes, X-Men: First Class harkens back to when Professor X (Wanted’s James McAvoy) meets arch-nemesis Magneto (Inglourious Basterd’s Michael Fassbinder). Professor X, or Charles as we know him here, is a beer swilling genius whose groundbreaking studies on mutants is earning him a large amount of notoriety from the academic realm. Magneto, or Erik, is a bitter, shattered victim of the Holocaust. He is subjected to cruel experiments after it is discovered that he can manipulate metal. Erik vows revenge on the evil scientist who tortured him as a boy in a concentration camp. Jumping ahead into the early 1960s, a CIA operative discovers that mutants exist and are hell-bent on igniting nuclear war. The CIA seeks out telepathic Charles to locate and round up an army of mutants and train them to battle against the Hellfire Club, lead by one of the greatest superhero villains since Heath Ledger’s unforgettable turn as the Joker, Sebastian Shaw (an undeniably wicked Kevin Bacon). Shaw can absorb kinetic energy used against him, which grants him super strength and speed.
In writing, it sounds absolutely absurd. The film is aware that it is absurd and embraces its own absurdity, which remarkably, makes it impossible to resist. It’s campy one moment and the next; it’s ominous and heart wrenching. Perhaps Vaughn and Singer studied at the Chris Nolan school for superhero directors, because like The Dark Knight, the film features an electrifying climatic stand off that, as layers pull away, reveals one horrifying revelation after another.
X-Men: First Class also ends up breaking the golden rule when it comes to big budget blockbuster films—it has many subtle personal flourishes from its makers, mostly stemming from Singer, who is an open homosexual. The film becomes a rallying cry for acceptance from society. This actually adds to the power of the film, giving it a voice rather than just opting for the businesslike route it could have so easily taken. Marvel and the filmmakers have embraced some depth and given the characters some fleeting personality. While some of it is brief, the film does take place during a time when homosexuals were facing a great amount of prejudice as at this time, the American government deemed homosexuals un-American. Funny enough, the mutants face an eerily similar dilemma in the show-stopping climax.
This is a summer movie, after all, and the film does offer up its fair share of summer movie moments. The film becomes a showroom for stellar special effects, but Vaughn makes sure he does not loose his characters in all the action. The performances from its young leads are the true reason to see the film and they will leave you wanting a hell of a lot more. James McAvoy plays the party boy genius Charles with some unforgettable charm. And Michael Fassbinder flexes his acting muscle as snapping from sinister to heartbroken in the blink of an eye as Erik. One scene in particular hints that in the future, this man may have an Oscar in his possession. And bombshell Jennifer Lawrence as Raven/Mystique continues to prove that she is, in fact, more than just a bombshell and a serious actress even if she is spending much of the movie nude and blue. I also cannot ignore the impressive turn from Kevin Bacon, who plays one self-centered and cold-hearted bastard.
The X-Men series has finally returned to form and has left this guy wanting much, much more from it. Even at 132 minutes, it feels too brief and will have you hounding for a sequel if it doesn’t lure you back to experience it all again. While some of the characters are not fleshed out enough, you are willing to forgive as the film is taking on quite a few characters. It does it’s best and it’s best shapes up to be one of the greatest superhero movies ever made. You’ll be replaying the aerial battle between Beast and Azazel in your head for days. It thrills you to the core, but it will also creep on your emotions, which any great film should do. With expert direction and a seriously well-written script, X-Men: First Class strikes a perfect balance between blockbuster and character driven epic. You will not be disappointed. Bring on the sequel. Grade: A
X-Men: First Class will be available on Blu-ray and DVD September 9th.
by Steve Habrat
It’s official, boys and girls, the summer of 2011 belonged to tights clad do-gooders who saved the world countless times from certain doom. They protected the innocent from world annihilation and we cheered them on every punch and kick along the way. We saw three superheroes from the Marvel Comics camp and one lifeless cosmic cop from DC Comics. I feared that Marvel would have too heavy of a presence at the local cinema, but I have to commend them for the quality films that they delivered. They were smart, colorful, and just downright entertaining until the last villain was knocked out cold. I had some hostility to Thor at first, but after watching him hurl has hammer at Loki a couple of times, I was hooked. I loved his brutish arrogance and empathized with him when he had his powers taken by his old man Odin. I had my doubts about X-Men: First Class. I was convinced it would be a cheap money grab of a film that was just milking a name. What I saw was easily the most unsettling, brooding, and arresting superhero film since The Dark Knight. Sure, there were moments were it winked at it’s comic roots, but that earth shattering climax is a must see and was played absolutely straight. And how about Captain America? How could that not put a smile on your face?! It was a retro, rip-roaring escapade that was actually better the second time I saw it (and yes, I LOVED it the first time I went to see it). It was the kind of summer movie we wish for but we rarely get. We just get more transforming robot aliens and alien invasion movies (yawn).
Many audience members will be quick to argue that Harry Potter and the Deathly Hallows Pt. 2 was the real king of the summer but let me point something out to the ones who defend the Boy Who Lived until they are blue in the face: He had no staying power. As quickly as he made a bang, he fizzled. He quickly faded from the memory of audiences and we were right back to rallying behind Captain America. Sure, it was sad to see the Potter franchise finally come to an end but the film was honestly a bit underwhelming. I will give Potter credit, he now holds the title for the biggest opening weekend of all time but let’s not overlook those inflated 3D tickets. Thor opened to a respectable $66 million when it debuted, X-Men: First Class pulled $56 million, and Captain America mustered up $65 million respectably. And yes, I am aware Thor and Captain America were in 3D as well but they seemed to linger a bit longer near the top of the box ofice than Potter did. I still distinctly remember moments of Thor and I still shudder at the final frames of X-Men. The most distinct memory I have of Harry Potter was the jaw dropping teaser trailer for The Dark Knight Rises and few haunting images from the film itself. But as far as moments go in HP, I got nothing.
Perhaps the nation was under Potter fatigue. They were ready to just get the inevitable end over with. Yet I feel like more people actually saw Thor, X-Men, and Captain America than saw Harry Potter. I have one theory as to why audience members responded well to those three films. If we take a look at the news, all we see is one disaster after another. This year alone, we have seen the devastating tsunami that ravaged Japan, a shooting rampage in Norway, a shooting rampage in Arizona, another shooting rampage right in my backyard (Copley, Ohio), Casey Anthony found not guilty for the murder of her daughter, war in Libya, riots in Egypt, Hurricane Irene, etc. The world seems now more than ever in need of some form of hero. The times are undeniably grim and now, we are coming up on another anniversary of the horrifying September 11th attacks. Maybe that is why we flock to see the heroes vanquish evil. We need some form of comfort and even if it’s just pretend, we can still sleep better at night with the hope that someone will come around and protect us.
Next year, the summer movie season will see The Avengers, which teams up Thor, Captain America, Iron Man, and The Hulk to wage a war on terror in the form of Loki. We will see a fresh take on everyone’s favorite web head, The Amazing Spider-Man, and to top it off, we will see the third and final chapter in Batman legacy, The Dark Knight Rises. Next Christmas, we will see the return of The Man of Steel himself, Superman, to stand once again for truth, justice, and the American way. While I feel that Batman is really the only superhero to actually engage politically (rather blatantly might I add) as The Dark Knight is now acting as the defining film of the Bush era, there is still something about the remarkably wholesome Marvel good guys. If we also look at the suspected plots of these films, there are some rather disquieting comparisons to what many speculate will occur next year: An unstoppable, apocalyptic event. We see four powerhouse heroes joining together to fight Thor’s God-like half brother and (supposedly) a race of aliens in The Avengers. In The Amazing Spider-Man trailer, Dr. Curt Connors/The Lizard asks Spidey if he’s “Ready to play God”. Judging by the trailer, this will be a much darker portrayal of the character and there are a few moments of what appears to be apocalyptic action. But what does this particular line of dialogue mean? Spidey has to play God and save us all from destruction? And lets not forget that jarring trailer for The Dark Knight Rises. It is rumored that Batman is going to need a little help from Catwoman to defeat the brute force that is Bane and save Gotham from annihilation. Just take a looksy at the final image from the trailer, which shows Bane advancing on a winded, clearly in pain Batman. Gotham is going to need more than one hero to save it. When we look at The Man of Steel, all we can do is speculate, as we have no trailer to go off of. The main villain has been confirmed as being General Zod, who wields the same powers as Superman. Has Superman finally met his match?
It makes sense to me that both Marvel and DC Comics would unleash their A-team next year to protect us from the rumored apocalypse. Maybe it is to subconsciously reassure us and give some hope to the individuals who are convinced the apocalypse will occur. But one aspect is certain, that superheroes were the true rulers of this blockbuster heavy summer. Together, Marvel had a mighty pull and combined, the three films were a juggernaut. Combined all together, I suspect that The Avengers is going to become one of the highest grossing films ever made. And what about the hype that has surrounded The Dark Knight Rises? It’s poised to become another monstrous victory for superhero movies. So is the Boy Who Lived really on top? He won this battle, but he will most certainly fall to another do-gooder next summer. His triumph was brief. Enjoy it now Potter fans, because it’s a superhero world and we are all just living in it.