by Steve Habrat
With 2004’s Hellboy turning out to be a modest success, Guillermo del Toro was allowed to let a myriad of head spinning monsters out of his imagination in 2008’s Hellboy II: The Golden Army, a bigger, wilder, and groovier monster movie romp than his predecessor. Loaded with tons more ghouls to roam around, The Golden Army is shoulder to shoulder with some of the most exhaustive make-up effects put on film in the past several years. It helps that del Toro shifts from Revolution Studios to Universal Studios, home of the original monster movie, to really make the ultimate tribute to the classic Universal monsters of the 30’s, 40’s, and 50’s. The Golden Army also finds more enthusiastic devotion from Ron Pearlman, who seems like he was chomping at the bit to get covered in red make-up and have two filed down horns slapped on his forehead. Tapping into the reckless ennui that he so wonderfully applied in Hellboy, The Golden Army finds our big red hero dealing with relationship problems, pent up longing to interact with the outside world, fatherhood (!) and that nagging problem of having to save the world. Again. It’s all in a day’s work for Hellboy, the beer sipping, cat loving man-child.
The Golden Army begins with Hellboy’s (Played by Pearlman) relationship with pyrokinetic Liz Sherman (Played by Selma Blair) on the rocks. She exclaims that she can no longer stand living in Hellboy’s pigsty and that she needs some space. Hellboy confides in his best buddy Abe Sapien (Played by Doug Jones), the geeky psychic amphibious humanoid who always acts as the voice of reason for Red. To make things worse, Bureau for Paranormal Research and Defense Agent Tom Manning (Played by Jeffrey Tambor) is steaming mad at Hellboy for continuing to reveal himself to the public, despite the fact that the B.P.R.D is supposed to be kept a secret. After being called to investigate strange events at an auction house, Hellboy finds the perfect opportunity to reveal himself to the world and make it look like an accident. Hellboy isn’t welcomed into the world with open arms, many people taunting him for his striking appearance but that is the least of Hellboy’s problems. Agent Manning brings in a new authority figure by the name of Johann Krauss (Played by James Dodd and voice by Seth MacFarlane), a figure that wears a containment suit shaped like a human but that holds in pure ectoplasmic energy. Hellboy, Liz, and Abe begin rebelling against Johann but it is soon discovered that a mythical realm has declared war on the humans and that they plan to unleash the Golden Army, an invincible force that would destroy the human race.
Much like Hellboy, The Golden Army runs smoother when del Toro aims his camera at the sheltered trio of crime fighters who long for human interaction. It finds Hellboy staring down fatherhood, but it is hard to see the guy as a papa when he downs six packs of Tecate and stumbles around with Abe as they gripe about girls. The best moment of The Golden Army comes when Abe drunkenly spills his feelings about a girl that the trio is supposed by protecting. You’ll crack up when the duo begins slurring through love songs played at full blast. It is a delight to see the group bring their problems to work, all of them complaining on the job to each other but banding together when the bad monsters come out to play. The Golden Army also deals with the trio trying to fit in with the average citizens of New York City. They are teased on the street about their freakish appearances, something that really irks the testy Hellboy who responds with, “I know I’m ugly!” You’ll feel for the big red ape, especially when Hellboy saves a baby from a giant monstrosity and the mother rips the baby away from Hellboy in horror, something that really pierces the big guy’s heart.
The Golden Army would be nothing without Pearlman, Blair, and Jones, all who get their moment to really push their characters along. Pearlman is an absolute delight as Hellboy and I can honestly say I’d watch twenty Hellboy movies if he were in every one. Watching him try to mature and cater to Liz is hysterical, especially when he finds her toothbrush in a tin of cat food. Pearlman’s enjoyment with the roll is incredibly contagious and we find ourselves having just as much fun as he is. Blair perks up a bit here as Liz, but she is still the goth girl hero in combat boots that we came to adore the first time around. It is good to see her sulking about a troubled relationship and a secret she is desperately trying to hide from Red. Then there is Jones as Abe, who gets a tongue-tying crush of his own—one that he begins to realize will not end happily ever after. Then there is James Dodd and Seth MacFarlane’s Johann, a prickly voice of authority that successfully stands up to the boorish Hellboy. As far as the villains go, Hellboy finds himself battling against the fed up Prince Nuada (Played by Luke Goss) and his timid twin sister Princess Nuala (Played by Anna Walton). The elfish Nuada never really becomes an intimidating force to reckon with, the only catch being that if you harm Nuada, you can also harm Nuala. This puts the group at odds, especially when Abe develops feeling for the gentle Nuala. This is where The Golden Army flat lines, the lack of a truly compelling villain to really curl your toes. Luckily, that is why all those spine-tingling monsters are here!
Being a superhero movie, The Golden Army is filled out with plenty of action and adventure. A showdown in the streets between Hellboy and a giant forest god is beautiful and adrenaline pumping. Another battle between Hellboy and Nuada’s grotesque bodyguard Mr. Wink is also a standout. Del Toro ends his film in a grand, epic fashion by pitting the group against the marching Golden Army, the best fight scene of the entire film. While the film’s plotline may begin to creak and crack under the style that it is trying so desperately to hold up, the style practically superglues and staples your eyes to the screen. It makes you long for more movies from del Toro, ones where he can have all the artistic freedom he wants. Also, if Universal plans on remaking anymore of their classic monster movies, I think it would be wise to hand the project over to this guy. Still, I wish del Toro would have developed the underlying message of nature and man living in harmony a bit more than he does but this is a summer blockbuster and I’m sure there was a push for more eye candy and action. It just so happens that del Toro excels at eye candy as Hellboy II: The Golden Army has some of the tastiest eye candy around. Here’s to more monster movies in del Toro’s future!
Hellboy II: The Golden Army is available on Blu-ray and DVD.
by Steve Habrat
I may upset tons of people when I say this but I have never been the biggest fan of Seth MacFarlane’s Family Guy, the wildly popular animated television series that relies heavily on making one random joke about pop culture after another to the point where I almost get sick to my stomach. I’ve always found the jokes lazy, with MacFarlane hoping you’ll giggle at all the randomness he fires at you at rapid speeds. He’s also gone on to create two other animated series that have almost identical set-ups (American Dad and The Cleveland Show), one worse the other. With the popularity of Family Guy, you knew MacFarlane would eventually make the jump to the big screen and now he has with the surprisingly funny and warmhearted Ted, the first good comedy of the 2012 summer. If you worry that Ted’s premise will wear itself out, you are in for a pleasant surprise. Focusing on a raggedy teddy bear that has magically sprung to life, Ted has a charm you just can’t resist, no matter how hard you try. This profane little party animal will also surprise you with his humility he demonstrates late in the game, something I was not expecting at all but ended up really getting into. Yet the magic of Ted comes from the way that MacFarlane manages to work his pop culture referencing gags into a live action film and for the first time, making it seem like there was some actual thought behind all those geeky references.
On Christmas day, 1985, young Boston outcast John Bennet (Played by Bretton Manley) makes a wish that the cuddly teddy bear he received Christmas morning would come to life and be his best friend forever. John wakes up the next day and realizes that his wish has come true. After horrifying his parents with his creepy new buddy, John and “Teddy” scamper off to conqueror the neighborhood. Teddy or Ted (Voiced by Seth MacFarlane), as he quickly becomes fond of, begins to catch the attention of the media and he rises to be a huge sensation across America. The fame fades and the years pass with Ted getting into trouble here and there. We soon come to present day where Ted and John (Played by Mark Wahlberg) are still shacking up together, living in a cloud of marijuana smoke and half-consumed beers. John works a dead end job at a car rental company that appears to be going nowhere fast but he still manages to get by. John is in a happy relationship with the sweet Lori (Played by Mila Kunis), who is forgiving of John’s loser lifestyle and beams at every moment they have together. Yet on their fourth anniversary, John fails to purpose to Lori, forcing her to demand that John pick her or Ted. John begins trying to grow up for Lori but the raucous Ted makes that a difficult task, especially when he gets his own apartment. Ted also finds himself harassed by a bizarre father (Played by Giovanni Ribisi) and his overweight son, who will stop at nothing to make Ted a part of their family.
It’s not hard to see what MacFarlane is saying with Ted, as he presents a man-child who just can’t let go of his teddy bear (or his free spirited youth, if we are going to identify the metaphor). Only when the man-child lets go of that teddy bear, will he truly be a man for his gushing gal pal. After some recently iffy starring roles, Wahlberg is back on track speaking through a thick Bahston accent and trading droll geek dialogue with the sexy Kunis, who couldn’t seem more at home here. The two work great together, making you wonder why nobody has tried pairing them up before. Every time you think John has finally gotten on the right track, in crashes the vulgar best buddy to rip him away from his adult responsibilities. Before separating, Ted and John would plant themselves on their sofa, rip bongs, and drone on and on about why Flash Gordon is the best movie ever made. When Ted gets his own place, things really spin wildly out of control into booze-filled blowouts that have them doing cocaine with one of their idols (I won’t spoil the surprise). Yet it was those little moments between John and Lori that forces some of the stuffing over in Ted and makes way for a human heart.
When we aren’t going “awwww” over John and Lori, you will be doubled over laughing over the slovenly title character as he curses his way into your heart. He ends up becoming a new pop culture icon himself! Ted is a skillfully illustrated little CGI creation that has been carefully fleshed out to make us never grow tired of his reckless, foul-mouthed behavior. Despite the fact he is a computer image, he really holds the screen, making us cease to see him as an expensive animation and view him more as a flesh and blood character. It helps that MacFarlane stuffs him with quite a bit of emotion that he smartly reveals at just the right time. When Ted realizes the damage he has done to John and Lori’s relationship, he goes above and beyond to really help his buddy out, actually realizing that he has been a horse’s ass and admitting it. This isn’t a fast one pulled by MacFarlane (thankfully). I kept waiting for Ted to revert back to being an asshole, and while he does in a way (he is more smartass than asshole), this character actually does undergo a major metamorphosis even before the final chase sequence is thrown in to for the hell of it.
Ted does come with a few rips and tears in his matted little body, mostly from the half-conceived weirdo father and his even bigger weirdo son, who are supposed to be the villains in all of this. Ribisi’s Donny is game to get freaky and he sure does in the final stretch, but Ted could have been a really great movie without his character being on board. His son does provide one of the film’s funnier one-liners but it doesn’t justify their inclusion. Without them, this comedy could have been fifteen minutes shorter and all the better for it. Community’s Joel McHale shows up as Lori’s frisky boss who constantly tries to impress her with all of his money. He quietly steals the show from everybody else and quite frankly, there wasn’t enough of him in the film. Ted also features a handful of other celebrity cameos that mirror MacFarlane’s fascination with random pop culture referencing. Don’t get me wrong, they are pretty clever and they will definitely catch you off guard. Another inspired decision by MacFarlane is having Patrick Stewart acting as the storybook narrator who goes off on a hilarious rant about how bad 2006’s Superman Returns was.
Another flaw that really bothered me in the opening half of Ted was the way that MacFarlane would undercut his own jokes. He would deliver a good one, think he was on a role, and then go too far with it, sucking the laughs right out of the moment. It happens a number of times near the beginning, sending Ted into a slight tailspin early on. Luckily, MacFarlane rebounds and the second half doesn’t have a dull moment. Overall, it is great to see MacFarlane showing a bit of range with Ted. After making millions off of rehashing the same material with slightly different characters, MacFarlane proves he could be a comedic force to reckon with on the big screen. He can do crass with the big boys and he can tell jokes until it hurts. If you were looking for another reason to see Ted, check it out for the chemistry between Kunis and Wahlberg, a pairing that I hope to see on the big screen again sometime. Even if you’re not a fan of MacFarlane’s television work, there is still much to enjoy in Ted. Plus, you have to give MacFarlane credit for producing a summer comedy that is worthy of the ten bucks you will spend on it.