by Steve Habrat
With 2004’s Hellboy turning out to be a modest success, Guillermo del Toro was allowed to let a myriad of head spinning monsters out of his imagination in 2008’s Hellboy II: The Golden Army, a bigger, wilder, and groovier monster movie romp than his predecessor. Loaded with tons more ghouls to roam around, The Golden Army is shoulder to shoulder with some of the most exhaustive make-up effects put on film in the past several years. It helps that del Toro shifts from Revolution Studios to Universal Studios, home of the original monster movie, to really make the ultimate tribute to the classic Universal monsters of the 30’s, 40’s, and 50’s. The Golden Army also finds more enthusiastic devotion from Ron Pearlman, who seems like he was chomping at the bit to get covered in red make-up and have two filed down horns slapped on his forehead. Tapping into the reckless ennui that he so wonderfully applied in Hellboy, The Golden Army finds our big red hero dealing with relationship problems, pent up longing to interact with the outside world, fatherhood (!) and that nagging problem of having to save the world. Again. It’s all in a day’s work for Hellboy, the beer sipping, cat loving man-child.
The Golden Army begins with Hellboy’s (Played by Pearlman) relationship with pyrokinetic Liz Sherman (Played by Selma Blair) on the rocks. She exclaims that she can no longer stand living in Hellboy’s pigsty and that she needs some space. Hellboy confides in his best buddy Abe Sapien (Played by Doug Jones), the geeky psychic amphibious humanoid who always acts as the voice of reason for Red. To make things worse, Bureau for Paranormal Research and Defense Agent Tom Manning (Played by Jeffrey Tambor) is steaming mad at Hellboy for continuing to reveal himself to the public, despite the fact that the B.P.R.D is supposed to be kept a secret. After being called to investigate strange events at an auction house, Hellboy finds the perfect opportunity to reveal himself to the world and make it look like an accident. Hellboy isn’t welcomed into the world with open arms, many people taunting him for his striking appearance but that is the least of Hellboy’s problems. Agent Manning brings in a new authority figure by the name of Johann Krauss (Played by James Dodd and voice by Seth MacFarlane), a figure that wears a containment suit shaped like a human but that holds in pure ectoplasmic energy. Hellboy, Liz, and Abe begin rebelling against Johann but it is soon discovered that a mythical realm has declared war on the humans and that they plan to unleash the Golden Army, an invincible force that would destroy the human race.
Much like Hellboy, The Golden Army runs smoother when del Toro aims his camera at the sheltered trio of crime fighters who long for human interaction. It finds Hellboy staring down fatherhood, but it is hard to see the guy as a papa when he downs six packs of Tecate and stumbles around with Abe as they gripe about girls. The best moment of The Golden Army comes when Abe drunkenly spills his feelings about a girl that the trio is supposed by protecting. You’ll crack up when the duo begins slurring through love songs played at full blast. It is a delight to see the group bring their problems to work, all of them complaining on the job to each other but banding together when the bad monsters come out to play. The Golden Army also deals with the trio trying to fit in with the average citizens of New York City. They are teased on the street about their freakish appearances, something that really irks the testy Hellboy who responds with, “I know I’m ugly!” You’ll feel for the big red ape, especially when Hellboy saves a baby from a giant monstrosity and the mother rips the baby away from Hellboy in horror, something that really pierces the big guy’s heart.
The Golden Army would be nothing without Pearlman, Blair, and Jones, all who get their moment to really push their characters along. Pearlman is an absolute delight as Hellboy and I can honestly say I’d watch twenty Hellboy movies if he were in every one. Watching him try to mature and cater to Liz is hysterical, especially when he finds her toothbrush in a tin of cat food. Pearlman’s enjoyment with the roll is incredibly contagious and we find ourselves having just as much fun as he is. Blair perks up a bit here as Liz, but she is still the goth girl hero in combat boots that we came to adore the first time around. It is good to see her sulking about a troubled relationship and a secret she is desperately trying to hide from Red. Then there is Jones as Abe, who gets a tongue-tying crush of his own—one that he begins to realize will not end happily ever after. Then there is James Dodd and Seth MacFarlane’s Johann, a prickly voice of authority that successfully stands up to the boorish Hellboy. As far as the villains go, Hellboy finds himself battling against the fed up Prince Nuada (Played by Luke Goss) and his timid twin sister Princess Nuala (Played by Anna Walton). The elfish Nuada never really becomes an intimidating force to reckon with, the only catch being that if you harm Nuada, you can also harm Nuala. This puts the group at odds, especially when Abe develops feeling for the gentle Nuala. This is where The Golden Army flat lines, the lack of a truly compelling villain to really curl your toes. Luckily, that is why all those spine-tingling monsters are here!
Being a superhero movie, The Golden Army is filled out with plenty of action and adventure. A showdown in the streets between Hellboy and a giant forest god is beautiful and adrenaline pumping. Another battle between Hellboy and Nuada’s grotesque bodyguard Mr. Wink is also a standout. Del Toro ends his film in a grand, epic fashion by pitting the group against the marching Golden Army, the best fight scene of the entire film. While the film’s plotline may begin to creak and crack under the style that it is trying so desperately to hold up, the style practically superglues and staples your eyes to the screen. It makes you long for more movies from del Toro, ones where he can have all the artistic freedom he wants. Also, if Universal plans on remaking anymore of their classic monster movies, I think it would be wise to hand the project over to this guy. Still, I wish del Toro would have developed the underlying message of nature and man living in harmony a bit more than he does but this is a summer blockbuster and I’m sure there was a push for more eye candy and action. It just so happens that del Toro excels at eye candy as Hellboy II: The Golden Army has some of the tastiest eye candy around. Here’s to more monster movies in del Toro’s future!
Hellboy II: The Golden Army is available on Blu-ray and DVD.
by Steve Habrat
I wish that audiences paid more attention to visionary director Guillermo del Toro’s 2004 superhero film Hellboy, a funky and gothic monster mash that practically explodes with creativity. Based on Mike Mignola’s Dark Horse comic book of the same name, Hellboy seems like an absurd premise but because del Toro gives his ragtag group of ghouls a human heart, the film becomes a real charmer. Credit should also go to Ron Pearlman’s performance as the big red crime fighter who loves a good cigar, has a hopeless crush on a colleague, weakens at the knees for a Baby Ruth, and just can’t resist a kitten. While many may not be able to wrap their heads around a demonic superhero, Hellboy rewards those who will give him a chance with tons of monster-on-monster brawls, nightmarish critters who prowl the subways of New York City, and plenty of quirky one liners to really allow Hellboy himself to come to life. Oh, and did I mention young love? While Hellboy hasn’t aged particularly well since its release, del Toro keeps things timeless by his use of tons of outstanding make-up and icky puppets that will simultaneously make your skin crawl and give you nightmares. Not bad for a comic book movie.
Hellboy begins during the final days World War II, taking us to a stormy island off the coast of Scotland where a handful of American soldiers and the young Professor Broom (Played by John Hurt) are spying on a small band of Nazi soldiers performing a strange occult ritual that would awaken “The Seven Gods of Chaos”, monstrous creatures that slumber in another dimension. This ritual is being led by Grigori Rasputin (Played by Karel Roden), his mistress, Ilsa (Played by Bridget Hodson), and monitored by the gas-masked Kroenen (Played by Ladislav Beran), Hitler’s top assassin. The American soldiers attack half way through the ritual and stop the Nazi’s before any dangerous creatures get through the portal that has been opened. Rasputin manages to get sucked through the portal and shrapnel kills Kroenen, or so the Americans think, but the world is saved from annihilation. As the soldiers and Professor Broom explore the site, they discover a strange little creature that is all red and has a massive stone hand. Professor Broom determines that the creature means no harm and begins looking after the little fella. The soldiers decide to name the creature “Hellboy” due to his bizarre and demonic appearance. Fast-forward to present day where adult Hellboy (Played by Ron Pearlman) works for a super secret organization called the Bureau for Paranormal Research and Defense. With the help of the psychic amphibious humanoid Abe Sapien (Played by Doug Jones), beautiful pyrokinetic Liz Sherman (Played by Selma Blair), rookie agent John Meyers (Played by Rupert Evans), and Professor Broom, Hellboy battles bizarre critters that mean to unleash destruction on Earth.
Hellboy wins the audience over instantly with Ron Pearlman’s devoted performance as Hellboy, a towering man-child who files his horns down to fit in with society, something that he never sees yet longs for. He ends up grounded by Professor Broom for sneaking out of the underground facility he calls his home and having a picture snapped of him, which inevitably ends up on the news. Debates rage over the existence of Hellboy on talk shows, all theories debunked by Tom Manning (Played by Jeffery Tambor), a grouchy FBI Director who loathes the big red beast. It is a blast when Hellboy sneaks out on Halloween to meet up with Liz, who has checked herself in to a mental institution after multiple accidents that involve her fiery ability. He steals a six-pack and begs Liz to have a good time but she is reluctant, which deflates the lovable oaf. It is in these little moments that we really find ourselves rooting for Hellboy, even more than we do when he is rumbling with a drooling demonic creature with tentacles slithering out of its head. In fact, his job almost looks like it gets on his nerves and is just a giant inconvenience. Things really get tough for Hellboy when Meyers begins moving in on Liz, a move that drives Hellboy bonkers. This sets a knee-slapping immature rivalry into motion that culminates in Hellboy, who has a chocolate chip cooking dangling from his mouth, tossing stones at Meyers, who is trying the old yawn and stretch trick to put his arm around Liz. Boys will be boys!
While Pearlman steals the show, his supporting players are not too shabby themselves. Blair was born to play the perpetually frowning Liz, who curls inside wool coats with a hat pulled over her jet-black bangs, wearing a withdrawn look on her pretty face. She becomes a gothic heroine to a million girls in black t-shirts and combat boots. And then there is Doug Jones as the slinky Abe Sapien, a soft-spoken and thoughtful sidekick who tries to keep Hellboy in check. He is the cool head to the loose cannon (del Toro symbolically represents that in their skin color, cool blue on Abe and hot head red on Hellboy). Tamobor is hilarious as Tom Manning, who is consistently appalled by the belligerent behavior of his horned employee. John Hurt is marvelous as the gentle father figure who looks over these crazy kids, stepping in when they get a little too wild. Rupert Evans is appropriately fidgety as Hellboy’s rival and it is hysterical to watch Hellboy try to come to terms with this new hotshot member on his team. Then there is Roden’s Rasputin, a typical sunglasses-wearing baddie who is hell-bent on reducing the world to ashes. His evil plot is a bit yawn inducing considering it has been done several times before but his henchmen spice things up. When Hodson’s Ilsa isn’t making your hair stand on end with her glassy-eyed dedication, Beran’s acrobatic assassin Kroenen will. Beran is one of the coolest comic book baddies, sporting one hell of a gas mask and spinning around blades like he came out of the womb doing it.
While the elaborate monsters that del Toro’s FX shop spits out are remarkable works of art, the real draw is the actors who are bound and determined to make Hellboy a keeper. They succeed with flying colors as I preferred the moments where the characters were interacting with one another over the scenes where things are blowing up. Even though they have to ooze sentiment through heaping gobs of spirit gum, Jones and Pearlman manage to pull of the almost impossible and make their character heartwarming. There is plenty of exhilarating action sequences that are a marvel to drink in but Hellboy just misses greatness due to a routine finale that finds Rasputin threatening to unleash giant monsters on New York City. The film also trips over some dated computer effects, which are glaringly out of place when they are piled onto del Toro’s jaw-dropping puppets. The plot of Hellboy is also thinly spread over the course of its two-hour runtime but there is enough adolescent shenanigans and young romance to keep you smiling. Ah, if only fitting in and scoring a date with the girl was as easy as turning a demonic hellhound to ash.
Hellboy is available on Blu-ray and DVD.