by Steve Habrat
After some of last year’s massive releases (The Hunger Games, The Avengers, The Amazing Spider-Man, Prometheus, The Dark Knight Rises, The Hobbit), you had to wonder if 2013 could even hold a candle to what blockbusters blasted their way through the local Regal Cinemas in 2012. It turns out that 2013 looks to be packing some seriously entertaining movies that will be luring us in droves to the theater throughout the year. So, without further ado, here are ten movies I just cannot wait to see this year. I’ll see ya at the theater.
10.) Monster’s University
Let’s be honest, in the past two years, Pixar has sort of been tanking. Absolutely no one but a rabid bunch of seven year olds was asking for a sequel to Cars and Brave had its heart in the right place but it fell short of being a true classic. Enter those lovable spooks Mike and Sully from Monsters, Inc, who may just be able to shake Pixar out of their frustrating funk. If you haven’t seen the trailer for the movie, do make sure you check it out. It’s absolutely hilarious. Acting as a prequel to Monsters, Inc, Monster’s University shows us all how Mike and Sully met in college and how they formed their friendship. There is a lot riding on this, Pixar, so don’t screw it up.
9.) Pacific Rim
Since 2008, visionary director Guillermo del Toro has been busy playing the role of producer to some middle of the road horror movies and some lackluster animated features. This summer, the director of Hellboy and Pan’s Labyrinth returns to the director’s chair with Pacific Rim, an apocalyptic science-fiction epic about giant monsters emerging from a portal under the sea and ripping humans to shreds. Well, it just so happens that the humans have developed giant robots that are capable of kicking monster ass. The trailer looks like the coolest B-movie you will ever see and the action looks like it will shake down the walls of the theater. Count me in, Mr. del Toro. I’ll be there wearing a pair of 3D glasses and a smile from ear to ear.
8.) World War Z
Everywhere you look these days, it is all about zombies, which isn’t a bad thing. Naturally, Hollywood is taking notice (again) and bringing World War Z, the zombie epic from Max Brooks, to the big screen. Yes, the trailer isn’t a complete knockout and it is directed by Marc Foster, the director of the forgettable Bond movie Quantum of Solace, but it did appear to have some MASSIVE zombie action. If you’re looking for another plus, look no further than Brad Pitt, who is starring as a terrified family man in this epic adventure of the undead. While I don’t expect it to match the quality of the book, it has been a while since there has been a really great zombie movie in theaters. It’s about time we got another zombie fix!
7.) Evil Dead
Initially, I wasn’t sold on this spiffed up remake of Sam Raimi’s horror classic but then I laid eyes on the gore-drenched trailer. My jaw was on the floor and I considered jumping onto Fandango to grab an advanced ticket right then and there. Produced by Raimi, original star Bruce Campbell, original producer Robert G. Tapert, and directed by Fede Alvarez, Evil Dead looks like it will be THE horror movie to see this year. The trailer has it all, the boomstick, arms being sawed off, showers of pus, firehose blasts of blood, tongues being cut in half, and, yes, those frisky trees. If you are a fan of horror or Raimi’s terrifying original, you’re probably already in line. I’m going to call it now and say this movie is going to rock.
6.) The Great Gatsby
Originally supposed to be in theaters on Christmas day 2012, this lavish interpretation of F. Scott Fitzgerald’s classic story looks like it is going to pack enough eye candy to fuel a dozen blockbusters. It’s directed by Baz Lurhmann (Romeo & Juliet, Moulin Rouge), so you know it will be hip and stylish, and it stars none other than Leonardo DiCaprio in the lead role, which automatically makes it a must see (Did you see him in Django Unchained?!). Certainly an odd release for summer 2013 (and in 3D?), it should be interesting to see how the film lands with critics, especially since it is never a good sign when a release date is tinkered with, and how the film stacks up against its superhero (Iron Man 3, The Wolverine, Man of Steel) and science fiction (Star Trek) competition.
5.) Kick Ass 2
I’m a superhero nut. If you haven’t figured it out by now then there may be something wrong with you. I absolutely LOVED 2010’s Kick Ass, a film that ended up making my ten best of that year. It was bizarre, controversial, funny, smart, exciting, and just plain unique. With director Jeff Wadlow (Cry Wolf, Never Back Down) taking over original director Matthew Vaughn (X-Men: First Class, Layer Cake), I fear the film may not hit you across the face like the first film did, but with Jim Carrey signing on as ex-mobster-turned-superhero Colonel Stars and Stripes and even more of Chloe Grace Mortez’s foul-mouthed Hit Girl, how could you not be intrigued?
4.) The Lone Ranger
Many people are already trashing Gore Verbinski’s The Lone Ranger, labeling it a dud before it even hits theaters. Give it a chance, people! I understand that Cowboys vs. Aliens left a bad taste in your mouth but this should be infinitely more fun than that piece of trash. With the very talented Armie Hammer (The Social Network) behind that famous mask, Johnny Depp bringing heaping amounts of weird to Tonto, and plenty of smashing and crashing trains, this should be a big, loud, and rollicking adventure across the west. Plus, the first Pirates of the Caribbean movie was really good and Rango proved that Verbinski is up-and-up on his westerns. So, can we stop judging this before we see it?
3.) Star Trek: Into Darkness
If you are one of the people who has yet to see J.J. Abrams’ first Star Trek movie, you may want to just run out and pick up the Blu-ray now. It’s THAT good and I’m not even a Star Trek buff. After a lengthy wait, we FINALLY get a follow-up that looks like it will smash the first film to smithereens. Cities are leveled, Pine’s Captain Kirk looks like he has finally met his match, Zachary Quinto’s Spock looks like he is finally getting with Zoe Saldana’s Uhura, and Benedict Cumberbatch looks like he is going to make your skin crawl as Khan. Who’s up for the midnight showing?
2.) Iron Man 3/Thor: The Dark World
A tie at number 2?! Come on, guys, we can kinda lump these two together. The Avengers kicked major ass and you know full well these two films will be working hard to both set up The Avengers sequel and sort of tie in with each other. Plus, the first Thor was a pleasant surprise and Iron Man 3 looks like it will have some rip-roaring action that will have you jumping back in line for seconds. I mean, did you SEE the Super Bowl trailer for Iron Man 3? I thought so. We have yet to see a trailer for Thor: The Dark World but I’m confident it will be just as impressive. Keep up the good work, Marvel. Don’t let us down now.
1.) Man of Steel
Being a massive DC comics fan (my favorite superhero is Batman), I’m always rooting for their movies but I think we can all agree that they have produced some major duds over the years. The last time we saw Superman, he was hovering around Metropolis in Superman Returns, sulking over Lois Lane, fighting Lex Luthor (again), and creepily watching a kid he believed to be his son. It was a huge disappointment and also the cure for insomnia. Thankfully, Brandon Routh and Bryan Singer are out and Zack Snyder and Christopher Nolan are in for Man of Steel. Yes, I know Snyder has directed a few questionable films (300, Sucker Punch) but he did a bang up job with Watchmen (I’m sure many will disagree with me there), and Nolan managed to produce the greatest superhero trilogy of all time (The Dark Knight Trilogy). Together, it appears that they may have successfully reinvented Supes and made him exciting again. The two trailers we have seen so far have suggested a darker atmosphere and a brooding tone, but boy, does this movie look exciting. With an all-star cast in place and General Zod being the villain (excuse me while I nerd out for a minute), Man of Steel is shaping up to be the must-see film of the summer.
Didn’t see the movie you’re looking forward to on this list? Leave a comment and tell me which movie you can’t wait to see. I love hearing from you!
by Steve Habrat
Of all the Pixar movies that I have seen, my favorite one is without question director Andrew Stanton’s Wall-E, the film that I believe has the most heart and soul out of all the Pixar films. I absolutely love that this is a silent film for half the runtime, allowing us to get sucked in to actions rather than the words. It is very hard to not fall for the peculiar little robot that loves Hello, Dolly, has a cockroach for a pet, and is puzzled over a bra. You won’t be able to get enough of the moments where Wall-E discovers that he is in love with fellow robot EVE, mystified by her sudden presence in his lonely little world. I felt for him in his desperation for a friend, someone he could share all of his interests and chat with in his hysterical little robot blips and squeals. When Wall-E isn’t overtaking you emotionally, you will be shocked to see how intelligent this film truly is. With Wall-E, Stanton points out that big corporations control almost every aspect of our lives and have made us the overweight slobs that we are. They control fads, what we eat, drink, what we should fear, what we should see, etcetera. Tell me that is not thought provoking for a children’s film! And yet Wall-E still fills me with childlike wonder as it shows us how beautiful love can truly be.
Wall-E begins in the distant future, with earth having been abandoned by her polluting children and left to be cleaned up by a garbage-collecting robot named Wall-E. Wall-E has been by himself for quite a long time without anyone to connect with except for his pet cockroach. He spends his days working at a task that seems like it will never be finished and he spends his evenings watching Hello, Dolly and staring up at the stars, hoping for a savior to come and take him away from the mundane. One day, Wall-E sees an enormous spaceship land and send out a sleek robot named EVE (Extraterrestrial Vegetation Evaluator), who is on the hunt for plant life. Wall-E immediately falls for EVE but she is so consumed with her mission on earth that she barely even notices the sweet Wall-E following her around. The two eventually connect but when Wall-E shows her a small plant he has found, EVE scoops up the plant and heads back out to space to the Axiom, an enormous spaceship that contains what is left of the human race. Wall-E chases after her but once he boards the Axiom, the lovable duo discovers a plot that would prevent the humans aboard the Axiom from ever returning to earth.
While Wall-E remains consistent its entire runtime, the first half of the film is such a breath of fresh air, it remains one of the crowning moments for the Pixar team. When you aren’t wrapped up in little Wall-E’s daily routine of compacting and rummaging through trash, you will be pulling for the little guy to find that spark with EVE. I absolutely love watching Wall-E discover a Rubik’s cube, car keys, and a fire extinguisher. He has grown bored with the monotony of his day to day, desperate to find something that will entertain him enough to forget about the tedious task of shuffling garbage. We also get to meet his pet, a cuddly little cockroach (Did you EVER think a cockroach could be cuddly?) that crawls around Wall-E’s insides, making him giggle and fidget. Watching the two get out of bed was a chuckler, Wall-E so groggy that he bumps into things as he tries to get himself ready for the day. When EVE shows up, Wall-E really perks up as he zooms after EVE, hiding out of bashfulness as he attempts to work up the courage to approach her. The two share a moment in Wall-E’s little house that is movie magic at its absolute finest.
The second half of the film is just as entertaining but it marches to a different beat. We get to meet tons of robots that prowl the Axiom while the humans all lounge around on hovering recliners. The humans are all obese slaves to a corporation called Buy N’ Large that announces over loud speakers what the current trend is in fashion (Keep an ear out for a voice cameo from Sigourney Weaver and an eye out for an appearance by Fred Willard). Buy N’ Large provides the humans with endless amounts of soda as they video chat into screens that obstruct their vision. Wall-E accidentally knocks out one human’s screen, a man named John (Voiced by John Ratzenberger), who discovers a world around him that he has been completely oblivious to. Wall-E and EVE also manage to short out another screen that belongs to a woman named Mary (Voiced by Kathy Najimy). John and Mary meet up and they quickly fall for each other, laughing over the quirky, love drunk robots that brought them together. Aboard the Axiom, Wall-E gets a bit preachy, a call to shake ourselves out of current fads and trends that are controlled by others and explore the world around us. We also get to meet the ships captain (Voiced by Jeff Garlin), who is clueless to what Earth is until he begins to research it. Wall-E comes equipped with a green message, wagging its finger at us for polluting the earth in addition to our brains and bodies.
Wall-E takes its good old time developing the love story between Wall-E and EVE, forcing us to emotionally invest in these little joys and I’ll be damned if the payoff isn’t overwhelmingly satisfying. Not one aspect of the film seems rushed, despite the fact that the film only runs an hour and a half. The standout sequence of Wall-E has got to be when Wall-E and EVE dance around in space, their love deepening with each spin through the air. The film does get a bit intense in the final moments as our lovable little hero gets badly wounded and barely clings to life. It falls on EVE and the captain to save the little guy AND the humans aboard the Axiom. Wall-E is such a pleasant film because it allows us to really get to know this little guy inside and out. His binocular eyes practically overflow with intrigue, curiosity, and wonder at the world around him. It is astonishing that Wall-E’s eyes are more alive than the eyes of the “human” characters found in most other animated offerings. In the multiple times I have seen Wall-E since it was released on Blu-ray, I haven’t been able to find a single thing wrong with the film, a rarity considering most newer films are far from perfect. Wall-E turns out to be a great cinematic love story and a masterpiece of animated filmmaking. Don’t be afraid to fall for this one!
Wall-E is available on Blu-ray and DVD.
by Steve Habrat
After last year’s lemon Cars 2, Pixar has returned to form (sort of) with Brave, a thunderously exciting and comedic offering that falls victim to childish antics that never have the dual appeal for adults. Lacking zero complexity, Pixar opts for a simple story and keeps things light this time around, reluctant to show their emotional strength. Brave also lacks the vision that made their previous offerings so irresistible and unforgettable, seeming somewhat bland in comparison to tasty offerings like Wall-E, The Incredibles, Up, and Toy Story. Yet Brave, with its enthusiastic voice work and detailed visuals, still manages to get on your good side with some clever moments of slapstick humor that will have you chuckling due to their unpredictability. It also features an immensely likable main character in Merida, an archery obsessed tomboy who likes to allow her unruly explosion of red curls bounce around her face as she rides through the woods shooting arrows at targets. I admit I was worried that I may not care for this feisty free spirit but I have to say that she is a real charmer.
Brave takes us to the 10th century Scottish highlands where we meet Merida (Voiced by Kelly Macdonald), the archery fanatic daughter of King Fergus (Voiced by Billy Connolly) and Queen Elinor (Voiced by Emma Thopson). Merida happens to be a tomboy who loves riding her horse through the woods and firing arrows at several targets she has placed around a trail. She also gets a kick out of climbing up the sides of mountains to drink from waterfalls. Merida is a firm believer in pursuing one’s own destiny rather than having her life planned out for her by others. Her behavior horrifies her mother, who demands that she learn to act like a lady before three neighboring clans arrive in their kingdom for a competition that would allow one young man the chance to win Merida’s hand. The clans arrive and each clan leader offers up his first-born son to compete for Merida, even though she is disinterested in the entire event. Merida grows restless during the competition and she erupts in an outburst that infuriates her mother. Merida runs off into the woods where she finds herself face to face with a witch (Voiced by Julie Walters) that offers her a spell that would change her controlling mother. The witch conveniently forgets to add that there is a small side effect that changes her mother’s appearance too. Meanwhile, the clan leaders begin to grow restless over who will win Merida’s hand, slowly stirring up war between King Fergus and the neighboring clans.
Pixar’s first fairytale does come with quite a bit to admire even if it is reluctant to tackle any heavy topics. I can honestly say that Brave had me laughing from start to finish. I loved how rowdy the film was even if things do get a little too out of hand at times. Brave has tons of shouting, drinking, eating, singing, fighting, brawling, and more shouting, sometimes driving the viewer to a headache but it is all in good fun. You’ll get a bang out of King Fergus as he stomps oafishly through the frame, devouring chicken legs and chugging cup after cup of ale. The heads of the three clans, Lord Dingwall (Voiced by Robbie Coltrane), Lord Macintosh (Voiced by Craig Ferguson), and Lord MacGuffin (Voiced by Kevin McKidd), are all equally boorish and disgusting in their own right but they do manage to grab a whole slew of giggles. The one interesting aspect of Brave is that the film is not hiding the fact that it is advocating female empowerment. The men are made out to be clueless and battle hungry in addition to their already hearty appetites. Yet the men are compassionate to the women and they do respect them, which does make Brave’s message a bit perplexing. I understand that Merida wants to break away from what is expected of a lady but I thought we were over this old fashioned defy-conformity-and-do-what-makes-you-happy message by this point.
Brave is, after all, a ladies show and the guys are just there to fill some space. Merida acts as a firm role model for young girls, a less gritty and animated Katniss Everdeen for five-year-olds. Director Mark Andrews pushes Macdonald to really emphasize the Scottish brogue, making her a bit cartoonish at some points but that actually adds to her appeal. She is the liberal answer to her conservative mother Elinor, who is tied to old-fashioned behavior and unwilling to accept anything less. She warns Merdia to keep her bow off the table and that she better grin through the pain of a corset. A blow-up between these two worlds is the only moment that Andrews really cranks the emotional intensity up a notch or two. When the spell is cast upon Elinor, the plot takes an unexpected twist that worried me at first but then really gains some momentum and keeps the laughs flying. The other female character that I was intrigued with upon first meeting her was the witch, who is introduced halfway through the film and then never heard from again. I kept wondering when the story would return to her and develop her further. Alas, she magically disappears.
While I enjoyed all the main characters in Brave, there was a trio of scene stealing tykes that won me over early on and kept me in stitches every time they scampered into the action. I’m talking about Merida’s three trouble making younger brothers who gag over their dinners while plotting ways to make off with trays of sweets brought to them by their servants. Wait until you see the scene where they have to steal a key off one servant, who stashes it in her cleavage. The Pixar team manages to deliver one hell of a pay off in the final stretch of Brave, offering more satisfying action than most of the other blockbusters that have taken up space in the theater this summer. Yet the Pixar team seems unsure over how to make a film that is aimed at younger girls and the message to send to that demographic. It falls back to something that would have really been saying something before the Women’s Liberation Movement but today, it just seems lazy, especially after what Pixar has accomplished with some of their other work. It may not be the best of Pixar’s bunch and you may yawn over what it trying to say underneath all the yelling but Brave still manages to be one of the better films in a summer that has been filled with duds.
by Steve Habrat
The family who argues together saves the world together in director Brad Bird’s 2004 superhero adventure The Incredibles. One of the most action packed Pixar offerings, The Incredibles is a zippy homage to comic books while also pulling back the curtain on the suburban family and allowing us to see what makes every member of the All-American family tick. While The Incredibles, which was also written by Bird, borrows heavily from the critically acclaimed comic book Watchmen, Bird and the Pixar team tweak the storyline is multiple places, watering Watchmen’s extremely complex storyline down, and allowing the focus to be much more intimate. The results are dazzling with snappy jokes, gripping action, and one perfectly timed joke after another. The Incredibles is also a much more adult film, running two hours with multiple suggestive moments and really earning its PG rating. This is far from the warm and cuddly offerings that Pixar is famous for, especially when we glance back at the films that came before The Incredibles. This is the film that really showed the world the emotional punches that Pixar could throw at audiences all while keeping them wildly entertained and mesmerized.
The Incredibles ushers us into Metroville, where multiple superheroes fly through the sky and save the innocent civilians from destructive foes looking to level the city. We meet Bob Parr/Mr. Incredible (Voiced by Craig T. Nelson), his wife Helen Parr/Elastigirl (Voiced by Holly Hunter), and his best buddy Lucius Best/Frozone (Voiced by Samuel L. Jackson), all who team up together to rid the city of scum. After the government grows weary of all the collateral damage caused by the “Supers”, they put into place the “Supers Relocation Program”, which forces “Supers” to retire their crime fighting ways and fit in with the rest of society. Bob and Helen soon retreat to the suburbs and Bob takes a job at an insurance agency while Helen raises their three children, Dash (Voiced by Spencer Fox), Violet (Voiced by Sarah Vowell), and the toddler Jack-Jack. Bob, who longs to relive his superhero days, is bored with white-collar conformity and grows more and more frustrated with each passing day. After loosing his temper at his job and getting fired, Bob finds himself approached by the mysterious Mirage (Voiced by Elizabeth Pena), who asks Bob to stop a deadly rogue robot on a remote island. Mirage promises Bob that if he can successfully destroy the robot, he will receive a reward. Bob defeats the robot and he soon begins getting other missions from Mirage, all while leaving Helen in the dark about his new job. Bob soon learns that these missions are being controlled by Syndrome (Voiced by Jason Lee), a super-villain who masterminds countless destructive weapons and has a plan that will wipe the retired superheroes off the planet.
At just under two hours, The Incredibles is given room to really develop its characters to the fullest extent possible, paving the way for weighty superhero films that followed in its wake (the next year would see Batman Begins hit theaters, which would set the bar even higher for the superhero genre). We get to see the day-to-day of each Parr family member, seeing what secrets they hide and how they deal with having extraordinary powers while living ordinary lives. Bob has to take mental torment from his boss, each little mental shove just bringing Bob closer to tossing him around like a ragdoll. Violet is an outcast at her high school, hiding behind thick black bangs and practically fainting at the sight of her crush. When he notices her, she activates her power to turn invisible. The troublemaking whippersnapper Dash enjoys placing tacks on his teacher’s chair, using his lightning fast speed to keep the teacher scratching his bald head over how Dash is pulling the prank off. Helen, who acts as the housewife glue of the family, wears a happy face as she spoons meatloaf and green beans onto her family’s dinner plates. Meanwhile, Bob rounds up Lucius for “bowling night”, which really consists of the duo sitting in a car listening to a police scanner and chatting about the good old days. Lucius, now married, tries to keep his wife happy by not ruining special meals, even while a robot pummels downtown Metroville. Each hero is given their conformist demons and they grapple with how to tackle those demons, realizing that they really do need each other to work these issues out.
The supporting characters of The Incredibles are just as fun and hilarious as the first string. Bird thinks up a really nifty villain in Syndrome, who as a boy was Mr. Incredible’s biggest fan. Syndrome, whose real name is Buddy Pine, was always eager to help Mr. Incredible out even when Mr. Incredible would tell him to stay out of the way. Being wounded by his idol makes him all the more interesting and sinister when he is dishing out his payback to Mr. Incredible. Mirage is a character that is a bit underused but I did enjoy the way she would vacillate back and forth from evil to hero. I really enjoyed being kept in the dark over which side she would be aligned with next. The scene-stealer here is Edna Mode (Voiced by Brad Bird), an oriental fashion designer who comes up with the costumes worn by the “Supers”. A chic pint sized motor mouth, Edna is hysterical when explaining why she dislikes capes and recoiling from Mr. Incredible’s dated superhero get up. She really shines when she unveils a new line of outfits for the entire Parr clan. She also seems like she could be a villain in future Incredibles installments, seeming to get quite a bit of joy out of Bob and Helen’s rocky marriage.
You will be surprised to know that The Incredibles never feels like almost two hours. The film flies by and before you know it, you are right smack dab in the middle of a thunderous final showdown between one of Syndrome’s horrifying creations and the Parr clan. The action will keep the kids glued to the screen, even more so than some of the other Pixar films. While the film does get a bit heavy when it deals with the inner workings of a rocky marriage, the kids won’t really notice and instead by enamored with all the nifty gadgets and laughing over Edna. For fans of comic books and superhero films, The Incredibles is essential viewing and in my opinion ranks as one of the better superhero films to emerge from Hollywood. It is just as interested with the people under the cowls and what they carry around in their heavy hearts. Easily in my top three Pixar films of all time, The Incredibles is a touching film about the beauty of family and friends, all while being a relentlessly entertaining superhero thrill ride packed with gut-busting humor and wit. Let’s hope the Parr clan returns to save the world again.
The Incredibles is available on Blu-ray and DVD.
by Steve Habrat
If I had to pick Pixar’s least accessible film, I would have to go with Brad Bird’s 2007 offering Ratatouille. Featuring some of their finest voice work, particularly from funnyguy Patton Oswalt as the rodent chef, clean animation, and a dreamy score, Ratatouille is one of Pixar’s artiest creations in their line of work. While it may not appeal as much to the kiddies, Ratatouille is crafted more for the adult viewer, featuring more adult humor rather than easy gags that will keep a ten year old howling at the screen. Personally, I find Ratatouille one of Pixar’s funniest films, yet the subtext, with it’s anybody-can-do-anything-if-you-set-your-mind-to-it message, is a little too simple minded, especially since Pixar is capable of infusing their films with some major real world weight. I did find the way the film skewers uptight critics, the ones who are so rooted to their opinion and refusing to alter that opinion extremely well executed. It seemed a bit personal too, since this is the film that was the follow-up to Cars, the first Pixar film that failed to run off with the imagination of some critics.
Ratatouille introduces us to Remy (Voiced by Oswalt), a rat who loves to cook and is blessed with a sharp sniffer that gets him the job of detecting rat poison in the food that the rest of his rat colony gathers. The colony is lead by Remy’s stern father Django (Voiced by Brain Dennehy) and his goofy brother Emilie (Voiced by Peter Sohn), both who voice disgust over Remy’s trust of humans. After having to make a hasty evacuation from their rural dwelling, Remy gets separated from the rest of the pack and ends up in downtown Paris, right at the doorstep of the famed fine dining restaurant Gusteau’s. Remy, who happens to a huge fan of the late Auguste Gusteau (Voiced by Brad Garrett), the chef behind the famous restaurant, fully believes in Gusteau’s message “anyone can cook.” After ending up in Gusteau’s kitchen, Remy crosses paths with newly hired garbage boy Alfredo Linguini (Voiced by Lou Romano), an uptight klutz who can’t cook to save his skin. While exploring the kitchen, Remy notices Linguini accidentally mess up a pot of soup, which he quickly tries to fix but is caught by Linguini. A bowl of the soup is served and the customer begins raving about how delicious the soup is. The rest of Gusteau’s staff believe that Linguini is responsible for the soup but Linguini knows that it was actually Remy that fixed it. Linguini soon grabs the attention of the cranky head chef Skinner (Voiced by Ian Holm) and an even crankier food critic Anton Ego (Voiced by Peter O’Toole), both eager to reveal him a fraud.
What makes Ratatouille such a delicious treat is the budding friendship between Linguini and Remy, both who realize that they ultimately need each other to succeed. Linguini needs Remy because he can’t loose another job and Remy needs Linguini to pursue his dream of becoming a chef. The film also develops a love story between Linguini and another member of Gusteau’s staff Colette (Voiced by Janeane Garofalo), who is forced into keeping an eye on the jumpy Linguini. The love story is fitting since the film is taking place in the city of love. The film also has Remy finding his father and brother, small little detours in the story that stress to Remy that he shouldn’t be so trusting of the humans. The film knows that Emile and Django are slightly bland characters so Bird smartly doesn’t focus on them too much. The film really gets moving when Remy discovers a way to control Linguini (pulling strands of his hair) so that they can continue to fool Skinner and Ego into thinking that Linguini is really cooking and not being controlled by a rat. This is where the film embraces some heavy physical comedy that will really appeal to the tots.
Ratatouille is a film that isn’t content with having one major villain but two antagonists to drive Linguini and Remy to the brink of madness. Skinner is a pint-sized terror as he tries to discover how Linguini is able to cook so well, especially since he is such a bumbling goofball. He is hilarious in his attempts to barge in to rooms to catch Linguni talking to Remy and he tries to get him drunk in the hopes that Linguini will spill the beans about his little helper. Skinner is also trying to capitalize on Gusteau’s name with a line of wretched frozen meals that he is eager to get into supermarket freezers. The skeletal Ego is also a pretentious nightmare as he spews his dislike for Gusteau’s motto and his restaurant, finding the food beneath his refined palette. He sits in his coffin shaped den typing away one negative review after another while sending shivers down his butler’s spine. Ego, who practically gags at the mention of Gusteau’s, gets a witty exchange late in the film with Linguini. Ego growls that if he doesn’t love the food he puts in his mouth, he “does not swallow.”
At nearly two hours, Ratatouille does run a bit long but it never ceases to tickle our imagination. The film gets far on such a simple premise and watching everything come full circle is delectable. The film is brimming with enough characters to hold the adult viewers attention for a good majority of the runtime. Halfway through Ratatouille, we get to meet the rest of Gusteau’s staff and they are all hilarious in their own individual way, even if the film then quickly forgets about them. The final rush to think of something to serve the impossible-to-please Ego will have you rolling on the floor in laughter, especially when you see who shows up to give Linguini and Remy a hand. You can’t shake the feeling that the portrayal if Ego is a jab at the critics who waved off Pixar’s previous offering Cars, a touch that I actually like even if I wasn’t the biggest fan of Cars myself. I was also impressed by how detailed the scenes of downtown Paris are, at times seeming almost real if glanced at from a distance. Overall, Ratatouille may send a simple, elementary message, which is somewhat disappointing, but it features enough “awe” moments and is spiced up with enough laughs to have you ordering up seconds and sending your compliments to the chef.
Ratatouille is available on Blu-ray and DVD.
by Steve Habrat
Did you ever think that animated feature films could move you as much as Pixar’s animated offerings do? One of the most emotional in their body of work has to be 2009’s crowd-pleaser Up, a film that refuses to gloss over real world obstacles that we will all have to face one day. It truly is hard to believe that these films are aimed at children when they are much more adult orientated in their themes. Up has to be one of Pixar’s heaviest films but it also has to be one of the most lively outside of the Toy Story series. Like staring into a neon rainbow, Up is a gorgeous film that doesn’t rely on its meticulous visuals to keep it aloft. No, Up boasts a splendid story that is carefully and delicately told. The script, penned by Peter Docter, Bob Peterson, and Thomas McCarthy, packs thrilling, high-rise action and jokes that fly at the audience at breakneck speeds. Yet the best part of Up is the unflinching look at the pain and heartbreak that life can throw at us and how we can still make our dreams come true, even if we think it is too late.
Up begins in the 1920’s with the young Carl Fredricksen, a quiet boy who hides behind giant eyeglasses and an old pilot’s cap, seeing a theater newsreel that features famous explorer Charles Muntz (Voiced by Christopher Plummer) setting out to find a rare species of bird. Carl dashes out into the sunlight, eager to mimic his hero and while exploring an old house, he stumbles across a chatty redheaded girl named Ellie. The two adventurers strike up a friendship and they soon fall in love with each other. They get married, move in to their dream home, and begin saving for a move to Paradise Falls in South America, the same place their hero Muntz explored and ultimately never returned from. As responsibility and heartbreak prevent them from their dream move, the two try to forget about their dreams and focus on their lives in America. Seventy years sneak by and Ellie passes on, leaving Carl (Voiced by Ed Asner) a bitter and cranky old man, fighting to stay out of a retirement home. He is also tangled in a nasty battle to keep his home from being taken by a construction company that wishes to demolish it to make room for a skyscraper. After a nasty confrontation that ends in Carl injuring one of construction workers, he ties millions of helium filled balloons to his roof and takes off into the sky, setting a course for Paradise Falls. Once aloft, Carl quickly discovers he has an unwanted guest tagging along.
Once Up lands in Paradise Falls and allows us to get to know the energetic and pudgy Boy Scout Russell (Voiced by Jordan Nagai), the film takes on a lighter tone that the kiddies will go gonzo over. We get to meet a rare squawking bird that Russell calls Kevin and a pack of talking dogs that are led by the dopey Dug (Voiced by Bob Peterson). I loved the scenes where Carl has to grit his teeth and tolerate the ball of energy that is Russell. I also enjoyed seeing Russell win Carl over with his constant pestering. It was great to see the bitter Carl finally emerge from his shell and allow another person to grow close to him in the wake of Ellie’s passing. Early on, we see that Ellie suffers a miscarriage, which severely wounds the hearts of the optimistic couple. It truly is heartwarming to see him watching over Russell in a fatherly like manner and admitting that he just wants Russell to be safe. It will also get you when Carl reluctantly begins protecting man’s best friend Dug and the rare bird Kevin, especially when Kevin gives Carl backtalk. You’ll be on the floor in laughter.
Up has to be one of the most bipolar films that I have ever seen. One second, it will have you gasping for air in between all the knee-slapping jokes and the next second, it will have you fighting back tears. The silent opening montage that shows us the progression of Carl and Ellie’s marriage is sweet, fuzzy, and piercing. There is more emotion in this opening ten minutes with computer-generated characters than there are in most live action films with flesh and blood actors. Take note, Hollywood. The last act of the film embraces rollicking thrills set in the clouds. Our motley crew of heroes is pitted against the now evil Charles Muntz and his army of talking dogs. The one flaw that does sort of bother me in Up is the lack of development in Muntz, who is just suddenly evil. We are given a thin explanation that sheds light on his bitterness, but I wanted a bit more out of him. It doesn’t help that he enters the film late in the game. You will, however, get a kick out of the elderly showdown between Muntz and Carl, both who suffer loud cracks in their backs as one swings a sword he can barely lift and the other swings a walker.
At times resembling an old sketch that has come to high definition life, Up’s spellbinding visuals are complimented by Michael Giacchino‘s delicate sore, which adds an extra push to all the emotion. The best moments of the score come in the quieter moments, when it is just little twinkles of piano keys. Up’s ultimate message of encouragement and reassurance are what really made me fall for the film. I firmly stand behind its reassurance that our dreams can come true, no matter how old or how young we are. I also loved Carl and Russell discovering that they need each other to nurse their wounded hearts. Russell, it turns out, is largely ignored by his biological father and told by his stepmother that he annoys his father too much. Each time I watch Up, it never gets any easier to hear Russell mutter that confession and Carl’s reaction always gets me. Up has to rank up there as one of my favorite Pixar films, one that has stuck with me the longest and is always a treat to revisit. It may be a tearjerker reminder of how unpredictable life can be but it always helps when you have somebody by your side to share the smaller moments with. Up is a dream come true.
Up is available on Blu-ray and DVD.
by Steve Habrat
While Disney-Pixar’s computer animated offerings always leave me in awe over the creativity poured into each film, it’s the hand-drawn works that really showcase the artistic abilities of those who punch the clock at Disney. Take for instance Winnie the Pooh, the newest hand drawn gem from the animation factory that really takes your imagination by the hand. To many, he may seem dated and the urge to watch garbage like Cars 2 may seem like the more entertaining option, but I say give this adventure a go.
Pooh (Voiced by Jim Cummings) and his merry gang of loyal friends go on the hunt to find Christopher Robin (Voiced by Jack Boulter), who they believe has been captured by a mysterious beast called a “Backsoon”. They are also desperately trying to locate sad sack Eeyore’s (Voiced by Bud Luckey) tail, which has also gone missing. The first one to find the tail wins a jar of honey, which Pooh desperately wants due to a shortage at his homestead.
The entire gang makes an appearance in Winnie the Pooh. We have Piglet (Voiced by Travis Oates), Tigger (Voiced by Jim Cummings), Owl (Voiced by Craig Ferguson), Kanga (Voiced by Kristen Anderson-Lopez), Roo (Voiced by Wyatt Dean Hall), and Rabbit (Voiced by Tom Kenny), all along to catch and trap the dread “Backsoon”. Some stick-in-the-mud adults may find the brief 63 minute runtime to be entirely too long to tell the tale of Pooh but children should be glued to it.
Adults will enjoy the smiley croon of Zooey Deschanel (Elf, New Girl), who sings a number of toe-tapping little numbers sprinkled throughout. The characters themselves break out into a number of memorable songs that pay tribute to classic Pooh adventures. The best song is a tie between Pooh’s hallucinatory accolade to honey called “Everything is Honey” and Tigger’s directions that “Get You Tiggerized”. I should also acknowledge the blink-and-you’ll-miss-it wink to Raiders of the Lost Ark, which is a charmer.
Sure to slap a big smile on the faces of those who will level with it, Winnie the Pooh encourages a vivid imagination in every viewer. It stirs up the child in the adult viewers and it will get the kiddies riled up to venture outside and organize their own search party for the “Backsoon”. Winnie the Pooh is harmless with a sunny disposition and just as sweet as honey.
Winnie the Pooh is now available on Blu-ray and DVD.