by Steve Habrat
I have seen quite a few comic book movie bombs in my day but I can honestly say that director Jimmy Hayward’s 2010 monstrosity Jonah Hex has got to be one of the worst I have sat through. Based on the DC Comics gunslinger created by John Albano and Tony DeZuniga, Jonah Hex is rank with studio interference, cropped down to a blink-and-you’ll-practically-miss-it runtime of just barely over eighty minutes. It really is a shame that this film has been butchered as bad as it has because the talented Josh Brolin pours everything he has into the growling bounty hunter who can speak to the dead. I bet Brolin even gagged when he added this to his resume. Severely incoherent, massively brainless, and loud to the point of making your ears bleed, Jonah Hex is such a mess that I have to say I can’t believe the studio even bothered tossing it into cinemas in the first place. I honestly have to say I hope someone lost their job over this because I would have locked this film away, crossing my fingers that no one would ever stumbled upon it and unleash it on the world. It is THAT bad.
Jonah Hex begins by flashing back to the Civil War, with our hero (Played by Brolin) serving on the Confederate side of the conflict. Hex is ordered by his commanding officer, Quentin Turnbull (Played by John Malkovich), to burn down a Union hospital. Hex refuses to carry the order out and retaliates by gunning down his friend and Turnbull’s son Jeb (Played by Jeffrey Dean Morgan). Turnbull tracks down Hex just after the war ends and proceeds to burn Hex’s family alive and make him watch. He then horribly disfigures Hex’s face and leaves him for dead. After several days, a group of American Indians stumble upon Hex and nurse him back to health. As Hex regains his strength, he realizes that he possesses the power to reanimate and speak to the dead by touching them. Hex is anxious to get back on his feet and find Turnbull but he learns that Turnbull died in a fire shortly after he massacred Hex’s family. To deal with his pain, Hex turns to bounty hunting but is soon approached by Lieutenant Grass (Played by Will Arnett) with news that Turnbull is alive and well. It appears that he has robbed a Union train of a weapon component for a doomsday device that can wipe entire towns off the map. Grass recruits Hex to set out and stop Turnbull before he can locate all the pieces of the weapon that he needs.
Judging by all the star power in Jonah Hex, I have the sneaking suspicion that the original script had much more to it than what we actually see on the screen. There is no way any A-list actor like Brolin would agree to be in something this god-awful. Brolin really takes his role seriously, growling through gritted teeth as he rides around rotting western towns, laying waste to anyone who dares piss him off. It is a shame that his back-story is brushed over with an animated flashback that fails to really add anything to his character. We are just supposed to accept that he is mad and he won’t be getting glad until he stands over Turnbull’s corpse. Hex finds an ally in Lilah (Played by Megan Fox), a beautiful prostitute who practically drools all over her cleavage when Hex knocks on her door. Fox is only in Jonah Hex to serve as some obvious eye candy for the male audience that this is aimed at. Her character adds nothing to the poor excuse of a story that is strung throughout the film. Brolin seems to just be humoring her when she is in his eyesight—even he seems perplexed why she is in front of the camera.
Then we have Mr. Malkovich’s Turnbull, a vile baddie who has a really evil plan that lacks a motive (Those are the worst, aren’t they?). Lt. Grass and President Grant (Played by Aidan Quinn) fret and stew over Turnbull’s horrific doomsday cannon and where he will strike with this weapon of mass destruction. Turnbull spits that he will wipe the United States off the map but he never explains why. Why is he so gung-ho on leveling all of these cities? Don’t expect an answer to that question. Just tremble in your boots as he sips absinthe and makes threats at wealthy aristocrat Adleman Lusk (Played by Wes Bentley), another character that adds absolutely nothing to what is going on. Turnbull leaves the gruesome enforcement to his giggling Irish right-hand man Burke (Played by Michael Fassbender), who I suspect is sometimes chuckling at what he has been asked to do by the director. Fassbender’s character is sort of interesting but he is always shoved behind Turnbull, who looks like he raided the wardrobe closet of Pirates of the Caribbean. While you are trying to get over the fact that Fassbender even attended this party, you’ll also be reeling from the fact that funnyman Will Arnett has shown up and is trying to be taken seriously as Lt. Grass. Both Arnett and Fassbender are probably hoping that you forget they were ever in this picture.
The action of Jonah Hex is earsplitting, muddled, and forgettable as it is set to pounding heavy metal music from the band Mastodon. The film features poor special effects and every action sequence is clipped too short to really be fulfilling. The finale is an absurd fistfight in the clanking steam punk engine room of Turnbull’s floating warship. He unleashes cannonball like delay-action bombs on Washington D.C. but there is never the threat that he will detonate them. You know Hex will throw a tomahawk into his plot at just the last second. Refusing to let us get to know any of the characters in the film, Jonah Hex is a hollow summer blockbuster with no feeling or direction. It is a free-for-all of noise and missed opportunities, with little care put into the development of Hex’s character. Even worse, the film seems like it was made in a mad rush just to get it on the big screen as quickly as possible and so DC had something to release against Marvel’s Iron Man 2. Overall, if Jonah Hex rides again, let’s hope it is given to filmmakers who actually respect his character and have an interest in his origin. Avoid this film at all cost.
Jonah Hex is available on Blu-ray and DVD.
by Steve Habrat
Michael Bay’s 2007 Transformers was no doubt a huge guilty pleasure. It was far from intelligent but at least it was entertaining and that is really all we could ask of it. I can’t really say that I was dying for a sequel but you knew it was inevitable given the success of the first installment. Transformers: Revenge of the Fallen, the 2009 sequel, never even remotely justifies its own existence. Revenge of the Fallen is lumbering, loud, stupid, and downright obnoxious from the first frame all the way to the last. It’s almost as if the first film shot up with a bunch of steroids, downed a whole case of Red Bull, and then was let loose to wreck havoc on society. Part of the problem is that returning executive producer Steven Spielberg has obviously cut the short leash that he had director Bay on and allowed him to bolt right for the TNT stash. I swear that Bay can’t go ten minutes without blowing something up and he sculpts his film all the fireballs.
In the opening moments of Revenge of the Fallen, it is revealed that ancient race of Transformers called the Dynasty of Primes was searching the galaxy for energon sources. The Dynasty of Primes used energon to power their mighty AllSpark, the device that caused all the ruckus in the first film. They decide that if the planets they visit have life forms residing on them, they will not harm the planet. When one brother who is dubbed “The Fallen” breaks away, he lands on earth and builds a Sun Harvester, which drains stars of their energy. The other Primes sacrifice themselves to stop “The Fallen” before he wipes out the human race and to hide the Matrix of Leadership, which is the key to operating the Sun Harvester (I hope I have all of that straight…). In present day, the Autobots are working with an elite group of soldiers lead by Captain Lennox (Played by Josh Duhamel) to seek out and destroy the remaining Decepticons. Meanwhile, Sam Witwicky (Played by Shia LaBeouf) is getting ready to go off to college and start a life of his own away from his goofy parents (Played by Kevin Dunn and Julie Alice White). He is also grappling with leaving his super hot girlfriend, Mikaela Barnes (Played by Megan Fox), who wants Sam to say the L word (LOVE). After Sam discovers a small piece of the AllSpark stuck in his jacket, the Decepticons begin to regroup and launch an even more powerful strike on earth. Autobots leader Optimus Prime calls on Sam and Mikaela to once again aid him in his protection on earth, but Optimus discovers that he is facing a far more powerful villain than he ever could have imagined.
The small synopsis that I have provided in this review is only the tip of the iceberg that is Transformers: Revenge of the Fallen. This movie has so much going on in it, you will be in utter disbelief (Seriously, go look at the synopsis on RottenTomatoes. It’s unreal how long it is!) and actually feel your brain melting from overload. Upon my first viewing of the film, I actually started getting a headache from all of the longwinded explanations and teeth-rattling explosions. The first film didn’t bog itself down with complex back-story and sub plot silliness, which made it an easier pill to swallow. It appears that Bay and his screenwriters overcompensate for the simplicity of the first film, which is what made it so likeable in the first place. If that isn’t bad enough, the film features more pointless action sequences that are stuck in simply to show off how much the CGI has improved in the past two years. A sequence in the middle of the film that features an army of Decepticons raining down on earth, smashing into U.S. Naval ships, cities, and everything else you can think of is the final word in extreme and meaningless, a continuous string of explosions, CGI destruction, and incomprehensible aliens.
In addition to all the inane action and story, Revenge of the Fallen further irritates with the horribly misguided acting that Bay proudly displays. LaBeouf’s Sam was once a relatable teen who was caught in the middle of something larger than life. In Revenge of the Fallen, you want to kick him in the face. I couldn’t believe how unbearable he was this time. Bay throws him in with a slew of other aggravating teens, which makes things even worse on the viewer. Fox is given absolutely nothing to do except look hot in a tank top and run away from multiple explosions. Duhamel is still wooden and cliché yelling orders at Tyrese Gibson’s equally useless Sergeant Epps. John Turturro returns as the disgraced Sector 7 agent Simmons, who once again appears to be having fun but he fails to cast his spell on us this time. Ramon Rodriguez joins the insanity as the Sam’s college roommate Leo, who is even more aggravating than Sam. Blonde bombshell Isabel Lucas also is on board as the mysterious Alice, who has an attraction to Sam and wishes to break up his relationship with jealous Mikaela. I still don’t buy these two girls battling over LaBeouf. Sorry, Bay.
What was once sort of cute has become a revolting spawn of Satan, a film that is shockingly racist (get a load of the Twins), unintelligible, and just plain irresponsible. It could be one of the worst written sequels I have ever seen, one that was spit out to suck more money out of the pockets of those who enjoyed the first film. Sadly, we were all suckers and flocked right to it opening weekend. If I were a bigger fan of the Transformers franchise, I would be absolutely furious at Bay for what he has done to this material. He is so concerned with staging an action sequence that he throws lucidity right out the window, napalms it, and the proceeds to piss on the ashes. What Bay fails to understand is that story is more important than action and respect for the material is key to winning the hearts of fans. These characters mean so much to people and to see Bay more concerned with how much of Fox’s cleavage he can capture is just despicable. Furthermore, Spielberg should be ashamed of himself for allowing this film to be made and being okay with his name stamped in the credits. If you have not seen Revenge of the Fallen, trust me when I say that you will not believe your eyes or your ears. With Transformers, Bay earned a smidgeon of my respect and showed the world that he could make a film that was watchable. With Transformers: Revenge of the Fallen, he lives up to his reputation for being one of the worst directors currently working in Hollywood.
Transformers: Revenge of the Fallen is available on Blu-ray and DVD.
by Steve Habrat
Michael Bay’s 2007 live action interpretation of Transformers, the immensely popular Hasbro toy line is infinitely better than it should be. I can still remember seeing trailer for the Bay vehicle and thinking that it would be the biggest piece of junk ever spit out by both Bay and Hollywood. It turns out that Transformers was more than meets the eye (I couldn’t resist!). While I admit that I had more fun than I should have at Transformers, it is nowhere near a perfect movie. Transformers has some of the worst dialogue that you are likely to hear in a motion picture, bizarre lapses in time, and some truly awful acting yet astonishingly, the film remains watchable and surprisingly entertaining when it really shouldn’t. The first Transformers film works because it shows us something we can all honestly say we have never seen before. Despite all the twisting and turning metal that fills the picture, executive producer Steven Spielberg slyly inserts a human heart in all of the nonsense and keeps Bay on a short leash, giving it a yank whenever the action on screen gets too out of control.
After their home planet is destroyed by war, the Transformers are split into two groups. There are the Autobots, who are lead by the courageous Optimus Prime and there is the evil Decepticons, who rally behind the dreaded Megatron. The two groups are after the AllSpark, which could allow the Autobots to rebuild their home planet and allow the Decepticons to wipe the Autobots out and take control of the universe. Their quest to find the AllSpark brings both groups to earth where they meet nerdy teenager Sam Witwicky (Played by Shia LaBeouf), who unknowingly holds the key to locating the AllSpark. It turns out that Sam’s new beater car also happens to be the gentle Transformer named Bumblebee, who has to protect him from the Decepticons that are closing in on him. In between attempts to woo the girl of his dreams, Mikaela Barnes (Played by Megan Fox), Sam is dragged into vicious war between the Autobots and the Decepticons, who fully plan on using earth as their new battleground. Sam and Mikaela are reluctantly paired with a small group of humans who have to battle beside the Autobots in order to save the human race from being wiped out.
Transformers is a must-see for the mind boggling special effects and earth shaking action sequences that Bay is noted for. The end battle in the streets of Los Angeles ranks as one of the most satisfying and adrenaline-pumping action sequences in a summer blockbuster. This one is truly one of those films that leaves you asking, “How did they do THAT?!” Being a Bay film, you are never really required to use your brain outside of keeping all the Transformers’ and secondary character’s names straight. Credit has to be given to Bay because he knows why we are watching this film and it certainly isn’t for a beefy plot. He fills the screen with hot chicks, explosion porn, and enough showdowns to drive Transformers fans up the wall. It’s all eye candy here but it is eye candy that we have never seen before and that will give your eyes cavities. I dare someone to name me another film where you see a Camaro convincingly morph into a towering robot, go leaping through the air, and clash with another robot that just morphed out of a police car. Go ahead, I’ll wait…
While the fiery battles are quite a bit of fun, they also happen to be one of the many flaws that wound Transformers. Clarity is sacrificed as Bay’s camera shakes around violently and his editor jumps from one side of the action to the other. He doesn’t really go out of his way to really distinguish the secondary Transformers, as he has them all done up in gunmetal gray and earth tones. When it is only two of them trading punches, rockets, and bullets, you can easily distinguish who is the bad guy and who is fighting for good but when the climax arrives, Bay frantically throws every single robot at us, causing Transformers to loose control here and there. And while the climax is rousing, the earlier battles are a bit more fun because we are able to actually see who is winning the showdown. A confrontation on the highway between Optimus Prime and Bonecrusher is stunningly realistic and easy to distinguish. Optimus Prime, Bumblebee, and Megatron are really the only Transformers that we are able to identify in all the mayhem, as they are the ones with the most color and personality.
Transformers ultimately belongs to Shia LaBeouf, who salvages crummy dialogue and creates a multidimensional teenager who other teenage boys can relate to. He also happens to be relentlessly hilarious and a real charmer. He’s just a goofball trying to fit in and win over the beauty, who appears to be way out of his league. It’s through extraordinary events that LaBeouf’s Sam gets what he wants and sees his suburban ennui shattered into a million little pieces. He works well with Fox, who has very little personality but LaBeouf knows how to coax what little she does have to the surface. Fox ends up being likable enough even if she is aware why Bay has his camera pointed at her. LaBeouf and Fox are paired with a slew of other pretty faces including Rachel Taylor as smoking computer analyst Maggie, Josh Duhamel as Captain Lennox, Tyrese Gibson Tech Sergeant Epps, Anthony Anderson as overweight nerd Glen, Jon Voight as Defense Secretary John Keller, and John Turturro as weirdo Sector 7 agent Simmons. They all get their chance to ham it up for the camera, mostly Turturro as Simmons, who seems to be having a ball slumming it. Tyrese and Duhamel are handed some of the worst dialogue to work with and their characters are lumbering clichés for the girls to drool over. Kevin Dunn and Julie White memorably show up as Sam’s TMI parents who walk a fine line between funny and downright annoying. Luckily, they fall more into funny.
Given the problems with dialogue, clarity issues, and everything else that Bay does wrong, Transformers morphs into a fairly memorable adrenaline rush that represents why we flock to summer blockbusters. It never attempts to be anything more than a mindless diversion from the humid weather outside and give us an excuse to munch on a gigantic bowl of popcorn. If you go in to Transformers with extremely low expectations, you will emerge from it a little winded and pleasantly surprised. This uber-expensive B-movie works because Spielberg keeps a watchful eye on Bay, as I’m sure he is fully aware of the work that Bay churns out. Spielberg seemed to demand warm and fuzzy moments, ones where he underlines the idea that there is something extraordinary happening right in our own backyard. It’s a bit naive but it works here. So, if you’re willing to let yourself go for two and a half hours, Transformers is just the escape that you are looking for. It may not change your life but not every movie has to.
Transformers is available on Blu-ray and DVD.