by Steve Habrat
In 2004, America had the pleasure of being introduced to Simon Pegg, Nick Frost, and director Edgar Wright, a trio of British funny guys who bowed at the cinematic alter of all things horror, action, science fiction, and exploitation. They burst into Hollywood with Shaun of the Dead, a warm and fuzzy romantic comedy…. with zombies. Shaun of the Dead was a surprise hit, even earning praise from the zombie godfather himself, George A. Romero. In the summer of 2007, Pegg, Frost, and Wright returned to theaters with Hot Fuzz, a razor-sharp marriage of the slasher genre and the buddy cop action genre that threatened to be even better than Shaun of the Dead. It was around this time that you started hearing that these films were part of a trilogy that Wright was calling his Cornetto trilogy. After another lengthy wait, the trio have finally brought their Cornetto trilogy to a close with The World’s End, a smashing nod to classic science fiction films from the 1950s all the way to the 1980s. Wright and his starring duo have already proven themselves as experts at mashing up multiple genres of film and The World’s End finds them once again at the top of their game. This midlife crisis comedy flows with laughs, blue blood, brilliant characters, superbly choreographed fistfights, heartfelt drama, and enough beer to have the most seasoned beer drinkers screaming uncle and running for the bathroom.
The World’s End introduces us to Gary King (played by Simon Pegg), a forty-year-old wash up that is stuck living in the past. In his youth, Gary and his four closest friends participated in a pub-crawl called the Golden Mile, which consisted of twelve pubs scattered throughout their hometown of Newton Haven. The boys were unable to finish the crawl, but Gary remembers it fondly as the greatest night of his life. After growing frustrated with rehab, Gary tracks down his four best friends—Andy (played by Nick Frost), Peter (played by Eddie Marsan), Oliver (played by Martin Freeman), and Steven (played by Paddy Considine)—in the hopes of convincing them to reattempt the Golden Mile and this time making it to The World’s End, the final bar in the crawl. Despite having moved on with their lives, the gang decides to join Gary in the pub-crawl. It doesn’t take long for the gang to start bumping into familiar faces from their youth, but it seems that their old friends don’t recognize them at all. After a bathroom scuffle with a group of freakishly strong and blank-faced teenagers, the group discovers that the citizens of Newton Haven have all been turned into robots. Confused, buzzed, and terrified, the group decides to continue on with their crawl in an attempt to blend in, but it doesn’t take long for the group to blow their cover. Teaming with Oliver’s beautiful sister, Sam (played by Rosamund Pike), and a handful of normal locals, the group begins a fight to remain human… and make it to The World’s End.
For those who aren’t cinema buffs or seasoned vets of the Cornetto trilogy, the main focus of these three films has been to pick a genre of film (horror, action, science fiction) that Wright, Pegg, and Frost adore and pay tribute to the classic films within that genre, all while tucking a heartfelt and relatable storyline inside the nods. After giving the viewer a chunk of time to get to know the characters, The World’s End sets its sights on the classic science fiction films from the Cold War/drive-in era all the way to the films like John Carpenter’s The Thing. When the robot-aliens finally make their presence known, the narrative of The World’s End begins to heavily borrow from Don Siegel’s 1956 sci-fi classic Invasion of the Body Snatchers. Wright then sprinkles in hints of the 1978 remake, but these lean more towards the visual end. Genre fans should also be on the lookout for nods to The Day the Earth Stood Still and a scene-stealing ode to John Carpenter’s The Thing. Wright smartly understands that these classic films were heavy with politics and social commentary, and he converts these nods into a hilarious comment on modern day conformity. The best use of this commentary comes when the guys start the crawl and realize that the colorful bars that they use to frequent as boys have been scrubbed of their small-town individuality and converted into Starbuck-esque establishments. It’s a running gag that never gets old.
The theme of conformity continues in the characters, especially Andy, Oliver, Peter, and Steven. These guys have tried desperately to distance themselves from their hard-partying days and embraced a happy family, a cozy desk job with a mound of benefits, expensive suits, and a fancy home in the suburbs. We sense their boredom early on and we roll our eyes when they tell the free-spirited Gary to grow up and get serious with his life. Pegg easily gives the strongest performance of his career as Gary, the ultimate party animal who just can’t say “no” to a cold pint and a bag of weed. I really don’t think I have seen Pegg throw himself into a role with this much enthusiasm before and I thought he was a ball of energy in the Star Trek films! Frost breaks away from playing the slouching slacker that he played in both Shaun of the Dead and Hot Fuzz and takes the uptight route as Andy, who hasn’t had a drink in fifteen years and is flat out appalled by Gary’s loose-cannon behavior. Watching Andy and Gary try to rekindle their relationship is awkward, hilarious, and moving all at the same time. Marsan is another scene-stealer as the geeky Peter, who appears to be petrified of his own family and bottling up pain from being bullied. When he starts downing the brews and the shots, he is an absolute riot. Freeman’s Oliver is your usual businessman with a Bluetooth shoved in his ear and Considine is a fitness nut dating a younger girl. Pike is sweet and scrappy as Oliver’s sister, Sam, who is pursued by both Steven and Gary. Pierce Brosnan also makes a special appearance as Guy Sheppard, an old guidance counselor from the gang’s high school.
Where The World’s End hits a snag is in the final confrontation between the gang and the alien invaders that are hiding out in Newton Haven. Just before the two parties meet, there is a surprisingly emotional heart-to-heart between Gary and Andy that will have a good majority of viewers getting a bit misty-eyed. The dramatic moment is pierced by a drawn-out war of words with the alien force. Wright is slyly paying tribute to some of the lower-key climaxes of the sci-fi films from the 50s, where the all-American hero came face-to-face with the alien invaders and engaged in a heated discussion about the alien’s intentions. While it is smart on Wright’s end, it does throw the film’s momentum way off and it feels like we’ve hit a brick wall for a good ten minutes. Thankfully, Wright recovers with some seriously epic destruction that will get the heart pounding again. Overall, The World’s End may not be my personal favorite film of the Cornetto trilogy, but I still found myself getting wrapped up in the emotional sweep at the climax, laughing at the quick wit, hanging on the action sequences, and beaming over the love letter homages. This is one cocktail that may suffer from a bit of backwash near the end, but will still leave you with one hell of a buzz that is guaranteed to last for days.