Video review of the new Batman film The Dark Knight Rises. This was a tough film to discuss due to content that many may label as spoilers. I really tried to avoid revealing anything that will ruin the experience so please do not judge the video too harshly. Also, my heart goes out to the victims of the shooting in Colorado. It is a shame that someone had to ruin something that was meant to be fun and exciting. My deepest sympathies are with the families of the victims.
by Steve Habrat
It is finally here, folks! One of the most anticipated films of all time is finally crashing into theaters and everyone is dying to know if it lives up to the sky high expectations that have been set by critics, fanboys, and average moviegoers alike. Well folks, Christopher Nolan’s The Dark Knight Rises, the final installment in his wildly prevalent Batman franchise, does live up to the gigantic expectations. In fact, it lives up to those expectations and then blows them to smithereens. If you can believe it, Nolan manages to craft a film that is bleaker and darker than anything he came up with in his shadowy origin tale or his chilling bridge film. This goes way beyond dark territory and dives headlong into black no man’s land. Nolan pits our flesh and blood hero against a foe that he is no match for and throws in an evil plot to end all other evil plots. Raising the bar even higher than he did with 2008’s showstopper The Dark Knight, Nolan once again begins tinkering with the formula of the superhero movie and what he conjures up is a mammoth ogre of a film that finds itself intrigued with our unshakeable fear of terrorism in our post 9/11 world. It could be called a rehash but Nolan is witty enough to put the lives of hundreds of thousands on the line and with a number like that, there is no way everyone can survive.
I won’t provide too much about the plot in this review so I will stick to the barebones basics. Eight years after the Joker brought Gotham City to its knees, crime has been almost completely scrubbed away from the streets of Gotham. The city still mourns the death of their “white knight” Harvey Dent, who was driven insane by the Clown Prince of Crime and went on a killing spree that left several individuals dead. In an attempt to keep hope alive in Gotham, Batman (Played by Christian Bale) has taken the fall for Dent’s crimes and disappeared from the city. Commissioner Jim Gordon (Played by Gary Oldman) has been grappling with the fact that he has been feeding the public lies and finds himself on the verge of revealing the true Harvey Dent to the citizens of Gotham. Bruce Wayne, who is still licking the wounds he suffered at the hands of Dent and the Joker, stays locked away inside Wayne Manor, which has now been rebuilt. Wayne is shaken out of retirement after he stumbles upon a vampy burglar by the name of Selina Kyle (Played by Anne Hathaway) making off with his mother’s necklace. As Bruce begins to investigate Kyle’s background, he discovers a much larger plot to destroy Gotham City. This plot is being led by the terrifying mercenary Bane (Played by Tom Hardy), who is diligently building an army below the streets of Gotham, waiting for the proper moment to emerge and turn the city to ash.
Dropping the thriller routine that he was fond of in The Dark Knight, Nolan crafts a large-scale disaster epic that leaves our hero scrambling to gather all the help he can find. He discovers that he may be able to trust Kyle, who is desperate to erase her rocky past any way she can. Batman also finds that he can trust Gotham City beat cop Detective John Blake (Played by Joseph Gordon-Levitt), an admirer of Batman’s efforts to clean up the city. He also finds help in the usual suspects Lucius Fox (Played by Morgan Freeman), his gadgets man, Commissioner Gordon, and Alfred Pennyworth (Played by Michael Caine), his trusty butler. While The Dark Knight Rises slowly evolves from disaster film into war epic, Nolan bombards the viewer with countless images of destruction and devastation that settles in the pit of your stomach like a rock. We’ve all seen the scenes of the football field collapsing and the overhead shots of bridges getting blown to hell, but that doesn’t soften their impact, especially when Hans Zimmer’s rumbling score joins in. It is through heavy scenes like this that you have to wonder if these new alliances will even make a ripple against Bane’s tidal wave of terror.
While The Dark Knight Rises has plenty of jaw-dropping action sequences, the film is carried off into greatness by the performances of everyone involved. The standouts are definitely the new kids on the block, Tom Hardy, Anne Hathaway, and Joseph Gordon-Levitt. The one who steals the movie (fitting for her character) is Hathaway’s Selina Kyle, who is never once referred to as Catwoman. A Robin Hood figure dressed in a black body suit and goggles, Kyle is firecracker as she slinks through this boys show. She gets a kick out of seducing rich men and then taking them for all that they have. While Hathaway is great, she gets some competition from Hardy’s Bane, a hulking terrorist with a fang-like gas mask bolted to his face. While Hardy is given the nearly impossible task of following up Heath Ledger’s Joker, he holds his own as an equally sadistic “liberator” who manhandles anyone who tries to go up against him. Rounding out the new kids is Joseph Gordon-Levitt’s beat cop Blake, a good guy who catches the attention of Commissioner Gordon, and Marion Cotillard’s Miranda Tate, a Wayne Enterprises investor who is desperately trying to shake Bruce Wayne out of his funk.
Then we have the veterans who all exit Gotham City in plenty of style. Bale shines even brighter here as Wayne, now a gaunt recluse who has shut himself out of the world in the wake of what the Joker took from him. You will want to stand up and cheer when Bruce finally leaves the halls of Wayne Manor and hits the streets once again as the Batman. As Batman, Bale brings a ferocity that we haven’t yet seen from him as Batman. We briefly glimpsed it in the interrogation scene in The Dark Knight but here; Batman is a predator that is foaming at the mouth. Morgan Freeman’s Lucius Fox jumps at the opportunity to get Bruce back in the crime fighting game. He gets to unveil Batman’s latest “wonderful toy” The Bat, a prototype flying machine that is beyond nifty. Caine’s Alfred gets the most emotional moments of the film as he pleads with Bruce to not confront this new evil that is ripping Gotham to shreds. He gets one specific scene with Bruce Wayne that will hit you in the gut like a wrecking ball. Then there is Oldman’s Gordon, who is suffering from the fib he has told about Harvey Dent. You will fight back geeky applause when Batman and Gordon finally reunite after eight years.
Sadly, The Dark Knight Rises does have a few flaws, which are mildly distracting. One in particularly really bothered me but I won’t reveal it here because many may label it a spoiler. There is also one character that is left slightly undeveloped, which was a shame because it would have improved the twist at the end of the film. Despite the flaws, Nolan once again holds up a gritty reflection of our current political backdrop. While I don’t think it was intentional, Nolan touches upon the Occupy Wall Street movement and the 99% rising up against the 1%. The film was written just slightly before the protests but you have to hand it to Nolan for picking up on the tensions. He also can’t resist touching upon terrorism, the theme even heavier here than it was in The Dark Knight. While I am reluctant to say too much about the film because the less you know going in, the better it will be, I can promise you that the last hour of this film is why we go to the movies. You will fight the urge to leap out of your seat and throw air punches as Batman and Bane battle for the fate of Gotham City. I’ll admit that I was fighting back tears in the final moments of the film, Nolan wrapping everything up in the finest way possible, which meant the world to this Batfan. While its few flaws may make it fall short of being a masterpiece, The Dark Knight Rises is easily the best Batman film ever made, the best blockbuster of the summer, and the best film of 2012 so far. If you want my opinion, epic doesn’t even scratch the surface of what Nolan has delivered here. It is a commanding tour de force that will almost make you forget to breathe. A must-see.
by Corinne Rizzo
For a film so packed with disturbing content, Contagion is an awfully quiet display of events. Everything from the colors on the screen to the music and dialogue, this film is just a somber and quiet depiction of the spread of what eventually becomes a SARS like epidemic, a drastically contagious virus that seems to induce comas and seizures on the affected.
Unlike many films of contraction, Contagion lacked that sense of panic one felt during Outbreak or 28 Days Later. The skilled and mature cast of characters lends the film a contained sense of control. Each actor in his or her role is wholly believable and to the viewer entirely professional. Here’s an idea of who we are dealing with here:
Matt Damon, Marion Cotillard, Kate Winslet, Jude Law, Lawrence Fishburne, Gwyneth Paltrow, Eliot Gould and Demetri Martin (of all people).
Now if you’re anywhere near my age, you watched Matt Damon play Will Hunting and sort of even swooned after him, if that’s your thing. We saw Gwyneth Paltrow in The Royal Tennenbaums and laughed at her cynicism, Kate Winslet—best known for Titantic and the list goes on to Laurence Fishburne in The Matrix. If Contagion had anything working for it, it was its cast, as a film on this subject matter has long been a dead horse beaten.
And that is where Contagion is different. It begins with Beth Emhoff (Paltrow) returning from some corporate event in Hong Kong, which seems a bit cliché considering the past American paranoia from things like bird flu or H1N1, but the film isn’t so quick to place blame anywhere entirely. In fact, a web is created between the affected persons and the range of distance between the infected is wide. Suddenly, a mystery is being woven and it’s almost undetectable that you’re working toward the solution, as the film takes a drastic diversion from discovering the origin of the disease and containing and curing it.
The web of the infected begins with Paltrow’s character, or so that is where the viewer is introduced to the illness. The film takes the viewer home to Minneapolis where Emhoff calls home. At the same time the virus goes (no pun intended) viral by ways of a character played by Jude Law, Alan Krumwiede, a free lance journalist/blogger bent on exposing what he believes is the truth about anything, no focusing on the virus and it’s cure.
What’s interesting about the film and what makes it different from a plethora of other movies based on epidemic is that Contagion spreads no real panic among the audience. Sure, the audience is aware of the severity of the disease at hand. Within hours of contraction, the illness seems to take entire families down. But, as aforementioned, there is a quiet sense of survival among the main characters. Those who fall victim understand that they took the risk in the first place. Those who watched their loved ones succumb didn’t understand, but still never tried to.
For instance Mitch Emhoff (Damon) finds that he is immune to the virus and works silently and diligently to keep him and his daughter from demise.
As the film progresses we see Erin Mears struggle with her contraction, but handles it with dignity and understanding when, despite her status among the government, she learns that being airlifted is a waste of government resources.
The dignified sense of survival is what creates this quiet feeling among Contagion and it is clear to the viewer that the cast, well chosen and well played, are responsible for that feeling as each cast member is one in good standing with the Academy and moviegoers alike.
A viewer might enter the theater ready for a gory mess of death and mass graves and while death and mass graves are a sure part of the film, it is not those scenes which stick with the audience. It is scenes like a gnarly autopsy of Paltrow’s character followed by a classic line between the two examiners, “Should we call someone?” says one hazmat suited examiner. “Call everyone,” proclaims the other.
The film’s story unfolds between many different scenarios and that is where the viewer becomes distracted. Instead of asking ourselves about the origin of the disease, we find ourselves deep in the discovery of hard working biologists trying to cure it or the lives of those trying to avoid it. The audience understands that the primary question was that of origin, but the film leads us on such a chase that it’s easy to feel caught off guard in the last two minutes when everything changes.
The history of the disease, of the travelers and the scientists unfolds before the viewers eyes and before the audience knows it, the credits are rolling. And the unraveling is just as calm and quiet as the onset of disease.
There is a lot that happens in the film, but keeping ears and eyes open, Soderbergh keeps the audience informed and interested without the gore and total societal breakdown involved in a good portion of other epidemic based films. Granted, there are moments of pillaging and anarchy and downright human survival bullshit that makes a viewer want to yell “that doesn’t help the situation, assholes!” it’s just muted and the viewer is put a distance that is almost voyeuristic.
Top Five Reasons to See Contagion:
1) Demetri Martin plays a scientist!
2) Eliot Gould’s character rocks this line, “Blogging is not reporting, it is graffiti with punctuation.”
3) You get to see Gwyneth Paltrow’s cranium sawed off.
4) You’ll never guess the combination of crap that has to happen to incubate such a disease.
5) The tagline “Don’t talk to anyone. Don’t touch anyone,” is badass.