by Steve Habrat
In 1985, Italian horror gurus Lamberto Bava and Dario Argento decided to collaborate on a little cult horror film known as Demons, a funky, funny, and freaky European hybrid of George A. Romero’s Night of the Living Dead, Dawn of the Dead, and Sam Raimi’s Evil Dead. While it may be flawed, Demons is still an absolutely awesome roller coaster ride through a funhouse of violence, action, green blood, Fu Manchu pimps, and macho heroes. It’s the ultimate horror party set to a heavy metal soundtrack that will have you head banging for days after viewing it. In 1986, Bava and Argento would reunite for Demons 2, a sporadically fun but largely unremarkable follow-up party that would attempt to go much bigger than the predecessor. Well, folks, it seems that bigger isn’t always better. Demons 2 is essentially the same film as Demons and outside of a location change, there is very little that feels fresh or exciting. Sure, Demons 2 is atmospheric enough, the early scenes within the walled-off ruins will keep you tense, and when the action kicks in, it is greeted by a big slice of cheese, but the film hits way too many lulls to really hold our interest. To make things worse, Demons 2 has one of the most anti-climatic endings that you may ever see. It doesn’t even really have an ending. Everything just sort of stops and the viewer is left scratching their head and saying, “that’s it?!”
Demons 2 picks up several years after the events of the first film, with the infected area of the city walled-off and left abandoned by the government. It appears that the rampaging ghouls have died off and rotted away with the dilapidated buildings. Outside the wall, life has gone on and the horrifying events that occurred are beginning to fade from memory. A local television station decides to run a late night documentary about the incident and in an attempt to gather some information, the station sends a group of amateur journalists over the wall to investigate the ruins. It doesn’t take long for the crew to stumble upon the body of a dead demon, which they inadvertently bring back from the dead. Meanwhile, the residents of a local high-rise apartment complex are glued to the drama playing out on their television screens. Among the residents watching is sixteen-year-old Sally (played by Coralina Cataldi-Tassoni), who is currently throwing herself a rocking birthday bash. While watching the documentary, Sally becomes possessed by the demon and she proceeds to then tear through her party guests, infecting each and every one of them. As the teenage demons spill into the rest of the high-rise and infect even more residents, it is up to young couple George (played by David Edwin Knight) and Hannah (played by Nancy Brilli) to band together with juiced-up gym trainer Hank (played by Bobby Rhodes) to fend off the ghouls.
While it may not offer much in the plot department, you’re watching Demons 2 for the gooey gore and sweaty action. If you’re looking for deep explanation or clarity, don’t hold your breath. One of the moments that reigned supreme in the original Demons was an especially striking transformation scene complete with teeth dropping out of one character’s mouth only to be replaced by crooked fangs. The terrible transformation didn’t stop there. There were the discolored veins, green slime pouring from the mouth, and glowing yellow eyes. Bava and Argento seem to understand that the transformation was the highlight moment of the original film and the duo deliver even more graphic transformation sequences here. The make up and effects on the demons are breathtaking and they really hold up for a film that was released in 1986. Bava and Argento also decided to include a pint sized demon creature that crawls out of the body of a small child. There is a fun chase between Hannah and the little critter, but this Venus flytrap-looking creature is far from terrifying. Dare I say that he is actually kind of cute? I think cute is the proper description, especially when he starts squeaking like a baby.
One of the biggest problems with Demons 2 is the sluggish first twenty minutes of the film, where Bava and Argento introduce us to a handful of bland characters that will undoubtedly become demon chow. Knight’s George is the typical macho hero with very little personality and Brilli’s Hannah is the typical shrieking chick who constantly needs to be saved. The only reason we really care about Hannah is because she is pregnant and we live in fear that one of the ghouls will get ahold of her. Cataldi-Tassoni is pretty good as the demonic Sally but she is incredibly annoying as plain old party Sally. As a normal human, she throws hissy fit after hissy fit but when she transforms into a satanic cannibal, things really get fun. Hilariously, Bobby Rhodes, the Fu Manchu pimp from the original Demons, shows up again as a roid-raging gym instructor who will stop at nothing to cut down the demonic menace. Fear not, folks, he is just as intense as he was in the first film. Horror fans should also keep their eyes peeled for Argento’s young daughter, Asia, who at first is glued to the midnight documentary. Near the end of the film, she comes face to face with a pack of snarling beasts looking to tear her limb from limb.
While the make-up effects are great and the gore is top notch, Demons 2 takes way too long to find its groove. While the early scenes of all the high-rise residents will most certainly bore you to tears, the action taking place inside the walled-off ruins will certainly send chills. When the action in the high-rise kicks in, there are plenty of cool shoots of yellow-eyed demons sprinting up and down the stairs like marathon runners. The showdown between the bodybuilders and the demons in a parking garage is absolutely outrageous, but would you expect anything less from a sequence like this? The biggest problem with the film is the anti-climatic ending, which doesn’t even feel like it should really be the ending. You’d swear that the film had at least another fifteen minutes to go. Another disappointment is the absence of the heavy metal score, which has been replaced by a much more conventional horror score that would have sounded right at home in one of Lucio Fulci’s efforts. Overall, Demons 2 has plenty of satisfying action in the middle of the film, but the beginning is a chore to get through and the climax just falls to pieces. Furthermore, it would have been nice to get a bit more explanation about the demons but this just isn’t that type of movie. Demons 2 is only for those people who love the first film and even those individuals will be disappointed.
Demons 2 is available on DVD.
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Canadian broad who has had a lifelong obsession with horror films. Perpetually working on a screenplay, avid collector of soundtracks, belt buckles and wigs. You can find me on WordPress: http://goregirl.wordpress.com/, YouTube: http://www.youtube.com/user/goregirlsdungeon or follow me on Twitter: @ggsdungeon.
Goregirl’s Top Five Scariest Italian Horror Films
Nothing can whip me into an excited frenzy like finding an Italian horror and/or thriller I haven’t seen. I have hungrily devoured Italian horror titles like a rabid Ms. Pac-Man. It is getting more difficult these days to find films I haven’t seen. I am particularly fond of the Giallo of the 1970s. The word Giallo is Italian for “yellow”, which refers to the common coloring of cheap pulp fiction novels. The term “Giallo” is used to describe Italian literature and film that contains elements of crime, mystery, horror, thrillers or eroticism. I never miss an opportunity to talk about Italian horror! Italian horror generally speaking tends to be plot heavy with copious twists and red herrings and while the mood can be positively electric I don’t think I would classify most of these as “scary”. Coming up with five was more difficult than I anticipated. I wanted to insure five Italian directors were represented so I allowed myself just one title per director. After much inner debate I chose the following five horror films hailing from Italy that provide not just thrills but also chills…
THE BEYOND (1981)
Directed By Lucio Fulci
I could easily have filled this entire top five with Lucio Fulci films! His brilliant entries Don’t Torture A Duckling, Zombi 2, A Lizard in a Woman’s Skin and The Psychic all deserve high praise. I chose Lucio Fulci’s The Beyond. In my opinion The Beyond is Fulci’s scariest, creepiest and goriest effort. The premise of The Beyond sees one of the seven gateways to hell being breached. This gateway lies beneath a hotel the main character inherits. Crazy shit happens, some of it’s illogical but every last bit is a fascinating, visual treat. People are nailed to walls, eaten by tarantulas, melted by acid, and of course there is classic Fulci eye trauma! And there are zombies! Beautiful, rotted wonderfully vial zombies! Don’t worry about a perfect logical narrative; just let the nightmare wash over you! The Beyond is classic Fulci at his gory best, but I can not recommend more highly checking out any of the aforementioned Fulci flicks!
BLACK SUNDAY (1960)
Directed By Mario Bava
Mario Bava is another favourite director whom I struggled to choose just one film for. Certainly his fantastic anthology Black Sabbath, the brilliant Kill Baby Kill!, the masterful The Girl Who Knew Too Much or his magnificent Blood and Black Lace would have all been great choices. I went with what is perhaps Bava’s best known film; Black Sunday. The stunning Barbara Steele takes on dual roles as Princess Asa Vajda and Katia Vajda. It is a wonderful richly gothic tale of a witch put to death by her own brother who returns 200 years later to seek revenge on her descendants. “The Mask of Satan” (which also happens to be one of its alternate titles) once pulled from the face of our witch makes for some grotesque visuals! Black Sunday was one of my dad’s favourite films and it absolutely terrified me as a child. While Black Sunday doesn’t quite have the same effect on me after 20ish viewings I think it is still one of Bava’s creepiest and most beautiful films.
Directed By Sergio Martino
No list of Italian films is complete without an entry from Sergio Martino. Anyone with even a casual interest in Italian horror probably knows the names Lucio Fulci, Mario Bava and Dario Argento but the lesser known Sergio Martino made several epic entries through the seventies. My favourite film by Martino is definitely The Strange Vice of Mrs. Wardh starring the gorgeous and sexy Edwige Fenech; Your Vice is a Locked Room and Only I have the Key and The Case of the Scorpion’s Tail wouldn’t be far behind. I love these films but I would be hard pressed to say any of these are “scary”. Martino’s most frightening entry is Torso. College students are being murdered and the only clue to the killer’s identity is a scarf. A group of lovely ladies take refuge in the Italian countryside only to find themselves the killer’s target. The good old balaclava; headwear of thieves and serial killers alike! Torso has a balaclaved baddie, amazing scenery, plenty of skin and some impressive brutality! The final chase scene between the surviving female and the murderer is intense and exciting. Torso is gritty, sexy, suspenseful, violent and it has a great soundtrack to boot.
Directed By Dario Argento
What can I say about the great Dario Argento? The man knew how to construct a violent and visually stunning film. Argento’s Deep Red, Tenebre and Suspiria have long been personal favourites. Deep Red will always be my number one but for the “scary” category I would have to go with Suspiria. Suspiria takes place in a prestigious dance school where shenanigans of a supernatural nature are afoot. There is a feeling of unease established from the moment new student Suzy Bannion arrives at the school that doesn’t let up until the final credits. Its beauty is quite remarkable but is only one of its impressive qualities. Suspiria is claustrophobic, intense, suspenseful, thrilling and features some very impressive murder sequences! Suspiria is like an adult fairy tale and its impressive setting and props add a whimsical and yet terrifying sense of dread. Its brilliant soundtrack courtesy of Goblin is one of the best horror film soundtracks ever created! Performances are excellent across the board from Jessica Harper who plays Suzy, Stefania Casini who plays her friend Sara and great turns from classic actresses Alida Valli as Miss Tanner and Joan Bennett as Madame Blanc. Suspiria is part of Argento’s “three mothers trilogy” and I can not recommend enough also checking out Inferno, his second of the trilogy. Suspiria is a beautiful nightmare.
Directed By Lamberto Bava
Lamberto Bava is the son of the great Mario Bava. While I enjoyed Lamberto Bava’s Macabro, A Knife in the Dark, and Delirium, in my opinion Demons is definitely Bava’s masterpiece. There have not been many effects-intensive creature creations from Italy so for that reason alone this film is special. There are however a lot of other reasons Demons is special. The premise is a simple one; a group of people are given passes to a screening of a horror film and become trapped inside the theatre with a bunch of demons. Demons is very high-energy, it doesn’t let up for a second. The gore is plentiful; the effects are outrageous and occasionally gag-worthy. Most importantly, Demons has some really freaking cool looking demons! The transformations are fantastic; polished nails being pushed out in favor of nifty new gnarly claws, teeth pushed out to upgrade to some nice big pointy ones. It is a beautiful thing! Demons definitely has its campy qualities but it only adds to its charms. Demons insane finale involving a dirt bike, a sword and a helicopter falling through the roof is not to be missed! If you enjoy Demons, there is also a sequel you can sink your teeth into. Demons 2 isn’t as good as the original, but it certainly has its moments! Demons is an orgasmic, goretastic joy!
by Steve Habrat
Why horror fans and critics don’t make a bigger deal over Lamberto Bava’s fantasy-becomes-nightmare horror romp Demons beats the hell out of me! I haven’t had this much fun watching an 80’s gore flick in quite a while and Demons matched the gruesome insanity of Evil Dead every step of the way. Demons is shamelessly loaded with plot holes, something that actually adds to the fun that you will have while watching this thing. Produced by Dario Argento and directed by Mario Bava’s son, Demons is never just coasting along. It isn’t particularly concerned with establishing much of a plot or any real underlying meaning; it’s just out to have a head banging good time. If you don’t find yourself possessed by the madness here, you are way too uptight.
Demons picks up in a Berlin subway where a college student named Cheryl (Played by Natasha Hovey) bumps into a mysterious masked man who resembles Kano from Mortal Kombat. The man hands her two movie tickets to a recently renovated movie palace and then disappears. Cheryl decides to attend the movie that evening, bringing along her friend Kathy (Played by Paola Cozzo) who complains that the movie that is showing better not be a horror movie. When the girls arrive at the theater, they are pursued by two young men named George (Played by Urbano Barberini) and Ken (Played by Karl Zinny), who tell the girls they will comfort them if the movie gets scary. In the lobby of the theater, there is a mysterious set up that acts as a promotion for the film they are seeing. A young woman decides to put on the mask and when she takes it off, she ends up with a strange cut on her face. The movie begins and sure enough, it is a horror film about demonic possession. Shortly after the film begins, audience members begin finding themselves infected with a strange virus that turns them into demonic killers. As the demonic numbers rise, Cheryl, Kathy, George, and Ken have to band together and stay alive until help can arrive.
This variegated bloodbath is a pure 80’s artifact, a film that packs the macho hero, relentless carnage, a samurai sword (of course), and a blaring heavy metal soundtrack to get your adrenaline pumping. It packs tons of impressive special effects and make-up work, the ghouls ending up simple yet foully intricate. Wounds ooze pus and blood and the ghouls vomit out green slime, any gross touch thrown in just to show off what the special effects crew is capable of. The film also manages to be a little freaky at points, Bava’s camera peering down foggy staircases and dank alleyways, a silhouetted ghoul creeping in the shadows here and there. Demons turns out to be an energetic kaleidoscope of energy that is undeniably contagious. The lunacy reaches its max when our hero begins chopping off heads with the sword and a helicopter comes crashing through the ceiling of the theater. Are you intrigued yet?
Demons has lots of incoherence littered about its eighty-eight minute runtime. Who is the strange masked cyborg man handing out the tickets? Are these people from the future? Another realm? And what about the suspicious theater usher? Don’t bother trying to figure any of this out and just roll with the punches. Demons harkens back to a time when going to the movies was an immersive event, to a time when the seats where rigged with a vibrating device to spook audience members (The Tingler) and barf bags where provided for the insanity (Zombie). This is a film that should play in theaters today and feature some kind of gag to get the audience involved, much like The Rocky Horror Picture Show! The film is cool enough on its own to watch in the comfort of your own home, but if you showed this to a theater that interacts with the screen while downing a few beers in the process, you’d have a hell of a night at the movies.
Demons doesn’t ask much of us as viewers and is only concerned with our enjoyment of the content. The embellished final act is a must see, especially since while watching the first half, I couldn’t imagine things getting any wilder. The fact that the film is game to take this twist on is enough to call this a blemished horror classic. Demons turns out to have all the makings for the craziest party you’ve never been to. Even a white suited pimp with a fu manchu shows up to play hero for a while! If you are an individual who detests horror, believe me when I say there is enjoyment to be found in the gross out shticks that Demons is so fond of. This is, without question, an infectious experience, making it very easy to fall in love with this beast of a horror movie.
Demons is now available on DVD.