Attack of the Remakes! The Texas Chainsaw Massacre (2003)
by Steve Habrat
Tobe Hooper’s grubby 1974 horror outing The Texas Chain Saw Massacre ranks as one of the scariest films I have ever seen. Hands down. It is downright terrifying and manages to make us queasy even though it has very little gore to speak of. In 2003, Michael Bay’s production company Platinum Dunes decided that they were going to remake the film, a decision that would open the remake floodgates and shower the film market with a slew of senseless horror remakes that absolutely no horror fan was begging for. With music video director Marcus Nispel behind the camera, Bay unleashed his sleek and gory update that comes at you like a speeding demon. Truth be told, The Texas Chainsaw Massacre 2003 is not that bad of a film. It’s actually sort of fun and it has plenty of personality and style. It has a must see opening sequence shot in shaky black and white, a crime reel that is chillingly authentic as John Larroquette somberly explains the back-story. It opens the movie with a bang. What comes next is a fairly mundane but excessively flashy exercise in teen slashers elevated by the presence of R. Lee Ermey and, surprisingly, Jessica Biel. It’s the excess and Nispel’s reluctance to leave anything to the imagination that ultimately keeps The Texas Chainsaw Massacre 2003 from reaching the levels of terror that the original does. Oh, and cannibalism would have helped too.
The Texas Chainsaw Massacre begins on August 18th, 1973, with five teenagers, Erin (Played by Jessica Biel), her boyfriend Kemper (Played by Eric Balfour), Andy (Played by Mike Vogel), Morgan (Played by Jonathan Tucker), and Pepper (Played by Erica Leerhsen) passing through Texas on their way to a Lynyrd Skynyrd concert. While making their way along the desolate highway, they happen upon a distraught hitchhiker (Played by Lauren German), who quickly climbs into their van, rambles about a “bad man,” and then shoots herself in the head. Terrified, the group stops off at the nearest gas station to call the sheriff. The sheriff convinces the group to meet him at a local abandoned mill, where he will come and pick up the body. The group waits for hours but the sheriff is a no show so Erin and Kemper decide to travel to a nearby farmhouse to try to contact the sheriff again. The home seems to belong to a cranky amputee named Monty (Played by Terrence Evans) but as Erin and Kemper linger at the home, they begin to suspect that Monty may not be the only person lurking around the decrepit home. Their suspicions are confirmed when they are chased down by Leatherface (Played by Andrew Bryniarski), a gigantic psychopath who enjoys dispatching his victims with a chain saw and then removing their faces so he can wear them as masks.
Since Michael Bay and Platinum Dunes insisted that this film exist, I can at least give it credit for the fact that it isn’t a shot for shot remake of the brilliant Hooper original. It is bold enough to play around with the premise and up the number of nutcases from four to seven, making the whole film seem a bit more dangerous. While upping the number of psychos is a positive, Nispel and Bay do everything in their power to strip Leatherface of the horror he once possessed. And, lets face it, it takes a lot to make a psycho with a chain saw only slightly creepy but apparently Nispel and Bay were up to the challenge. Looking like your crazy uncle in an expensive Halloween costume, Leatherface looks like he is wearing a rubber zombie mask that tried to smile but couldn’t. Only once do we see him wear another face and there doesn’t seem to be any of the eerie cross-dressing that the character liked in the original. It would have been nice to see him in that famous suit with a woman’s face covering his own but I guess you can’t always get what you want. Nispel and Bay also give him a new origin story, one that just comes off as silly. Things really got shaky when old Leatherface decides to peel off his mask and show us what it underneath that rotting flesh. I’ll tell you this much, it isn’t very spooky and actually sort of laughable.
While Nispel and Bay certain screwed up the monster, they fair better with just about everyone else. I still think that Biel does a great job as Erin and she rightfully earns our sympathy, especially as things really get bad. She’s no Marilyn Burns but she is alright in my book. Balfour is also pretty strong as Kemper, a guy just trying to do the right thing for his girlfriend. Another standout amongst the group of teens is Tucker’s shaggy pothead Morgan, who always has just a little too much to say when he shouldn’t. Out of all the teens, I actually liked him the best. Leerhsen and Vogel are okay but they never really grab us like Biel, Balfour, and Tucker. Then we have the merry Hewitt family, led by R. Lee Ermey’s deranged Sheriff Hoyt, a mean son of a bitch who drools chewing tobacco and giggles at the suffering teens. He is here in full force blasting hilariously sick and twisted one-liners right into the faces of his victims. Marietta Marich is also pretty terrifying as the matriarch of the Hewitt family, Luda Mae Hewitt. She rules the family with a rusted fist, demanding that Leatherface lumbers into the family room and get one of the sobbing victims out of her sight. It is such a cold and cruel scene, one that ends with one character suggesting that their victim should stay for dinner, one of the better nods to the original film.
While cannibalism is only hinted at here and there, it is largely absent from this entry in The Texas Chainsaw Massacre series. If you didn’t know it played a big role in the original, you’d have no idea it was even present in this one. Nispel does take great care in constructing the Hewitt home, a massive, decaying structure gloriously backlit when the sun sinks from the sky. Some of my favorite images in the film are the ones where Nispel’s camera peeks out of the trees and stares cautiously at the house, almost like it is going to spring to life and attack. The set design on the inside of the home is even more painstaking and ornate as the camera pans over rotting corpses, demonic dolls nailed to the wall, and leaky pipes that could very well be oozing blood. While some of the chases are sort of fun and that scene with one character getting his leg cut clean off by Leatherface’s roaring chain saw are nifty, you can help but find yourself longing for that grainy cinematography and that hazy, late summer atmosphere that drips with death and decay. I longed for a scene that would disturb me like the original’s twitching death, where a character that was just clubbed over the head with a mallet thrashed and twitched as his brains oozed from his head wound. I wished for the dinner party scene, the one where Marilyn Burns shrieked in terror as the Sawyer clan tormented her over a plate of human BBQ. And the film didn’t end with that terrifying image of Leatherface doing his “dance of death” in blazing Texas sun. There is nothing razor sharp like that here. Looks like Bay and Nispel removed the chain from this one.
The Texas Chainsaw Massacre 2003 is available on Blu-ray and DVD.