by Steve Habrat
I’m going to cut right to it: Eclipse is the first Twilight film worthy of all the tear-stained hysterics bestowed up on it. Seriously, someone buy director David Slade a drink and give him a pat on the back. This man single handedly saved this entire franchise by giving the lunkheaded narrative some bearing and making things a bit more exciting. You go, Mr. Slade! Now, for all the praise I just showed Eclipse, I do have my gripes with Bella Swan’s third outing with Edward Cullen and Jacob Black. While Slade adds some teeth gnashing action scenes, writer Melissa Rosenberg still can’t resist the temptation to bog parts of the film down with countless scenes of the characters laying in fields and staring at each other and arguing about the future of relationships. Jacob still spends half the movie running around with out a shirt and Edward’s hair is still a mess. But at least Jacob takes out a few vamps this time, so I’ll forgive some of the constant removal of his shirt. It is truly amazing how this love triangle takes shape when there is actually a bit of a threat on the horizon and the film embraces a little danger. It also doesn’t shy away from a plot, much like the first two entries did.
Eclipse picks up with Bella (Played by Kristen Stewart) and Edward (Played by Robert Pattinson) discussing the future of their relationship. They throw around marriage and Bella’s wish to be turned into a vampire. Jacob Black (Played by Traylor Lautner) still stomps around and desperately tries to win Bella’s affection. While all the same old hooey drags on in Forks, a handful of mysterious murders send Seattle into a frenzy. Turns out that there is a growing army of vampires called “Newborns”, all who are standing by red headed siren Victoria (Played by Bryce Dallas Howard) and are slowly making their way to Forks to take Bella’s life. Bella’s father Sheriff Charlie (Played by Billy Burke) tries desperately to piece together what is going on, but Edward and his family are one step ahead of the dense Sheriff. They begin to devise a counterattack on the “Newborns” and they seek the help of Jacob and his wolf pack. With the uneasy alliance in line, they begin the fight to protect Bella.
Eclipse still ignores the same glaring issues that plague the series. How does Charlie Swan still not suspect anything strange about the pasty white Edward? How much longer is this pointless love triangle going to bring down the party? Why is Bella so damn boy crazy? How do Bella’s normal friends not suspect anything weird? By this point, I’ve given up hope they will address any of these questions. Instead, Eclipse gets its own set of problems, mostly stemming from the poor storytelling of Rosenberg and Stephanie Meyer, who have no idea how to build tension and keep that building tension in place. The film blows over like a house of cards when Edward and Bella stare at each other and profess their feelings. Yet Slade tries desperately and he pays us off with a spine-tingling showdown at the end of the film. The special effects rank as some of the best in the series so far and the make-up on the vampires isn’t as powdery and artificial as the first two films. There is also a fairly hair-raising introduction to the film featuring a nasty vampire attack…which includes a bite on the hand. Yeah, I know, it’s meek and well aware that a good majority of viewers fall into the female gender, so an artery-spurting assault is out of the question. But here, Slade knows vampires, as he directed the comic book chiller 30 Days of Night, so he has some experience with vamp action.
Now we turn to the good and I’ll be honest, I never thought I’d find much good in these films. Eclipse puts its characters in harm’s way and allows a few of them to get hurt. It never gets as ballsy as New Moon did and kill someone off (Please do not interpret that as praise for that rubbish film), but some characters do get a bit of a beat down. This one is a notch more violent than the previous installments and it doesn’t always turn away like the previous two always did. Bryce Dallas Howard is a welcome addition as Victoria, throwing an actress in the mix that is capable of adding some layers to her character even if that character finds herself in a Twilight movie. Dakota Fanning’s Volturi hellraiser Jane shows up to do a little more than just show off red contact lenses and utter empty threats. She gets a few nasty torture sequences that are giddy fun. Jacob’s digital alter ego gets to bare his fangs and rip a few vampires to shreds, tearing ones head off. Once again, these vampires don’t bleed out or burst into flames, but rather crumble into marble.
Once criticism I have for Slade is his disinterest in pushing his young actors to grow in their characters. The most disappointing is Bella, who finds herself at the center of the conflict. She does absolutely nothing to help anyone out and stands around and sulks. Sure, she TALKS about helping but never really does or Edward talks her out of it. Pattinson still looks like he is trying to pass a kidney stone and Lautner is still unpersuasive as a supposed macho man. The only evolution that is made is that Bella turns out to be a bit of a closet hornball. Don’t think too much about it or attempt to analyze, it fades just a quickly as it shows up.
Perhaps the most liberal of the Twilight films, I have to say that Eclipse is a fairly decent film that if it was trimmed down and ignored some of the chattier moments, it would actually be respectable. Slade tries desperately to sidestep the repetitive nature of these films and he comes out of it with a good portion of his dignity in tact. There is a scene in a brightly lit field near the beginning of the film that is absolutely jaw dropping even if there is the constant annoying hum of tween romance babble. In fact, I would have loved to see what Slade did with the previous two entries and what kind of personality he would have installed into them. It really does boggle my mind as to why the producers of this film have allowed Rosenberg to continue to pen these films, as she the bane of the Twilight films existence. She needs to cut the intimate moments down significantly and understand that we are well aware that these characters are at odds with their emotions. She doesn’t continuously need to underline the point and put it in italics. Someone also needs to step in and instruct the actors on how to be less wooden and show a bit more life. So, Twilight fans, for the first time, you are worthy of your prestigious MTV Best Movie award.
Eclipse is now available on Blu-ray and DVD.