This Is the End (2013)
by Steve Habrat
With interest rapidly fading in the abysmal The Hangover Part III, the film that almost everyone assumed would be the must-see comedy of 2013, the slot for “best summer comedy” has been left up for grabs. I have a feeling that over the next few weeks, that slot may end up being filled by This Is the End, an apocalyptic horror-comedy from the stoned minds of Seth Rogen and Evan Goldberg. Lovingly paying tribute to a whole string of horror films (look for nods to Night of the Living Dead, The Exorcist, Rosemary’s Baby, The Evil Dead, and Zombie) and firing off laughs faster than a machine gun spits out bullets, This Is the End is a gross-out laugh riot that leaps from one frenzied shock after another. Nothing is off limits here and every single actor or actress in front of the camera (just know that each and every one of them is playing an exaggerated version of themselves) throws themselves into the project with plenty of maniacal gusto. To make it even better, the film boasts such a fresh and unique concept, making you wonder why no one has ever tried something like this before. Did I also mention that the film gets incredibly freaky when the demons come out to play?
This Is the End begins with Jay Baruchel arriving in Los Angeles to hang out with his old buddy Seth Rogen. The two arrive at Seth’s new home where they instantly smoke a ton of weed, watch Seth’s 3D television, and play video games. When their interest fades in doing that, the two decided to go to a housewarming party that is being thrown by James Franco. While at the party, Jay and Seth mingle with countless other celebrities including Craig Robinson, Jonah Hill, Emma Watson, Michael Cera, Rihanna, Danny McBride, Jason Segel, Mindy Kaling, and Aziz Ansari, to name a few (trust me, there is a slew of others that turn up). After Jay grows uncomfortable at the party, he asks Seth to accompany him to the nearest convenience store so that he can pick up a pack of cigarettes. Suddenly, beams of blue light shoot through the ceiling of the convenience store and suck up several customers. Terrified, Jay and Seth flee into the street where chaos has erupted. The two manage to make it back to James Franco’s home in time to warn everyone. Most of the partygoers refuse to believe their story but after a giant sinkhole appears outside and the Hollywood hills erupt with fire, the guests scatter and most of them die horribly. The only survivors of the incident are Jay, Seth, James, Craig, Jonah, and Danny, who proceed to barricade themselves into the lavish mansion they were all just partying in. Terrified and confused, the group begins trying to make sense of their situation and figure out if the destruction outside will pass or if it really is the end of days.
This Is the End marks the directing debut from Rogen and Goldberg, which would automatically make you assume that the finished product would be a somewhat wobbly experience. While there are a few pacing issues, Rogen and Goldberg show that they are extremely competent and confident blockbuster directors who also know their way around a good horror film. Even if they are borrowing most of their wink scares, there are more than a few moments that will have your arms breaking out in goosebumps. The amount of horror in the film is surprising, but it never once gets in the way of the infinite amount belly laughs strung throughout. You’d assume that the film would exhaust itself early on, especially when you get a load of the numerous cameos crammed into the first fifteen minutes. It’s a giddy delight that just keeps getting more outrageous, especially when Michael Cera turns up as an obnoxious cokehead slapping Rihanna’s ass and blowing a handful of cocaine into Christopher Mintz-Plasse’s face. Honestly, even if you have no interest in the film whatsoever, just go see it for his performance. He pretty much steals the movie. Yet when 98% of the partygoers get sucked down to Hell, the film never even misses a beat. The guys instantly start bickering over food, water, beer, drugs, a Milky Way, masturbating, sleeping arrangements, scavenging, and, yes, there is even a conversation about raping Emma Watson. As if it couldn’t get any better, the guys decided to make a homemade sequel to Pineapple Express.
Perhaps the most inspired part of This Is the End is that Rogen and Goldberg, who also wrote the movie, decided that everyone should just play a cartoon version of themselves. Using the image that most of the public has of them; the guys and gals instantly crank it up to eleven. Rogen goes fully stoner with a sellout edge while Hill goes full nice guy as America’s sweetheart. Robinson brings his teddybear charm while sweating profusely in his “Take off your panties!” t-shirt and McBride unleashes an even darker version of Kenny Powers, if that was even possible. Franco plays with the idea that everyone thinks that he is a bisexual art snob obsessed with Seth Rogen and Baruchel nabs laughs through the idea that everyone is sort of familiar with him but not entirely. Together, they erupt in a flurry of adlib conversations that are just downright hysterical. What is even more shocking is the fact that these guys really go for the throat, burning Rogen for his gravel laugh and Green Hornet and poking Franco for Spider-Man and Your Highness. It certainly is a set that demanded thick skin and deep-rooted relationships. Just when you think you’ve seen everything that This Is the End has to offer, wait until you lay eyes on the axe-wielding Emma Watson, who completely skewers her innocent public image. You will never be able to look at her or Michael Cera the same way ever again.
While This Is the End certainly benefits from its fast and furious humor, there are still a few guffaws that fall painfully flat. This doesn’t happen often but be prepared for one or two lines to be met with the sound of crickets. Despite these fizzlers, This Is the End never looses its momentum and it arrives at a towering inferno climax with a few more cameos and sight gags that are guaranteed to have you doubled over in laughter. The film also dares to get a little preachy in a few places and its interest in the biblical apocalypse was certainly unforeseen, but This Is the End delivers a message that this viewer could stand behind. This message is simple—don’t be a jerk and you’ll be just fine when you meet your maker. Fair enough. Overall, with an inspired idea and a cast that is game to poke fun at themselves and each other’s public persona, This Is the End is ablaze with uncapped creativity, pop culture references, and stoner charm. It may not be for everyone and it is sure to offend your mother, but this is one comedy that begs to be seen with a huge audience ready to have a raucous and raunchy good time.