The Best and Worst of 2013
by Steve Habrat
What a spectacular year 2013 was at the movies! The early months were slow—something that was to be expected—but when we finally hit the summer movie season, things took off with a bang. There were out-of-this-world science fiction thrillers, city-shredding superhero epics, and plenty of blood curdling horror to give you a chill during those sweltering months. As the summer days faded and we entered awards season, things really got good. There were wolves from Wall Street, moody folk singers, HIV-positive outlaws, cranky old sweepstakes winners, and 70s conmen all ready to keep our minds off the snowy weather outside. So, without further ado, here are Anti-Film School’s picks for the best and worst films of 2013.
10.) The Wolf of Wall Street
Legendary director Martin Scorsese’s newest cinematic outing is a three-hour trek through a land dominated by sex, drugs, and sleaze. Our tour guide through this non-stop party is Leonardo DiCaprio, who gives one of the most daring performances of his acting career as Jordan Belfort, a slimy stockbroker who had more money than he knew what to do with. Wickedly hilarious and about as raunchy as R-rated movies can get, Scorsese gives us an up-close-and-personal look at the underbelly of wealth and greed, presenting it all as a runaway train destined to horribly crash and burn. While it’s been accused of being overly excessive and revolting, that’s the whole point—we’re meant to recoil in disbelief at what we are seeing. It just so happens that Scorsese injects each and every second with irresistible charisma, even as it lobs dwarves at the audience, throws champagne in our face, and leaves the audiences coughing up a cocaine cloud.
9.) Blue Jasmine
Woody Allen’s latest film about a wealthy New York City socialite who lost her riches when her husband gets caught up in a nasty financial scandal finds the neurotic filmmaker embracing a punishing reality that leaves a sting that just doesn’t seem to fade. Early on, Blue Jasmine is laced with Allen’s dry wit, but the lightweight appeal is soon engulfed by dark storm clouds of swirling madness. They close in on the brilliant Cate Blanchett, who gives an Oscar-worthy performance as Jasmine, our bitter heroine who flat-out refuses to accept her crippling fall from the designer-brand arms of grace. Complimenting Blanchett’s outstanding performance is the equally wonderful Sally Hawkins, who is here as Ginger, Jasmine’s modest and impossibly sweet sister who allows the scoffing Jasmine to shack up in her tiny little California apartment. With it’s polished story in place, and a number of charming performances from a colorful cast consistently impressing, Allen perfectly positions us for the lightning bolt climax that will leave you paralyzed in your seat. Bravo, Mr. Allen!
Last year, I saw several hair-raising horror films at the local Regal Cinemas, but none left me as shaken up as director Denis Villeneuve’s ripped-from-the-headlines thriller Prisoners. Like a cross between The Silence of the Lambs and Death Wish, Prisoners tells the terrifying story of two little girls who suddenly go missing on a rainy Thanksgiving Day and their father’s who grimly set out to track them down by any means necessary. With stomach-churning torture sequences, a dreary Seven-like atmosphere, and emotionally draining performances from an A-list cast (good luck getting Hugh Jackman’s seething determination out of your head), Prisoners is a white-knuckle masterpiece that is given even more power due to the recent news of Areil Castro and the three girls who were missing in Cleveland, Ohio. Believe me when I tell you there is no way to leave Prisoners unaffected. It will disturb you on levels you never thought possible.
7.) Captain Phillips
Bringing the unflinching realism that he brought to the Bourne series and United 93, director Paul Greengrass returns with Captain Phillips, which tells the breathtaking true story of the 2009 pirate attack on the Maersk Alabama. Told in a chilling, fly-on-the-wall style, Captain Phillips is an exercise in pure tension and raw authenticity. It also finds star Tom Hanks at his absolutely best as Captain Richard Phillips, the man who was taken hostage by four terrifying Somali pirates in a confined lifeboat. While Hanks furiously reminds us of his seasoned acting abilities, Captain Phillips ultimately belongs to breakout actor Barkhad Abdi, who gives a menacing performance as Abduwali Muse, the lead pirate who refused to give up. Bursting at the seams with heart-pounding suspense, Greengrass finds momentum in the confines of the lifeboat, where Phillips pleads with the pirates to give themselves up and avoid a devastating showdown. It’s in these moments where Greengrass humanizes the monsters, and makes a piercing comment on the lengths some men will go to make a living.
If you were one of the five people out there that didn’t see Gravity in 3D on the big screen, you really missed out on an extraordinary experience. While it may not have the most robust storyline, Gravity was pure, how-did-they-do-that?! entertainment that left audiences with the weightless sensation that they truly were drifting around among the stars with George Clooney and Sandra Bullock. While director Alfonso Cuarón handles the stunning visuals with overwhelming confidence, it’s Bullock, who gives a show-stopping performance as Dr. Ryan Stone, a grieving astronaut floating through a shattered existence, who cradles Gravity’s shimmering heart and soul. With performances and special effects working in perfect harmony, Gravity weaves a poetic tale of rebirth that culminates in an emotional blast that allows the film to rocket near the top of the best science fiction films ever made. A starry-eyed crowd pleaser of the highest order.
5.) American Hustle
In mid-December, director David O. Russell’s 70s-set caper about a handful of quirky con men and FBI agents took the box office by storm. Featuring the best ensemble cast of the year (Christian Bale! Amy Adams! Bradley Cooper! Jennifer Lawrence! Jeremy Renner!), American Hustle is a cartoonish deconstruction of the American dream and what it takes to make a name for yourself in the good old U.S.A. With plenty of leisure-suit style to burn and a sexy strut that is impossible to resist, American Hustle is a dryly hilarious and entrancing slice of gold-platted entertainment that is carried off into classic territory by Christian Bale, who has never been better as Irving Rosenfeld, the pudgy con artist with the loudest comb over to ever hit the big screen. With its popularity growing by the day, Russell’s work is quickly becoming a new American classic, one that will surely be revisited for it’s layered script, retro swagger, impeccable costume work and set design, and laid-back sense of humor. This is one cool movie!
After diving into some weighty territory with 2011’s Hawaii-set dramedy The Descendants, director Alexander Payne trades the palm trees for a John Deere tractor with Nebraska. Set against the barren landscape and the small, boarded-up Americana towns of the Midwest, Nebraska is a sweet and soft-spoken little road movie carefully navigated by legendary thespian Bruce Dern and former SNL funnyman Will Forte. Following a senile old man on a quest to claim one million dollars that he believes he won and his patient son that accompanies him on his journey, Payne’s newest effort is a touching trip down memory lane, one that visits rundown farmhouses, old watering holes, and shady backstreets of year’s past. It’s all marvelously atmospheric and nostalgic, given a razor-sharp comedic edge through Dern’s cranky performance as the frizzy-haired sweepstakes winner Woody Grant. When Dern isn’t busy hogging the frame, actress June Squibb keeps you doubled over in laughter as Woody’s unfiltered wife, Kate. Though it may be in black and white, Nebraska is given plenty of color through its unforgettable cast of characters and it’s genuine warmth that sticks with you long after the credits have rolled.
3.) Dallas Buyers Club
Who knew that Matthew McConaughey had this performance in him?! After proving himself to be a talent to be reckoned with in Mud, the drawling actor best known for his work in romantic comedies took critics and audiences by surprise with his turn as HIV-positive cowboy Ron Woodroof in director Jean-Marc Vallée’s Dallas Buyers Club. Boasting the strongest performances of the year from a lead actor and a supporting actor, Dallas Buyers Club, which is based on an extraordinary true story, is a powerful look at the AIDS crisis of the 1980s, and the lengths that one man went to bring proper treatment to both himself and countless others suffering from the disease. Serving up unflinching looks at the terrible symptoms of AIDS, Vallée’s film never spends too much time remaining downbeat. It’s got an optimistic mindset and hope shining brightly in its eyes. And then there’s McConaughey, who undergoes a shocking physical transformation as a hard-living, homophobic outlaw who reluctantly joins forces with a breathy transgender woman. His performance is a revelation, complimented by a delicate turn from Jared Leto as the transgender Rayon. The Academy may as well hand them their Oscars now.
2.) Inside Llewyn Davis
After shooting their way across the Wild West with their 2011 remake of the John Wayne classic True Grit, Joel and Ethan Coen return to movie screens with Inside Llewyn Davis, a Polaroid glimpse of the rise of folk music in Greenwich Village. Set in 1961, this character-driven period piece about a homeless folk singer with a bad attitude found the Coen’s relishing their return to the realm of dark comedy. Blustery and frigid, Inside Llewyn Davis is made even chillier through star Oscar Isaac’s breakout turn as Llewyn, a grieving and starving artist who shacks up on the couches of friends and family members, reluctantly takes care of an orange tabby cat, and only bears his soul through the gorgeous acoustic songs he strums out for packed night clubs. While its open-ended climax may leave some viewers fuming, Inside Llewyn Davis is an elegant character study, one that examines those who risk it all to make it big. As an added bonus, the film features a number of toe-tapping folk numbers that range from swelling and emotional to inescapably cute and catchy. Good luck getting “Please Mr. Kennedy” out of your head!
1.) 12 Years a Slave
Towering over all the other releases this awards season was director Steve McQueen’s sobering 12 Years a Slave. Daring to shine a light into the darkest corners of American history, McQueen’s powerhouse film pummels the viewer with the horrifying true story of Solomon Northup, a free black man kidnapped and tossed into the brutal jaws of the American slave trade. Unblinking with its sequences of abuse and torture, 12 Years a Slave is a film that is overwhelming and crucial, one we desperately want to recoil away from, but one that demands to be seen, heard, and felt for the remainder of our days. Though it is deeply disturbing, 12 Years a Slave ranks as the most handsomely filmed and detailed period piece of the year, and the work from stars Chiwetel Ejiofor, Michael Fassbender, and Lupita Nyong’o has to be seen to be believed. A film that was long overdue, 12 Years a Slave is a motion picture that dares to confront and challenge with a realism that most American films shy away from, and in the process, it becomes an instant cinematic classic that will stand as a constant reminder of our blemished past.
And now, the best of the rest:
– The Conjuring and You’re Next both brought the horror genre back with a deafening “BOO!”
– Pacific Rim was a candy-colored blockbuster sugar rush, and Elysium was the smartest sci-fi epic of the summer.
– Spring Breakers was a demented, day-glo fantasy about living the fast life in a constant paradise.
– Ain’t Them Bodies Saints was a poetic tribute to Terrance Malick’s classic Badlands.
– Out of the Furnace was a formulaic but unnerving and rusted out backwoods revenge thriller
– This Is the End was a raunchily rambunctious and gut-busting apocalyptic comedy from the minds of Seth Rogen and Evan Goldberg.
– Saving Mr. Banks was a feisty, family friendly look at Walt Disney’s rocky quest to make Mary Poppins.
And now, the worst of 2013:
3.) Anchorman 2: The Legend Continues
This dreadful follow-up to the severely overrated 2004 original recycles the same jokes that were used the first time around and the results are absolutely disastrous. The glaring lack of effort from Will Ferrell and company leaves you feeling like you were robbed blind.
2.) Insidious: Chapter 2
After delivering two impressive back-to-back scarefests, director James Wan and screenwriter Leigh Whannell found it necessary to further the events of the first Insidious with this confused follow-up that tasted like moldy, month-old leftovers. Pray that these demonic forces have been banished for good.
1.) The Hangover Part III
The Wolfpack returns for a third and final time in this bizarre climax that never even once tries to be funny. The gross-outs and shocks are all there, but director Todd Phillips and his crew are clearly disinterested and in it strictly for the paycheck. This was the biggest turd of the summer and the most excruciating cinematic experience I had all year.