Indiana Jones and the Raiders of the Lost Ark (1981)
by Steve Habrat
As a kid, I absolutely loved producer George Lucas and director Steven Spielberg’s Indiana Jones and the Raiders of the Lost Ark. I loved getting swept up in the adventure, hanging on every action scene, and being hypnotized by the sprinkling of horror that boils over at the unforgettable climax. To this very day, I credit Indiana Jones and the Raiders of the Lost Ark as one of the films that made me fall in love with cinema and pursue a deeper understanding of the medium. Each and every time I watch the film, it feels like I am seeing it for the first time all over again. I’m sure my anti-Spielberg film professors would be chocking on their own vomit if they read that! To this very day, I still absolutely love this movie and love the fact that it is a tribute to the serials from the 1930s and 40’s. I can honestly say that I really can’t find a single thing wrong with Raiders of the Lost Ark, every actor perfectly cast, every line of dialogue spoken with extreme care, and every action sequence wildly iconic. Right from the beginning, Raiders of the Lost Ark establishes itself as a classic film as Spielberg gives us one of the most thrilling opening sequences to a motion picture and from there, he refuses to let up for two hours. How can you argue with that?
Raiders of the Lost Ark introduces us to out hero Dr. Henry “Indiana” Jones (Played by Harrison Ford), an archeologist who gets himself into one tense, death-defying situation after another. The year is 1936 and the Nazis are currently exploring ways to make their army invincible using occult powers. Two U.S. Army intelligence officers approach Dr. Jones about the Nazi’s quest to find the Staff of Ra, which would reveal the location of the Ark of the Covenant. The intelligence officers ask that Dr. Jones locate the Ark of the Covenant before the Nazis get a hold of it and unleash its devastating powers on the world. This quest forces Dr. Jones to enlist the help of his old flame, Marion Ravenwood (Played by Karen Allen), and old pal Sallah (Played by John Rhys-Davies) to help defeat his nemesis, René Belloq (Played by Paul Freeman), ruthless Colonel Dietrich (Played by Wolf Kahler) and the sinister Gestapo interrogator, Arnold Toht (Played by Ronald Lacey).
Never attempting to be anything it is not, Raiders of the Lost Ark exists solely to entertain all who choose to watch it and entertain it does. This movie is so damn fun, it is hard to believe there are those who resist it. It’s pure popcorn-munching fun that is one of the definitive summer movies. In addition to a light but gripping story, Spielberg packs his film with so many memorable moments, its absolutely unbelievable. Released in 1981, Raiders of the Lost Ark refuses to conform to what was all the rage in the 1980s, which were flexing heroes with absolutely no emotion whatsoever (the Stallones and the Schwarzeneggers). Spielberg chooses to give us a much more vulnerable hero, one who has a few love demons scratching at his heart and one who can get hurt (both physically and emotionally). Dr. Jones isn’t always perfect but he is proud to be flesh and blood. It always seems like the odds are stacked against him as he is relentlessly backstabbed and duking it out with forces that we are sure will overwhelm him. A giant rolling boulder chases him, he is dropped into a pit of poisonous snakes (he hates snakes), and trades blows with a hulking Nazi mechanic all while dodging the propellers of a fly wing. This guy goes through Hell to protect the world.
A heaping amount of credit should go to Ford, who is a revelation as Indiana Jones, wonderfully capturing this vulnerability and imperfection. His cranky humor and irritation with his current situation (whatever he may be encountering: hulking Nazi, snakes, Belloq, etc.) is always on point. You practically hear him go “GULP!” when staring down some obstacles he comes across. He is even more fun when he is dealing with the griping Marion, who is constantly giving him a hard time for wronging her in the past. There is a spark between Ford and Allen and we do root for their love for each other to be rediscovered. We know that Dr. Jones wouldn’t be getting as far as he is without the help of Marion and we know that Marion would fall into the clutches of the dreaded Nazis if it wasn’t for Indy swinging in at the last second to save the day. They are like an old married couple that has yet to get married.
Raiders of the Lost Ark packs a trio of despicable villains to torment Dr. Jones and Marion. The best one here is Lacey’s Toht, who is a vaguely perverse, mouth-breathing freak with a nasty burn on his hand. He speaks slowly, allowing each one of his words to hit the victim he toying with. He wishes that he had the charm of Belloq, another slippery snake who snarls and smirks at Dr. Jones from a far. He loves getting the upper hand on Indy—usually leaving him in hopeless situations that will have you drying off your palms. Completing this trio of terror is Kahler’s Colonel Dietrich, the man leading the operation to secure the Ark. They all get their moment to kick Dr. Jones while he is down, only striking when he is down because none have the muscle to throw down with good old Indy. The other baddies that will stick in your mind is Alfred Molina in his debut role as the backstabbing Sapito who leaves Indy to be crushed by a giant boulder and various other booby traps and Pat Roach as a burly Nazi mechanic who gets a prolonged fight sequence with Indy.
Despite being PG, Raiders of the Lost Ark does have a few moments that wander into the horror realm. The climax of the film is nice and ghoulishly nasty, complete with melting antagonists and terrifying demons laying waste to tons of Nazi soldiers. The film is surprisingly violent and does contain some moments that may scar young children. Overall, Raiders of the Lost Ark is a globetrotting blockbuster that made globetrotting action cool. With Raiders of the Lost Ark, Spielberg set the bar so high for action/adventure films that he couldn’t top himself. The three sequels, while good in their own right, pale in comparison to this installment. Also notable is the easily recognizable score by John Williams, one that compliments the rollicking action like peanut butter does strawberry jelly. While certain aspects of it are showing its age, Raiders of the Lost Ark still stands as the definitive action/adventure film, one that is always imitated but will never be duplicated and one that can outrun the spry CGI blockbusters of today. This is an undisputed classic and absolutely flawless film.
Indiana Jones and the Raiders of the Lost Ark is available on DVD.
Spider-Man 2 (2004)
by Corinne Rizzo
If the first installment of the Spider-Man trilogy didn’t quite drive home the idea that Sam Raimi can and should always create a villain, Spider-Man 2 should be able to convince any audience that Raimi is essentially the king of all that is evil.
Here in the second installment, the viewer meets Raimi’s portrait of Doc Ock, or Doctor Octavius—a man that shares a love of science with Peter Parker as well as the capacity for good and for hope. For the most part though, Octavius reins darkness over the film as he attempts to show investors his latest energy experiment, harnessing a man made fusion, similar to the effects of the sun. When all is said and done and the experiment is near a successful exhibition, the villain can’t exist unless something goes wrong and surely it goes wrong in every possible way.
With Peter Parker foreshadowing the idea that the good doctor could blow the entire city to smithereens if the procedure isn’t handled correctly, Octavius loses control of the fusion experiment and is left with the death of innocent spectators, and a terrible mutation leaving him and the doctors who are trying to save him in a predicament they’ve never encountered.
Though it is the scene that follows the downfall of the experiment that makes the film a signature Raimi film and that scene is one of operating rooms, slain nurses and doctors, loads of horrific screaming and operational power tools buzzing about, blood splatters. Four extra limbs, mechanical, maniacal. The scene is straight out of a horror film and for a minute, the viewer is no longer watching a summer blockbuster, but a suspenseful and graphic thriller.
In fact, the sequel in this trilogy is probably the best out of the three films and one could say that it’s Raimi’s style to not only make the horror film, but make the sequel to the horror film one debatably superior.
Parker finds his own struggles in this sequel and becomes even more tortured than last the viewer received him. The charade with M.J. is on-going and is almost too belabored. For the sake of the audience, it can be assumed that Raimi made the choice to cut the romance dance short and just get the two kids in love and talking marriage already, which makes Spidey happy, which makes Spidey possible. All things the audience responds to.
Meanwhile, the darkness inside of Harry Osborne rises and becomes just another threat to Spidey, after Spidey killed his best friend’s father. No longer are the headlines making things rough for Spider-Man, it seems as if his competition is multiplying as well. Will the conclusion to the three films be a villain paradise?
Spider-Man 2 is now available on Blu-ray and DVD.
For more from Corinne, check out her new website the ish.