Birth of the Living Dead (2013)
by Steve Habrat
These days, it’s nearly impossible to meet someone who isn’t familiar with zombies. The undead are everywhere, devouring pop culture like it’s an all-you-can-eat buffet. They have invaded video games, the local Regal Cinemas, Barnes and Noble, and even television sets on Sunday nights. Even my ninety-two year-old grandmother knows what a zombie is! It seems that with each passing day, the rotting ghouls get more and more popular with new movies, books, and video games rolling off the assembly line. If you’ve ever been curious where these cannibalistic ghouls originated, then you should seek out the zippy new documentary Birth of the Living Dead. Tugging us back to 1967, director Rob Kuhns sits down with zombie godfather George A. Romero, who reflects back on the making of his horror classic, Night of the Living Dead. Boasting numerous interviews with film historians, professors, critics, and even a producer of AMC’s The Walking Dead, and filled with electrifying stock footage and animated behind-the-scenes flashbacks, Birth of the Living Dead is an enlightening look back at one of the most beloved horror films of all time.
Birth of the Living Dead tells the story of how aspiring filmmaker George A. Romero went from shooting beer commercials and small segments of Mister Rogers’ Neighborhood to making Night of the Living Dead, one of the most popular horror films of all time. Inspired by Richard Matheson’s book I Am Legend and surrounded by supportive friends and family, Romero and his crew rented out an abandoned farmhouse and got to work creating a new monster that would become just as iconic as Frankenstein, Dracula, and the radioactive beasts of the Atomic Age. In the process, Romero would create a time capsule that captured the anger, confusion, and violence that gripped America in the late 1960s. As Romero reflects back on the making of Night of the Living Dead, a number of guests including independent filmmaker Larry Fessenden, The Walking Dead producer Gale Ann Hurd, Shock Value author Jason Zinoman, film critic Elvis Mitchell, film historian Mark Harris, and film professor Samuel D. Pollard dissect the film and explain why Night of the Living Dead is an essential piece of American independent filmmaking.
If you’re a massive fan of Night of the Living Dead—or George A. Romero—some of the information Birth of the Living Dead presents may not be exactly new or thrilling. There are discussions of the lack of a copyright on the film and the story of how Romero went from making commercials to horror films won’t have fan’s jaws on the floor. It’s stuff you would have heard about on the special features of the Dawn of the Dead DVD or read about in Joe Kane’s book Night of the Living Dead. However, hardcore fans can’t fully dismiss Birth of the Living Dead because the film dares to recreate what it was like behind-the scenes through quirky little animated segments provided by Gary Pullin. We get to see what it might have been like for softie star Duane Jones as he geared up for an especially violent scene here and Romero pouring over strips of film there. It’s pretty nifty, especially when iconic scenes from the film are given the comic book treatment complete with bright red splashes of blood. In addition to the charming cartoons, there is also plenty of jarring stock footage used during the critical analysis portion of the documentary. There are brutal images of the Vietnam War, racial violence, riots, and protests, all held up to images from Night of the Living Dead to effectively drive home the historical importance of Romero’s accomplishment.
What’s especially wonderful of Birth of the Living Dead is the interview with Romero, who seems as laid back as ever. He sits slumped on a couch, lighting up cigarettes, sipping a cup of coffee, and reminiscing about all of those who took a risk on this young college dropout. The camera is tight on Romero’s face, so close at times that you fear it might bump into his giant glasses and knock them off his face. On the Dawn of the Dead DVD, Romero would only mention Night of the Living Dead in passing, but here, he really digs deep. He reveals that he never truly had an agenda with the film, only that he just wanted to use the film to move on to bigger and better things. He wasn’t exactly keen on being labeled a horror director, but its something that he had grown comfortable with over the years. What’s especially interesting is seeing him shrug his shoulders over the lack of a copyright on the film. The glimmer of disappointment is apparent, but that discouragement is quickly masked with a warm smile that says he is just happy that the film has become as popular as it has. My personal favorite moment is when he reflects back on premiering the film at a local drive-in. He mentions grabbing some snacks and settling down to marvel at his achievement. It’s here that you realize why Kuhns has his camera so close—it was to capture the twinkling nostalgia in Romero’s eye.
As far as the rest of the interviewees go, they are all extremely passionate, as these are people who have been lifelong fans of the film and have analyzed it from every angle. They gush, ooze, and beam praise as they explain the film’s importance and what they personally took away from the film. Those who don’t worship at the altar of Romero would be surprised to learn that the film wasn’t initially met with praise from film critics. Initially, Night of the Living Dead was dumped in grindhouses and waved off by American critics as just another B-horror movie, but European film critics saw the film differently, encouraging those who had already reviewed the film to give it a closer analysis. It’s also very fun to hear stories from moviegoers who remember seeing the film when it was first released and being scared out of their minds by it. The gritty realism, the graphic gore, and the bleak ending shook up many moviegoers and sent horror-loving children away in tears. There is also a misty-eyed tribute to Bill Hinzman, the original “graveyard zombie” who has become one of the most adored zombies from Romero’s Dead series. Overall, if you’ve ever seen Night of the Living Dead and taken it at face value, you owe it to yourself to check out Birth of the Living Dead. It’s a captivating look at a tense time in America, and it acts as a glowing love letter to a tiny little midnight movie that created arguably the most popular horror subgenre.
Posted on November 8, 2013, in REViEW and tagged 1967, 1968, 2013, dawn of the dead, documentary, elvis mitchell, gale ann hurd, george a. romero, jason zinoman, larry fessenden, mark harris, night of the living dead, samuel d. pollard. Bookmark the permalink. 1 Comment.