Reader’s Choice Halloween Review: Halloween (1978)
by Steve Habrat
If you are looking for seriously scary horror movie, look no further than John Carpenter’s independent 1978 slasher classic Halloween. If you want to be reduced to a quivering ball of flesh, this is the film that will do it. Trust me. Considered an “immortal classic” by critics and horror fans and celebrated as the most successful independent feature of all time, Halloween is the film that practically wrote the slasher rulebook and showed us all how teen terror was done. Spawning countless imitators, a slew of lackluster sequels, and two good but not great remakes, Carpenter delivers a film surging with a threatening atmosphere and a movie monster so iconic and terrifying, a small glimpse of Michael Myers makes most people slightly uncomfortable. While most of the terror is milked from the borderline supernatural antagonist, there is plenty of unease in that iconic theme, the one with the frantic and paranoid synths that announce the arrival of the boogeyman. And then there is Jamie Lee Curtis as the virgin heroine, the one who is always just narrowly making it away from the relentless evil prowling the shadows of suburbia. And how can I forget that terrifying last shot, the one that is followed by a series of shots of suburban homes sitting in silence as Carpenter visually suggests that this terror can happen in any home, on any street, and in any living room. I think you get the idea.
Halloween begins on October 31st, 1963, in Haddonfield, Illinois, with a young Michael Myers (Played by Will Sandin) returning from a night of trick r’ treating, grabbing a butcher knife, and the brutally murdering his older sister, Judith (Played by Sandy Johnson). Immediately after the murder, Michael’s parents arrive home and discover what he has done. The film then speeds a head to October 30th, 1978, with Dr. Samuel Loomis (Played by Donald Pleasance) making his way to Smith’s Grove Sanitarium with nurse Marion Chambers (Played by Nancy Stephens) to pick up Michael Myers and take him to a court hearing. Upon their arrival, they discover the patients of Smith’s Grove have broken out of their rooms and are wandering the grounds. In the confusion, Michael steals a car and speeds off towards Haddonfield. With Dr. Loomis is hot pursuit, Michael steals a pair of coveralls and a Halloween mask, arms himself with a butcher knife, and returns to his childhood home. Meanwhile, nerdy high school student Laurie Strode (Played by Jamie Lee Curtis) and her friends, Annie Brackett (Played by Nancy Kyes) and Lynda Van Der Klok (Played by P.J. Soles), gear up for a night of Halloween shenanigans with their boyfriends. As Michael prowls Haddonfield, he encounters Laurie and her friends and he proceeds to stalk them into the evening. As night falls, Dr. Loomis and Sheriff Leigh Brackett (Played by Charles Cyphers) race to track down Michael before he can claim several new victims.
In my humble opinion, Halloween unleashes the most terrifying psychopath killer ever to grace the screen next to The Texas Chain Saw Massacre’s Leatherface. Michael silently peeks out from bushes and appears outside of Laurie’s window only to disappear in the blink of an eye. He remains in the shadows, waiting for the proper moment to lash out at his teenage prey, which he enjoys toying with before they meet the end of his knife. After one death, Michael carries the body of the victim from the backyard around the side of the house and up the front porch steps. It’s an unsettling image made all the creepier through the otherworldly background noises lifted from the 1951 science fiction classic The Thing. Through the spacey sound effects, Carpenter hints that Michael may not be human at all but a supernatural force sent to disrupt the peaceful and sleepy order of suburbia. None of our characters are safe as the settle in with popcorn and beer to enjoy scary movies and hook up with their doomed boyfriends. If the otherworldly screeches and whistles aren’t enough, wait for the scene where Lynda’s boyfriend Bob leaves to grab a beer, only to bump into Michael lurking in the shadows. After horrifically killing him and then examining the body (wait until you see that head tilt), Michael fittingly disguises himself as a ghost wearing Bob’s glasses, enters the bedroom where Lynda is waiting, and then strangles her to death. A ghost going in for the kill, only to disappear into the dark like he was never there at all. That, my friends, is why Michael is scary as hell.
When Michael isn’t busy stealing the show, Curtis and Pleasance do a fantastic job with their little corners of Halloween. Curtis is the ultimate scream queen as the uptight Laurie, the poor, incorruptible soul who is the unfortunate target of pure evil. She is immensely likable and vaguely sympathetic, constantly making us wish she would just let loose a little bit with her friends (she sort of does in a scene where she shares a joint with Annie). When it comes time for her to flee from Michael, she smartly fights back when she can, even nabbing Michael’s knife at one point and jabbing it into his ribcage. And then we have Pleasance as the grim Dr. Loomis, who is constantly reminding us that Michael isn’t a man at all but evil on two legs. I dare you not to get chills when Loomis and Sheriff Brackett stumble upon a mutilated dog and Loomis murmurs, “he got hungry.” I seriously think that Pleasance gives the best performance in the film. You also can’t help but love Soles and Kyes as Laurie’s free spirited friends. Kyes is especially entertaining as the mouthy Annie, who is constantly pushing Laurie to ask out her crush.
With a creepy monster in place and superb acting from everyone involved, its up to Carpenter to deliver on the iconic scares and he sure is up to the task. The opening sequence of Halloween, in which Carpenter’s camera acts as the POV of young Michael as he makes his way up to his sister’s room, will have your arms covered in goose bumps. This scene appears to be one continuous shot but Carpenter actually expertly masks a number of cuts within the scene. It is a sequence that I’m sure Hitchcock would approve of. And how about that end chase? The one that has Laurie locked in a closet with Michael hacking his way in as Laurie frantically looks for something to arm herself with. Hell, Carpenter creeps us out in broad daylight as Laurie shuffles home from school, only to be silently pursued by the Shape. Halloween does have a number of minor flaws that really show as the years pass. Some of the dialogue is dated and if you look closely in one particular scene, you can even spot a few palm trees. And then there is that fact that Michael has been locked up since he was a young boy but yet he knows how to drive a car. And I still think that Tommy Doyle (Played by Brian Andrews) is sort of an annoying character as he constantly babbles on whines about the boogeyman. Don’t worry, you’ll be too freaked out to even notice these goofs. Overall, Carpenter’s Halloween is a massively influential horror film that refuses to be topped. It ranks as one of the scariest films I have ever seen and it is a triumph of independent cinema. If you are one of four people out there who have never seen Halloween, do yourself a favor and add it to your movie collection. Good luck getting Michael Myers out of your head.
Halloween is available on Blu-ray and DVD.
Posted on October 31, 2012, in REViEW and tagged 1978, brian andrews, charles cyphers, donald pleasance, halloween, horror, horror classics, jamie lee curtis, john carpenter, michael myers, nancy kyes, nancy stephens, p.j. soles, sandy johnson, slasher films, the thing, will sandin. Bookmark the permalink. 2 Comments.