Resident Evil: Extinction (2007)
by Steve Habrat
While the first Resident Evil film wasn’t high art, it still managed to do the impossible and give a good name to video game movies. It was a solidly made tribute to Night of the Living Dead while coating an industrial gloss over the action. Resident Evil: Apocalypse was certainly a step down from Resident Evil but you were still willing to sit through it until the end for all the zombie mayhem at its core. Now we have arrived at 2007’s Resident Evil: Extinction, a western-esque rip off of George Romero’s 1985 zombie stunner Day of the Dead, George Miller’s 1979 action thriller Mad Max, and Alfred Hitchcock’s classic The Birds. Unlikely to win over fans of any of the films I just listed, Resident Evil: Extinction finds the massively popular franchise running on fumes, with absolutely no clue how to push the story along into territory that is worthwhile. Like any good B-movie franchise, director Russell Mulcahy spends the first ten minutes of the film rehashing plot points that we are already familiar with and then spends the rest of the time sending wave after wave of genetically altered super zombies at our heroine Alice, who now seems to have more superpowers than she knows what to do with. Oh, and did I mention that the film isn’t scary at all?
After nuking Raccoon city at the end of Resident Evil: Apocalypse, the dreaded Umbrella Corporation thought the T-virus was successfully wiped off the map. They were wrong. Apparently, the entire world has been consumed by the T-virus and nearly every man, woman, and child is now a shuffling, rotting corpse with a taste for human flesh. The few Umbrella big wigs that remain hide out in an underground bunker where they sit and debate about how to domesticate the endless sea of zombies above them. They look to Dr. Sam Isaacs (Played by Iain Glen) to figure out how to tame the creatures but he is preoccupied with creating an exact clone of former Umbrella employee Alice (Played by Milla Jovovich), a one-woman army wandering the Nevada desert. Alice, meanwhile, is busy searching for uninfected when she stumbles upon Raccoon City survivors Carlos Olivera (Played by Oded Fehr) and L.J. (Played by Mike Epps), and Claire Redfield (Played by Ali Larter). The group joins forces with the immensely powerful Alice and together, they decide to head for Alaska, which is rumored to have a “safe zone.” As they set out on their journey, the Umbrella Corporation begins tracking them and they plan to unleash a few new mutant surprises on the group.
Free of its horror confines, Resident Evil: Extinction runs rampant with video game-style action and science fiction showdowns that certainly do make good eye candy but are vacant of any intelligence or point, for that matter. Mulcahy fills out the dead spots with scenes that have been borrow for other, better horror movies while also trying to figure out where all this action is heading. The group makes it as far as Las Vegas before Umbrella comes calling and introduces Alice to a few of its new amped up zombies that all dress exactly the same. It is here that the film slams on the breaks and then scrambles to mask the lack of a climax with a messy final showdown between Alice and, yes, another lumbering mutation. I’ll admit that the film does have few interesting scenes but these interesting sequences are fleeting or recycled. There is a suspenseful sequence that finds thousands of infected crows descending upon the group with Alice marching in at the last second to fight the little terrors off. As quickly as the scene begins, the action is over and we never see those pesky crows again. At least they looked cool while they lasted! Another scene finds Alice terrorized by a crew of bloodthirsty survivors who drop her into a pit to fight a handful of those pesky infected dogs from the first two films. Once again, the scene looks cool but it seems like those snarling beasts are just being recycled.
Then there are the performances, which all appear to have been phoned in or strictly for the paycheck. Jovovich is still her one note self with little progression in her character. She can apparently do anything and easily defeat any foe thrown her way, all of which has become tedious by this point. She just does it all in a new, revealing get-up, which allows the male viewer a chance to look down her shirt. Fehr’s Olivera is still the cookie cuter tough guy who appears to have some bottled up feelings for Alice. Oh, and apparently he is really craving a cigarette. Epps returns as L.J., who is only in on the action to remind us all that he is still alive. There is another faint love connection between him and Nurse Betty, who is played by R&B singer Ashanti (Note to Ashanti: stick to singing). Much like the crows and the love spark between Olivera and Alice, their relationship is fleeting and gone before we even noticed it was there. Larter completely sucks as the scowling Claire, who does a terrible job at commanding her group of warriors. She is simply standing in for the inexplicable absent Jill Valentine, who strutted her way through the second film. Also on board is Glen as Dr. Sam Isaacs, a demented scientist who is a second rate Dr. Logan from Day of the Dead.
There was one scene that I actually really enjoyed in Resident Evil: Extinction and that is the scene with Alice and company battling an army of super zombies created by the grinning Dr. Isaacs. It was a fun, mindless sequence that descends into a shrieking bloodbath. I also really liked the look of the decaying normal zombies, something I would have loved to have seen more of but sadly, they are just there to fill up the background. The rest of the film is the same old song and dance, just dressed in a duster rather than a barely-there red dress (and even THAT is still there). I was a blank slate of emotion when multiple main characters die off even though Mulcahy tries hard for emotional responses. The end battle did virtually nothing to set itself apart from the previous two end fight sequences. The only difference was this mutation has tentacles rather than a Gatling gun or a long tongue. Overall, it was crystal clear that the Resident Evil franchise had run its course and was in dire need of a break but when Hollywood has a hit on their hands, they milk that franchise until it is bone dry of creativity. I guess that is why this Resident Evil takes place in a dusty desert.
Resident Evil is available on Blu-ray and DVD.
Posted on September 21, 2012, in REViEW and tagged 2007, action, adventure, ali larter, apocalyptic horror, ashanti, horror, iain glen, mike epps, milla jovovich, oded fehr, resident evil, russell mulcahy, science fiction, zombie horror. Bookmark the permalink. Leave a comment.
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