by Steve Habrat
Controversial filmmaker Oliver Stone has plenty of hits to his name. He penned Scarface and directed classics like Platoon, Wall Street, The Doors, JFK, and Natural Born Killers, to name a few. After a string of misfires and a hurried W., Stone returns to splatter territory with Savages, a wannabe Natural Born Killers that was adapted from Don Winslow’s novel of the same name. Savages is ripe with potential but Stone seems to be holding back his punches that he throws at us, failing to really engage us intellectually for a good majority of the runtime. It also doesn’t help that his three young leads, Taylor Kitsch, Aaron Johnson, and Blake Lively, are all astoundingly comatose compared to heavy hitters like the scorching Benicio Del Toro and Salma Hayek. Savages lifts the camerawork of Natural Born Killers and drags along almost as many buckets of gore, but the story rambles on for entirely too long and gets a kick out of trying to overcomplicate itself, which is laughable because the film isn’t that complicated to begin with. I hoped that Savages would be a biting drug thriller that would join the ranks of Stone’s classics but alas, it falls more along the lines of World Trade Center.
Savages is told from the point of view of O (Played by Blake Lively), who warns us at the beginning that just because she is narrating this story doesn’t mean she is alive at the end of it. O is in a three-way relationship with two top California pot growers, who churn out some of the strongest herb you can get your hands on. The brain behind the operation is the dreadlocked Ben (Played by Aaron Johnson) and the muscle of the business is former U.S. Navy SEAL Chon (Played by Taylor Kitsch). The group lives a cushy life in a beachfront home where they indulge in their product and engage in lots of steamy sex. Out of the blue one day, Chon discovers an email from the Mexican Baja Cartel that contains a gruesome video of several smalltime drug dealers being butchered due to refusing to do business with the BC. Ben and Chon meet with a handful of high-ranking members of the BC but they refuse the offer that is made to them. Word gets back the terrifying head of the BC, Elena (Played by Salma Hayek), and as revenge, she sends her sadistic enforcer Lado (Played by Benicio Del Toro) to kidnap their girlfriend. With O in Elena’s clutches, she bullies Ben and Chon into doing business with her but she soon realizes that these two California boys have a lot more fight in them than she anticipated.
There is certainly plenty of hyperactive energy in this Technicolor massacre with plenty of excessive violence to make those with a weak tummy fight back their lunch, but you can’t help but feel that Stone has watered down his trickling gore. It could be called maturity on Stone’s part but Savages lacks a commentary behind all this carnage. Plus, it is difficult to say that this man has matured when he starts his movie off with heads being lobbed off with a roaring chain saw and an animalistic sex scene, all sound, flesh, and fury that ultimately signifies nothing. With Natural Born Killers, each speckle of blood meant something and we knew it. Here, the most intelligent touch from Stone is the way he slips in old Universal Studios monsters posters (Frankenstein, The Mummy, Frankenstein Meets the Wolf-Man, to name a few) throughout the movie, placing them carefully behind Chon and Ben. Even so, what does this mean? Perhaps Stone is making a comment on the progression of the movie monster. They used to be undead ghouls who snuck around gothic castles but now they are young entrepreneurs in floral shirts. To make it even clearer to us, when Ben and Chon are forced to get savage, they cover their faces in Dia de los Muertos masks to become visually monstrous. Our antagonists do the same, but they do it right off the bat in the opening sequence. Can you believe this is coming from the man responsible for that string of gems I listed earlier?
Stone populates Savages with a trio of young faces who no doubt bring the sex appeal but none of the grit that Stone is aiming for. Blake Lively provides the somnolent narration, sounding like she is stoned for half the movie. She further acts as a wrecking ball when she is required to do more than fake an explosive orgasm. The massive talented Taylor Kitsch, who really delivered a strong performance in Battleship, only brushes with that trembling rage every now and then which was a flat out bummer. Aaron Johnson, of Kick-Ass fame, plays a blurry-eyed hippie blessed with business smarts as well as a knack for botany. He loathes the very though of violence and empties his stomach when he is asked to shoot a taunting baddie promising to murder his entire family (What family?). We learn about the drastically different personalities of these young guns through O’s description of the way they make love. This explanation gives way to what could be the most outrageous line of dialogue I have heard from a motion picture in 2012. O tells us that she has “orgasms” while Chon has “wargasams”. I’ll wait while you finish laughing…
Luckily, the kids don’t hog the spotlight and Stone allows Hayek and Del Toro to have some fun at center stage. Hayek is a tour de force as the matriarch of the BC, putting on a quiet cool before she unleashes a stream of wrath that is part English, part Spanish, and all Hell. She is reeling from the death of her husband and nurses a broken heart for several murdered children she has had the misfortune of burying. Her remaining children want nothing to do with her and in her loneliness, she turns to O for some sort of comfort. Del Toro, meanwhile, single handedly steals the show away from everyone with his sociopathic enforcer Lado, who proudly wears a stunning mullet. You won’t be able to take your eyes of this guy and when he struts into the action, your stomach will drop one hundred feet. John Travolta also shows up in a minor role that doesn’t make him look like a complete fool for once. He has a blast as the slimy DEA agent Dennis, who is playing on all sides of this bloody game. When Stone keeps the focus on these professionals, Savages actually manages to be a great movie, but that is only glimpsed briefly.
Savages does have a precious few moments that will have you on the edge of your seat, but all that tension is squandered when Stone arrives at the fake-out conclusion that is absolutely unnecessary. It was almost like Stone stepped away from the project and allowed an imitator to swoop in and finish the job. Making matters worse, Lively is such an inconsistent actress that she makes moments of the film difficult to watch. A scene where she begs to speak with Elena had my buddies and I rolling our eyes in disgust over how unconvincing her pleas sound. The film also drags on for slightly over two hours, allowing this trio of star crossed lovers to chatter on and on about absolutely nothing. Lets get to that stuff that matters! Overall, I wish Savages had more on its mind, a huge kick to the gonads because Stone is sharper than this. We should be grateful that Hayek, Del Toro, and Travolta brought their A-game. They are three snarling Pit Bulls while these other kids are yapping Chihuahuas.
Posted on July 13, 2012, in REViEW and tagged 2012, aaron johnson, action, benicio del toro, blake lively, crime thriller, john travolta, oliver stone, salma hayek, summer blockbusters, taylor kitsch, thriller. Bookmark the permalink. Leave a comment.
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