That’s My Boy (2012)
by Steve Habrat
It hasn’t even been a year since comedian Adam Sandler unleashed the rotten Jack and Jill on audiences everywhere and now he’s back with That’s My Boy, an abrasive R-rated nightmare that doesn’t posses one ounce of shame. Reckless, irresponsible, and just plain wrong, That’s My Boy is another miss in a seemingly endless string of duds from the funnyman who has only come up with a small handful of decent comedies throughout his inexplicably long career. This time, Sandler seems hell-bent on destroying the career of Andy Samberg, fellow SNL alum who seems to grow more and more ashamed of himself with each passing frame of That’s My Boy. Filling the film with the usual Happy Madison suspects, Sandler crashes in with another slurring goofball character with a speech impediment, hooting and hollering over bodily fluids, warped back tattoos, and Vanilla Ice, all while telling a story that is painfully predictable. And then Sandler springs incest on us and things go from gross to downright nauseating.
That’s My Boy begins in 1984, with seventh grader Donny Berger hooking up with one of the hottest teachers in his grade school, Mary McGarricle (Played by Eva Amurri Martino). The student/teacher affair is eventually discovered and Mary ends up pregnant and facing thirty years in prison for the affair. The young Donny is stuck with raising the baby but he also becomes an overnight celebrity because of the affair. He ends up with tons of money and neglects his child who disappears when he turns eighteen. The film then skips to present day, with the adult Donny (Played by Adam Sandler) now a broke and washed up drunk who passes time in a rundown strip club trying to relive his glory days. Donny soon discovers that he owes $43,000 to the IRS and if he doesn’t pay up quick, he is looking at three years of jail time. Desperate to stay out of jail, Donny attempts to reconnect with his son, Todd (Played by Andy Samberg), on the eve of his wedding. Donny begins trying to lure Todd into unknowingly making an appearance on a reality television special that promises Donny a check of $50,000. As Donny and Todd reconnect, Donny begins to realize what a screw-up he was as a parent.
If you can believe it, That’s My Boy runs almost two whole hours and in those two hours, the film makes one joke about bodily fluids after another. There is a seamen joke here, a urine joke there, and feces thrown in for the hell of it. It also gets stuck on the joke that Donny just can’t leave the 80s behind, driving around still fumbling with cassette tapes in a beater car with a Rush decal stamped on the hood. What screenwriter David Caspe seems to not understand is that many of these raunchy R-rated comedies are successful and resonate with so many because they have an equal amount of heart behind all the crass behavior. This heart balances out all the penis and vagina jokes that these comedies like to harp on. That’s My Boy doesn’t have that balance, which causes the film to be extremely off-putting and mean spirited. This almost seems like an excuse for Sandler to dance around and humiliate Samberg, all while making half-hearted remarks about how good of a person he truly is.
When Sandler isn’t making Samberg blush, he is busy playing Donny like a mash-up of Billy Madison, Nicky from Little Nicky, and Bobby Boucher from The Waterboy. There is nothing that is wholly original or new about his latest stammering man-child, further proving that Sandler has absolutely no range as an actor. Samberg is handed the twisted role of a man nursing childhood wounds, still haunted by humiliation he suffered at the hands of his loudmouth father. He fears taking his shirt off in public due to an embarrassing tattoo of New Kids on the Block that covers his entire back. He also suffers from diabetes, can’t ride a bicycle, and lives in fear that he may have to throw or catch a baseball. He even had to change his name from Han Solo Berger to Todd Peterson and lie to his fiancé Jamie’s (Played by Leighton Meester) parents, telling them that his parents are long dead. Near the beginning, Samberg tries hard but as the film drags on, he seems to throw in the towel, as he realizes he is powerless to prevent this train wreck.
That’s My Boy is loaded with familiar Happy Madison faces, all who are absolutely talentless and not funny in the slightest. I’m still trying to figure out why Susan Sarandon and James Caan decided to show up to this horror show. The studio must have promised them a big paycheck because there is honestly no other reason why they should be here. Meester is given very little to do outside of act like a prissy pain in the ass and boss the twitchy Samberg around. Nick Swardson gets to come hang out and play a cross-eyed redneck creep who likes to hang around the strip club that Sandler’s character frequents. Peter Dante pops up briefly as a stoner who is eerily similar to the one that he played in the mediocre Grandma’s Boy. Will Forte gets to play things ultra geeky as Todd’s best man Phil, who throws what could be the lamest bachelor party on the planet. Milo Ventimiglia gets one of the better roles as Jamie’s Marine brother Chad who is overly intense and enjoys tormenting Todd every chance he gets. Also on the guest list is Vanilla Ice, who shows up as an even more washed-up version of himself, but at least he has the good sense to wink at the audience
Overall, no matter what I say, people are still going to flock to That’s My Boy and rave about how hilarious it is. Personally, I didn’t find it the slightest bit funny and found it downright sordid. Many may be quick to say I’m being uptight but as someone who enjoys a raunchy comedy as much as the next guy, I have to say I found this one empty, stupid, and redundant. Sandler and his crew hurl one shock at us after another and frankly, some of them seem desperate and recycled (old people talking dirty, overweight strippers bearing more than we need to see, full frontal male nudity). Near the end, Sandler puts a rotten cherry on top of this unholy shit sundae by diving headfirst into incest, making things even more appalling than they already are. Rather than pushing the raunchy R-rated comedy forward a few feet and making something worthwhile, That’s My Boy takes the subgenre back several feet and then sends it right down the toilet. I think it’s time that Sandler stepped away from the comedy genre before he does anymore damage.
Posted on June 15, 2012, in REViEW and tagged 2012, adam sandler, andy samberg, comedy, david caspe, eva amurri martino, grandma's boy, happy madison, james caan, leighton meester, milo ventimiglia, nick swardson, peter dante, raunchy comedy, sean anders, susan sarandon, vanilla ice, will forte. Bookmark the permalink. 3 Comments.