The Godfather Part II (1974)
by Steve Habrat
Francis Ford Coppola’s The Godfather Part II could very well be one of the greatest sequels ever made. I hesitate to say the greatest because I still favor the 1972 original slightly more than I do the 1974 follow up. Yet Coppola doesn’t just make a sequel for the sake of making one and getting another paycheck. The Godfather Part II has purpose and it actually enriches the story that was told in the first film. By giving us more of the characters that we only briefly saw in The Godfather and whipping up an absorbing back-story for Vito Corleone, The Godfather Part II actually ends up being more epic in the way it dances from Corleone, Sicily to Lake Tahoe, Nevada all the way to Havana, Cuba. The Godfather Part II turns out to be much darker and moodier than the 1972 original, all the characters barely visible in all the shadows cast in this sordid world of crime. The film also continues to explore loyalty to family and the ugly side of the American Dream, cutting much deeper than they did the first time and turning The Godfather Part II into a sullen tragedy that would have wrapped thing up perfectly.
The Godfather Part II balances two storylines this time around and piles on even more characters that we are supposed to follow. The first storyline is the background of Vito Corleone (Played by Robert DeNiro), how he made it from Sicily to New York and his rise to power in the criminal underworld. The second plotline follows Michael Corleone (Played by Al Pacino), who has fully embraced his role as the uncompromising head of the family business. Michael is looking to move into the gambling industry and has started negotiating business deals with Jewish gangster Hyman Roth (Played by Lee Strasberg). After two hit men try to assassinate Michael in his Lake Tahoe compound, Michael begins to suspect that there is a mole hiding within the family and he is determined to seek him out. Michael leaves his compound and leaves consigliere Tom Hagen (Played by Robert Duvall) to watch over his wife Kay (Played by Diane Keaton) and his two children. Michael then begins his business with Roth even though he is met with protests from Frankie Pentangeli (Played by Michael V. Gazzo), who took over the Corleone family territory in New York after comporegime Peter Clemenza’s death. As the business becomes more and more dangerous, Michael finds that his wife and children are slipping away from him and his family is falling apart.
The Godfather Part II digs deeper into the idea of prosperity and everything that comes along with the American Dream. Coppola and returning screenwriter Mario Puzo suggest that corruption and deceit are everywhere, making the viewer question if there is any honesty in America itself. A side character, Senator Pat Geary (Played by G.D. Spradlin), speaks of his dislike for the Corleone family right to Michael’s face at his son’s First Communion, which takes place near the beginning of the film. He attempts to stand up to Michael but later finds himself bullied into cooperation with the Corleone’s. Coppolla and Puzo portrayed Michael as the most honest member of the Corleone family in the original film but here, Michael has become even more monstrous than we could have ever imagined. His father’s office was shady and ominous, but there were still hints of warmth within it. Michael’s is even darker and downright intimidating, Michael himself barely visible as he sits in an arm chair and listens to his sister Connie (Played by Talia Shire) beg for more money. All the good that Michael possessed has crawled away. We also see Vito embrace a life of crime, fleeing from Sicily to escape the clutches of a ruthless gangster only to find himself back in it in America. At first, Vito starts out trying to make an honest living but that quickly evaporates when he is suddenly thrust into the criminal underworld. He doesn’t put up much of a fight to not get sucked all the way in.
The Godfather Part II does leave the viewer in a crumpled heap by the end of its three-hour plus runtime. The film is a tragedy, a family falling apart from lies, secrets, and neglect. Kay announces that she plans to leave Michael, who slumps in armchairs and stares into space. We question if Michael really even feels anything for Kay or if he only keeps her around to provide him with heirs for the family business. Michael also begins to see his older brother Fredo turn on him, bitter that he has been passed over in the family business and waved off as a fool. The Godfather Part II maintains its tragedy through the tainting of Vito and Michael, both who had promising futures but chose to throw it all away. Further tragic is the way that Michael alienates his family members, intimidating them and pushing them around. He’s a far throw from the soft-spoken war hero that we saw at the beginning of The Godfather.
Both Coppola and Puzo water their characters and then watch them grow in The Godfather Part II. Michael is fully engulfed by the demons he so desperately wanted to bottle up, transforming into a vile piece of humanity every time he walks into frame. While this is Pacino’s show, DeNiro gives a discreetly powerful performance as the young Vito Corleone. What I absolutely love about DeNiro’s performance is that he becomes almost transparent when he studies the ways of the criminals around him. We can see him absorb the knowledge on how to manipulate and con his way to the top. I found it incredible the way that DeNiro allowed us to see the wheels turning. Strap yourself in because Vito has explosive violent rages, ones that come when you least expect them to. I also enjoyed John Cazale as Michael’s older brother Fredo, a hotshot wannabe who puts his foot in his mouth and who is unable to stand up for himself. Fredo is a pathetic soul who has a heart of gold underneath the flashy suits. Diane Keaton is also given more room here to prove herself as Kay. When her rage and disgust with Michael pours out and she reveals a secret that she has kept from Michael, you will simultaneously feel like you’ve been kicked in the stomach and have goosebumps.
The Godfather Part II does run a bit long and the amount of ground that is covered is almost exhausting. The understandable absence of Marlon Brando is what knocks The Godfather Part II down just a peg for me. I still find the film absolutely flawless, from the technical aspects all the way down to the background performers, but I just miss his character so much. DeNiro does pad the blow of his absence and he gives one of the finest performances of his career. I do favor this installment’s darker tone over the originals and the original is a pretty gloomy film to begin with. Given the length, Coppola does divvy up the action expertly and never allows the film sag, making the film incredibly consistent. Much like The Godfather, The Godfather Part II is an undisputed classic in the cinema realm, earning just as much respect as the original, if not more. Many consider this to be even better than the original and I can understand why, with the plot thickening and its emotionally draining climax. Heavier than the original, with intensity and pessimism to spare, The Godfather Part II is a spectacular follow up, a true testament to epic filmmaking and storytelling.
The Godfather Part II is now available on Blu-ray and DVD.
Posted on April 23, 2012, in REViEW and tagged 1972, 1974, al pacino, classic films, crime thrillers, diane keaton, drama, francis ford coppola, g.d. spradlin, john cazale, mario puzo, marlon brando, michael v. gazzo, robert deniro, robert duvall, talia shire, the godfather. Bookmark the permalink. 4 Comments.