This Means War (2012)
by Steve Habrat
Love is a battlefield, a clammy, sexy, battlefield according to director McG, the hot shot, second rate Michael Bay. This Means War is a film overly concerned with a sexy appearance and frankly, not much more. McG, the director of such sugary blockbusters like Terminator: Salvation and Charlie’s Angles, is only interested with the outer shell of his products, sacrificing story and even moments of coherence just to nab a shot of Reese Witherspoon’s bottom to drive the male audience wild or twist Tom Hardy or Chris Pine into the proper pose to take the female audience’s breath away. For a film as shallow as This Means War, there are sporadic moments of hilarity and fizzy chemistry between the three stars that almost make up for a one-note script, half-hearted message about love, and a sub plot that is almost entirely forgotten by the people behind the camera. Oh well, at least it looks good!
This Means War introduces us to super spies FDR (Played by Chris Pine) and Tuck (Played by Tom Hardy), a pair of best chums who globe trot around in slick suits, hit on gorgeous gals, and track a terrorist by the name of Heinrich (Played by Til Schweiger). After their target narrowly gets away in the opening shoot out, a confrontation that leaves Heinrich’s brother Jonas dead, FDR and Tuck return to the states and are benched out of protection from Heinrich. These perfect male specimens also apparently have crappy luck when it comes to women. FDR enjoys womanizing and Tuck, a divorced dad, resorts to online dating to meet a good gal. As it turns out, down-on-her-luck Lauren (Played by Reese Witherspoon), a product-testing executive, is paired up with Tuck. After their first date, which goes rather well, Lauren bumps into FDR, who pursues her until she agrees to go on a date with him. FDR and Tuck soon decide to reveal to each other who they have been dating. When they realize it is the same girl, they decide they are still going to pursue Lauren and let her decide who she wants to be with. This does not stop them from trying to sabotage each other in the process, using every spy trick in the book.
This Means War leans heavily on the gag that these two guys use every espionage tool at their disposal to keep tabs on each other’s progress with Laruen, who remains clueless the entire time. They conceal hidden cameras in her apartment, tap her phone, and have a team of techies that aid them along and deliver information. It’s all slightly amusing but never overly hilarious until Tuck takes Laruen paintballing, after she tells her best friend Trish (Played by Chelsea Handler, who plays herself here) that he is a bit too safe and earnest. What transpires is a hysterical shoot out at a paintball range, a scene that single handedly out shines every other humorous moment This Means War has to offer. This trumping each other does get fatigued at times, the film always trying to devise another scenario where one can shoot the other with a knock out dart or one can use a mini spy plane to tail the other.
When the one note gag yawns, the film suddenly remembers the side plot involving Heinrich, who is slowly making plans of his own to find FDR and Tuck. The problem here is that the film brushes over these moments and seems too anxious to get back to Tuck and FDR’s battle for Lauren. If the filmmakers were going to half-ass this aspect of the film, you would have thought that they would have made their scuffle over Lauren the only plot. What makes this even worse is that there are so many plot holes in the Heinrich plot that nothing ever adds up! Half the time we are just left hanging. We learn that he is a terrorist but who does her terrorize exactly? What is the device at the beginning of the film and why is it so sinister? Why does he even need to be arrested? Because he is frequents swanky rooftop bars? Who cares, back to Tuck hijacking a radio frequency and feeding FDR false information while he is on a date!
For such a lackluster film, at least Pine, Hardy, and Witherspoon all come out with their dignity in tact. In addition to their physical appearance, these three actually posses talent and know how to make everything work, even if they are straining. It’s good to have Witherspoon back after a string of low-key dramas no one remembers. She was lovable while she juggles two love interests. If you’ve seen Inception, Bronson, or Warrior, then you already know that Hardy is an astonishingly talented guy (Seriously, see Bronson for a mind blowing performance) and here, he plays things fairly average, something that was both fresh after some of the roles he has taken and somewhat disappointing because he is a truly colorful guy. Like Witherspoon, Pine hasn’t had much of a presence at the movies since his awesome performance as Captain Kirk in Star Trek. He retains some of the cockiness he utilized when he tackled Captain Kirk, acting as the much more confident one to Hardy’s average Joe.
This Means War is loaded with photogenic moments. A glimmering explosion here, a sexy thespian there, and strobe like fight scenes everywhere. It’s painfully obvious at times (Lauren is a product tester who is also testing two guys to figure out who is the better choice) and the message is about as subtle as an elephant crashing through your front door. Yes, love is a battlefield where people get hurt and it can also be a game where you have to plot your next move meticulously. But in This Means War, the plotting of the moves is sometimes borderline creepy (Seriously, phone tapping?!). It’s all in good fun says director McG, who plays everything up to juvenile boys just being juvenile boys. I enjoyed myself in spurts during This Means War, never really hating it but never really having my funny bone tickled too hard (The paintball scene was an exception). I guess I should look on the bright side, at least Katherine Heigl was nowhere to be found.
Posted on March 5, 2012, in REViEW and tagged 2012, action comedy, bronson, charlie's angles, chelsea handler, chris pine, inception, mcg, reese witherspoon, romantic comedy, star trek, terminator: salvation, til schweiger, tom hardy, warrior. Bookmark the permalink. 2 Comments.
I have a weird thing where I don’t typically enjoy romantic-comedies but I still feel the need to see all of them. They’re humorous on their own totally predictable level.
Anyway, I like the cast so I’ll probably have to watch it. Plus, it didn’t get a D nor is Katherine Heigl in it (ugh, you’re right about that. She is the WORST.)
I tend to not find romantic comedies like ‘The Vow’ very interesting. One of the best recent romantic comedies was ‘Crazy, Stupid, Love’, at least in my humble opinion. I wish they would get a little more creative with the genre, as I do consider myself a fan of those types of movies. I lean more towards romantic comedies like ‘His Girl Friday’, ‘Bringing up Baby’, ‘The Lady Eve’, ‘It Happened One Night;, and ‘Some Like it Hot’. It’s a shame that Heigl had to emerge on the scene. Glad we both agree on her.