Battle: Los Angeles (2011)
by Steve Habrat
I think it is safe to assume that the true day that cinema died is March 11th, 2011. Sure, every year sees it’s fair share of rubbish movies discarded into your local megaplex to fill space, but none have been more absurd, shrill, dumb, meaningless, and excruciating than Battle: Los Angeles. The film is the textbook example of how not to make a movie, especially pure escapist entertainment at that. The film, which has no trace of a plot, looked promising. Did you happen to see the theatrical trailer? It was spellbinding and intriguing. The final product isn’t anywhere near what the trailer promised. Seriously, Hollywood, did anyone actually read the script to this thing? And who actually gave the filmmakers the go ahead? And who convinced a talented actor like Aaron Eckhart to actually star in the damn thing? Nothing about this film is remotely close to engaging and every time it hints at a clever set up, it pulverizes it with a barrage of gunfire, screaming, and camera work so shaky, it practically makes you want to vomit. I’ve been told I am lax when it comes to blockbusters of this breed, but Battle: Los Angeles has tried my patience and left me shell-shocked that Hollywood actually tried to pass it off as entertainment. They must take us for fools!!
Okay, so I’m sure by now you’re curious what the film is about? Well, the answer to that question is basically nothing. Aliens attack earth for our resources (Apparently, they want our water) and a bunch of meathead clichés fight back. They are lead by the retired Ssgt. Michael Nantz (Played by the determined-not-to-let the-film-crumble-into-smoldering-ruin Aaron Eckhart). Unfortunately, he can’t salvage the film’s set up by his acting alone. The rest of the characters don’t matter, as they are there to just be “Hoorah!” shouting targets for the aliens. Their mission is to hold LA at any cost. Why? Good question. They never tell us and we are supposed to just accept it. The film refuses to offer anything in the way of substance and opts for countless gunfights instead. It never attempts to offer up a developed hero we can stand behind and the rest of the marines that populate the squad are there to be shot up by the aliens. The film is the simple equation of explosion, run, scream, shoot, plot how to destroy the alien killing machines, repeat.
Usually, when I go to this type of film, I lower my expectations. I give myself over to it and roll with the punches. Sure, when the lights come up again in the theater, I will admit that what I just saw was pure crap. But, if it’s crap done right and with some obvious care of the material, then I will give the film some critical leeway. I will not tear the film to pieces if it at least made me care about a character, invoked something in the way of an emotion, thrilled me, entertained me, or transported me to a world I never knew I wanted to visit. This is precisely why we go to these types of movies. We go to explore a world we have never seen before with a larger-than-life hero and escape from our daily problems, if only for a little bit. And I will admit that my expectations were lowered when I started to see the irate reviews for this film. It broke my heart because the trailer had been so effective and for a while, the film was actually tolerable. I was curious to see what route the film was going to take. But after about twenty minutes, the project dive-bombed and it never regained itself. The major problem with all of it is the fact that it attempts to blind us to the fact that there is nothing underneath all of the rumble and special effects. There is no humanity to it. It’s all, sadly, for nothing.
Furthermore, the film is not only a chore to endure, but it features dialogue so painful, it’s offensive. It seems like the film was penned by a fifteen year old action junkie who watched District 9 way too many times and plays Call of Duty: Modern Warfare too often. The film is like an unholy mutation of two forms of unrelated entertainment that are both actually quite respectable. Any film that contains the line, which is someone offering up their help in dissecting one of the barely seen extraterrestrials: “Maybe I can help! I’m a vet!”, should have gone back to the drawing board. The film is loaded with these so-bad-they-actually-make-you-groan lines and it shamelessly delivers them with a straight face. Instead of thoughtful banter between the marines, it consists of them yelling: “Let’s show them who they fucked with!” and my personal favorite “We already had breakfast!” (This line, if you have seen the movie, has got to be the cheesiest lines in the history of cinema.).
Since this is a special effects spectacle (Well, it’s convinced that it is.), you are probably wondering how the effects are. This is the films strongest department, as the alien ships are actually quite creative. They resemble the silver disc-like flying saucers that we have seen in countless stock photos. The aliens, however, are not nearly as inspired, as they are a strange machine and flesh fusion that we never get a good look at. They march around in the distance making growling and clicking noises that would make the Prawns in District 9 roll their eyes. They have guns attached to their arms, which is another neat concept, but ultimately is obscured underneath more gunfights and explosions. And don’t even get me started about the final battle between the marines and a ship that rises up out of the ground. At one point, the aliens use a strange, spider-like death machine that fires off several rockets at once. You would think that the aliens would use more of these, as it is clearly a devastating weapon that proves to be quite a challenge to bring down. Unfortunately, it is loudly destroyed and that’s the last we see of this.
Battle: Los Angeles has succeeded in putting the final bullet in the head of blockbusters. Every single aspect of the film is so awful; I started to wonder if this was all just a sick joke on the audience. The film relentlessly bashes us over the head and practically causes a seizure from the shaky, strobe like editing. It raises more questions than it answers (How the hell are the televisions and internet still working even though LA has been bombed into oblivion?). I have never, in the twenty-one years I have been attending movies, wanted a film to end so badly as I did this one. It was excruciating. I will admit that even trying to form a proper way of describing how awful this film was to anyone is difficult, as it is dreadful on so many levels. It was appalling. Please, folks, for the love of God, do not see this movie. Do not show support for this kind of shit. That’s exactly what the film is. Shit. A stinking, steaming, ugly, disgusting, mean, lump of shit. The acting is shit, the script is shit, the cinematography is shit and the plot is shit. Battle: Los Angeles is without question, the worst film in recent memory. Somewhere, Battlefield Earth is breathing a huge sigh of relief.
Battle: Los Angeles is now ruining movies on Blu-ray and DVD.
Posted on November 9, 2011, in REViEW and tagged 2011, aaron eckhart, battlefield earth, blockbusters, call of duty: modern warfare, district 9, jonathan liebesman, michelle rodriguez, science fiction, war movies. Bookmark the permalink. 1 Comment.