Green Lantern (2011)
by Steve Habrat
In a summer where the local movie theater has been besieged by tights–wearing superheroes who mostly found their allegiance to the Marvel camp, it was only a matter of time before one of them stumbled over their cape. This is not to say that we haven’t had a good summer movie season so far. Thor was an unexpected treasure and X-Men: First Class sits nicely at the top as one of the greatest to come out in quite a while. Now, we have DC Comic’s offering and his name is the Green Lantern. Perhaps you’ve seen a TV spot or two for this one? Or maybe a poster or three? Warner Bros. has launched a massively epic promotional campaign for Green Lantern in an attempt to lure crowds to the movie theater and I think I know why—because he is so excruciatingly un-extraordinary it becomes almost unfathomable. Green Lantern doesn’t really DO anything! He just spouts off one-liners, flies around in a green suit, and hits on Blake Lively. That pretty much sums up the experience of Green Lantern—it doesn’t particularly have much to do. It just thinks it does.
To be fair, I know basically nothing about the Green Lantern. I know he sports a green suit and has a magical ring that lets him create anything that he wants. That was as far as my knowledge went on the DC space cop. I didn’t know that the lore was alien-heavy and drenched in a vibrant day-glo ambiance. His first cinematic outing showed promise by a decently edited trailer and the presence of director Martin Campbell, who shocked the Bond franchise back to life with what I believe to be the best Bond film ever made, Casino Royale. But Green Lantern is a gigantic neon mess of a movie. The film boasts four writers and it’s painfully obvious. The film also inexplicably appears to be directed by three different directors, as it can’t decide on one specific tone. One moment it’s a light-hearted superhero flick for kiddies, the next second it’s a trippy sci-fi action film, then it shifts into dark and gritty territory, then a self-discovery drama, and finally taking the camp route all while drenching itself in endless clichés. It does manage to cough up a few bright moments every once in a while, which makes this jumble somewhat more endurable.
The film starts off with a complex back-story that I wont dive into in my review. I will however tell you this—the movie follows Hal Jordan (played by the wise-cracking Ryan Reynolds) who is an irresponsible hotshot pilot for the Air Force. One night, dying purple skinned alien Abin Sur, who has crash-landed on earth after narrowly escaping a menacing encounter with the hair-raising Parallax, rips Jordan away from his nephew’s birthday party. Abin Sur proceeds to tell Jordan that his Green Lantern ring has chosen him as his replacement in the Green Lantern Corps. Thus begins Jordan’s journey as the Green Lantern, the first human chosen as one of the protectors of the galaxy. Soon the same force that killed Abin Sur threatens Earth and it’s up to Jordan to defend mankind. Green Lantern of course has a love interest. She’s fellow pilot Carrol Ferris (played by The Town’s Blake Lively), who criticizes Jordan for his reckless behavior and has apparently been burned by Jordan in the past. She naturally still houses feelings for him and vice versa. Jordan finds himself envied by the eccentric and timid scientist Hector Hammond (played by the superb Peter Sarsgaard), who accidentally contracts the powers of Parallax in an autopsy on Abin Sur.
Somewhere in Green Lantern, there is a good movie trying to get out. Instead it settles for mediocrity. The Green Lantern’s ring provides him with the ability to create anything his imagination conjures up in a battle with a baddie. At one point, he creates a Gatling gun and in another moment, he creates a racetrack and turns a crashing helicopter into a dragster. In a back alley brawl, he dreams up a giant fist and knocks three thugs on their asses. It’s a neat gimmick that is rarely utilized by the film. It simply never makes a big deal about this ability and instead it subtly shows up from time to time. Further troubling is Reynolds himself, he at times looks like he is so bored in this role and that he’s secretly dreaming he’s on the set of a different movie. He shows absolutely no commitment in Hal Jordan and gives him about as much depth as a kiddie pool. He plays Jordan like a bad imitation combination of Bruce Wayne and Tony Stark. I was troubled from the get-go over his casting and the film only solidifies my concern. Just like his superpower power, he is exceedingly lackluster.
Given all the talent that signed on to the movie (Tim Robbins!?), there is one shining star among the group and that is Sarsgaard’s Hector Hammond. If they are to do a sequel to this, and I’m quite sure that they will, they should make a prequel about Hammond. He’s the only character that isn’t a walking cliché from another superhero movie. He’s an intriguing antagonist and his descent into homicidal madness is the films high point partly because it is basically the only part of the film that provides some real emotion. He slithers through the role as if he’s the only one aware of how bad everyone else is in it. He’s the only one who shows any effort. The most thrilling part of the movie is the climatic showdown between him and the Green Lantern. Unfortunately, it’s all too brief.
Green Lantern further blinds the audience to its mediocre story with heaping globs of neon CGI. It’s non-stop eye candy that is agonizingly artificial. The people behind this thing poured so much into the visuals that they completely forgot to give the thing a human heart. Nothing seems genuine about it and it’s a tailor-made franchise flick. It does offer up a couple intriguing sequences, which are mostly the ones consisting of Hammond and Green Lantern duking it out. The rest are dazzling trips to Oa, the planet that the Green Lantern Corps finds its headquarters. It’s teeming with peculiar aliens that babble on with nonsensical mumbo-jumbo about fear but it’s a place that you won’t mind visiting.
Putting it bluntly, Green Lantern is a pretty lousy movie. Before the film came out, several Warner Bros. heads ranted and raved about how superb the script was for this movie. After seeing the finished product, it must have sounded better on paper because the film is a blatant cash cow franchise flick with absolutely no build-up, a limp hero, and weighed down with too much CGI. The film is impersonal, lacking any trace of spirit. It seems like they were desperate to have another superhero hit outside of Batman, given the tanking of Superman Returns. It’s too bad that the Green Lantern can’t use his ring and imagine a better movie, one that is not all over the place and with a back-story that is not quickly brushed over in a senseless action scene.
Green Lantern is now available on Blu-ray and DVD.
Posted on November 3, 2011, in REViEW and tagged 2011, batman, blake lively, casino royale, dc comics, james bond, martin campbell, marvel comics, peter sarsgaard, ryan reynolds, summer blockbusters, superhero movies, superman, superman returns, the town, thor, tim robbins, warner brothers, x-men: first class. Bookmark the permalink. Leave a comment.