X-Men: First Class (2011)
by Steve Habrat
It’s a great time to be a fan of comic book movies. The quality of these products have never been better and in the wake of The Dark Knight, there has been a scramble to craft another megahit superhero film that can submit both the spectacle and the complex storytelling that the mighty The Dark Knight mixed so brilliantly. While May’s Thor surpassed many of the recent releases as downright entertaining even if it was a bit hollow, the closest to perfection is without question X-Men: First Class. I always wrote off the X-Men films mostly because I found them to be quite inaccessible and their only appeal was to X-Men fanboys who were familiar with the countless hoards of mutants invented by creator Stan Lee. What ultimately rubbed salt in the wound was the flimsy origin tale Wolverine, which seemed to exist simply to be an indulgent pet project for the limitedly talented Hugh Jackman. It also put the bullet in the head of the X-Men film franchise.
Rejoice, fanboys! Marvel has cleaned house in their quality control department (Did you SEE some of the movies they were releasing before this summer? Seriously? Elektra? Ghost Rider? Anyone?!) and brought in Matthew Vaughn, the competent director of such films as last year’s underrated gem Kick-Ass and the ferocious dark comedy/gangster pic Layer Cake to shock the franchise back to life and infuse it with some fresh blood. Paired up with Bryan Singer, the director of the respectable X-Men, X2, and the lifeless Superman Returns, the two make a heady, personal, flashy, and swinging thrill ride that turns out to be the best origin film for superheroes since 2005’s Batman Begins. X-Men: First Class is set during the Cold War and finds itself besting the recent Cold War superhero extravaganza Watchmen in almost every way. It’s funny that this film would be the knockout punch to Watchmen, which many consider to be adapted from arguably the greatest graphic novel ever written.
Marvelously weaving history with the atomic age heroes, X-Men: First Class harkens back to when Professor X (Wanted’s James McAvoy) meets arch-nemesis Magneto (Inglourious Basterd’s Michael Fassbinder). Professor X, or Charles as we know him here, is a beer swilling genius whose groundbreaking studies on mutants is earning him a large amount of notoriety from the academic realm. Magneto, or Erik, is a bitter, shattered victim of the Holocaust. He is subjected to cruel experiments after it is discovered that he can manipulate metal. Erik vows revenge on the evil scientist who tortured him as a boy in a concentration camp. Jumping ahead into the early 1960s, a CIA operative discovers that mutants exist and are hell-bent on igniting nuclear war. The CIA seeks out telepathic Charles to locate and round up an army of mutants and train them to battle against the Hellfire Club, lead by one of the greatest superhero villains since Heath Ledger’s unforgettable turn as the Joker, Sebastian Shaw (an undeniably wicked Kevin Bacon). Shaw can absorb kinetic energy used against him, which grants him super strength and speed.
In writing, it sounds absolutely absurd. The film is aware that it is absurd and embraces its own absurdity, which remarkably, makes it impossible to resist. It’s campy one moment and the next; it’s ominous and heart wrenching. Perhaps Vaughn and Singer studied at the Chris Nolan school for superhero directors, because like The Dark Knight, the film features an electrifying climatic stand off that, as layers pull away, reveals one horrifying revelation after another.
X-Men: First Class also ends up breaking the golden rule when it comes to big budget blockbuster films—it has many subtle personal flourishes from its makers, mostly stemming from Singer, who is an open homosexual. The film becomes a rallying cry for acceptance from society. This actually adds to the power of the film, giving it a voice rather than just opting for the businesslike route it could have so easily taken. Marvel and the filmmakers have embraced some depth and given the characters some fleeting personality. While some of it is brief, the film does take place during a time when homosexuals were facing a great amount of prejudice as at this time, the American government deemed homosexuals un-American. Funny enough, the mutants face an eerily similar dilemma in the show-stopping climax.
This is a summer movie, after all, and the film does offer up its fair share of summer movie moments. The film becomes a showroom for stellar special effects, but Vaughn makes sure he does not loose his characters in all the action. The performances from its young leads are the true reason to see the film and they will leave you wanting a hell of a lot more. James McAvoy plays the party boy genius Charles with some unforgettable charm. And Michael Fassbinder flexes his acting muscle as snapping from sinister to heartbroken in the blink of an eye as Erik. One scene in particular hints that in the future, this man may have an Oscar in his possession. And bombshell Jennifer Lawrence as Raven/Mystique continues to prove that she is, in fact, more than just a bombshell and a serious actress even if she is spending much of the movie nude and blue. I also cannot ignore the impressive turn from Kevin Bacon, who plays one self-centered and cold-hearted bastard.
The X-Men series has finally returned to form and has left this guy wanting much, much more from it. Even at 132 minutes, it feels too brief and will have you hounding for a sequel if it doesn’t lure you back to experience it all again. While some of the characters are not fleshed out enough, you are willing to forgive as the film is taking on quite a few characters. It does it’s best and it’s best shapes up to be one of the greatest superhero movies ever made. You’ll be replaying the aerial battle between Beast and Azazel in your head for days. It thrills you to the core, but it will also creep on your emotions, which any great film should do. With expert direction and a seriously well-written script, X-Men: First Class strikes a perfect balance between blockbuster and character driven epic. You will not be disappointed. Bring on the sequel. Grade: A
X-Men: First Class will be available on Blu-ray and DVD September 9th.
Posted on September 6, 2011, in REViEW and tagged 1960, 2011, batman begins, bryan singer, cold war, elektra, ghost rider, heath ledger, hugh jackman, inglourious basterds, james mcavoy, jennifer lawrence, kevin bacon, kick-ass, layer cake, matthew vaughn, michael fassbinder, stan lee, superman returns, the dark knight, the joker, thor, wanted, watchmen, wolverine. Bookmark the permalink. Leave a comment.
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