Super 8 (2011)
I want you to take a moment and name a film that you saw when you were a kid that left an indelible impression on you. Go ahead, I’ll wait. What was that? I’m sorry, I honestly don’t believe that Ingmar Bergman’s Cries and Whispers, while an incredible film, left an emotional mark on you at the age of six.
Okay, now I’ll tell you mine. I saw E.T. for the first time when I was about four years old. How do I remember that? It is because I was petrified of this alien that made grunting noises like my father getting out of the chair. I couldn’t see the alien, so I assumed he was scary-looking. I could never get through the first half of it until I was about six when my mother told me that everything would be okay and just to watch it. Elliott brought E.T. up to his room, and in the grand reveal, he wasn’t that scary. For the next hour and a half, I went through a range of emotions: laughter at E.T. getting drunk, exhilaration as he and Elliott flew over the moon, concern when E.T. went missing, terror when the government descended on the house, sadness when E.T. “dies,” excitement when Elliott and his friends escape the government, and finally happy-sadness when E.T. flies away. Now, try and get that out of a movie when you’re six.
The fact of the matter is that Steven Spielberg is an incredible filmmaker. Yes, I hear your scoff and I do not care because it is because of his films that I was able to open my imagination and discover other works out there from many different filmmakers. We all have to start somewhere, and if it wasn’t for the films of Steven Spielberg, I do not believe my imagination would have been ignited.
J.J. Abrams’ Super 8 is, unapologetically, a love letter to the Spielberg films of the late 70s and early 80s…and there is nothing wrong with that. Today, the movies at multiplexes are sequels and special effects extravaganzas that (for the most part) lack in the most important visual effect of all: the story.
Now, unless you’re Christopher Nolan (Inception, please), it is very rare that there is truly an “original” story out there because it has all been said and done before. However, there is nothing wrong with taking a concept and spinning it off into its own unique story, and that is precisely what Super 8 is.
A group of friends in western Ohio decide to make a zombie super 8 film over their summer vacation. They witness a train crash and “something” escapes and it is up to our young heroes to save the day!
That is the plot of the film, essentially. But it is the atmosphere and the characters that both Abrams and the amazing child actors create that is the heart and soul of this film. I can’t think of the last time I saw a mainstream Hollywood movie where there was such an engaging community of characters- to be honest, this movie could’ve done away with the entire monster plot and just watched these kids make a movie. It is because of these characters that you become emotionally involved in their plight and you root for them all the way through the end credits. Harkening back to E.T., Super 8 expands on the themes of friendship, family, letting go, and growing up. How rare it is to see a mainstream Hollywood film deal with these issues in both an intelligent and entertaining way.
Now, this film is not without its disappointing parts. Like an adrenaline-riddled thirteen year old, Abrams goes over the top with many of the effects that actually detract from the wonderful story he is telling. Also, the ending, while satisfying, is very abrupt and nearly brings the movie to a screeching halt. There could have been another half hour to wrap things up in a tidier manner.
With that said, it is obvious that I am biased towards Super 8. It was a trip down memory lane for me, back to a time when I saw movies from the late 70s and early 80s and wished there were more for me to see. It is also an ode to my hero, Steven Spielberg, and the effect he has had on film lovers for nearly 40 years. My hope is that kids that are twelve or thirteen see this movie and become enamored with the most wonderful special effect of all: imagination. Grade: A-
Posted on July 30, 2011, in REViEW and tagged 2011, E.T., j.j. abrams, sci-fi, science fiction, Speilberg, super 8. Bookmark the permalink. 2 Comments.
CB… solid stuff–loved the last line. I’m pretty tired of remakes and sequels, which definitely makes Super8 a pretty refreshing movie that manages to do like so many similarly say: There’s no more originality, and everything’s borrowed; it matters where you take and what you do with the borrowed.
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