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The Expendables (2010)

by Steve Habrat

I avoided seeing The Expendables like I was avoiding a plague when it was released back in August of 2010. I just couldn’t bring myself to care about a handful of has-been action stars (and two still respectable ones) stomping around on the movie screen while trying to relive their glory days. I finally forced myself to sit down and endure the Sylvester Stallone action vehicle and my worst fears were confirmed. This movie has got to be one of the most astonishing things I have ever laid eyes on. The Expendables is a completely delusional film, one that doesn’t settle on reminiscing about the good old days, but rather painstakingly tries to make the plea that there is still a place for these mindless and ultra-violent shoot-em-ups in the cinema world. I hate to break it to Stallone, but there just isn’t a place for this kind of crapola. The Expendables is so jacked up on testosterone, that the mere hint of vulnerability and emotion practically makes Stallone and his beefcake crew sick to their stomachs and calling anyone who shows some of vulnerability or emotion a sissy.

The Expendables follows a group of highly trained mercenaries lead by Barney Ross (Played by Stallone) who are enlisted by the mysterious Mr. Church (Played by Bruce Willis) to travel to a small island between the Gulf of Mexico and South America and bring down a brutal dictator (Played by David Zayas). Rounding up a team that includes blades specialist Lee Christmas (Played by Jason Statham), sniper Gunnar Jensen (Played by Dolph Lundgren), martial artist Yin Yang (Played by Jet Li), heavy weapons expert Hale Caesar (Played by Terry Crews), and demolitions expert Toll Road (Played by Randy Couture), The Expendables, as they like to call themselves, head to the island where they discover that the dictator is backed by nasty ex-CIA officer named James Munroe (Played by Eric Roberts) and his personal bodyguards Paine (Played by Steve Austin) and The Brit (Played by Gary Daniels). Ross also makes it a personal quest to see to it that he protects the beautiful Sandra (Played by Gisele Itié), the helpless daughter of the dictator who is being savagely tortured by Munroe and his men.

If you are looking for anything that resembles depth, character development, or a beefy plot, you better start looking somewhere else. The Expendables couldn’t be a more straightforward film. It is also incredibly empty-headed and stupid, filling out its runtime with extended shoot-outs, car chases, and bone snapping mano y manos. You’re probably saying to yourself, “Hey, that is why we are watching this!” The problem with the film is that it has absolutely no point whatsoever. It exists solely to blow things up, waste some fake blood, and allow Stallone to still think he has some form of relevance in our current world. What he completely misses is that audiences have embraced much more vulnerable heroes, ones who have some complexities and layers to them. There is a reason that action films of this sort have been largely left in the past and a good majority of these actors have been almost entirely forgotten by audiences.

The acting in The Expendables is basically what you would expect. It’s almost all one dimensional, blank, and consists of lots of flexing. The only two actors who check in any sort of noteworthy performance are Willis as the briefly seen Mr. Church, who grins through his dialogue and all but winks at the audience as he asks, “Gotta problem with that?” The very talented Mickey Rourke shows up as Tool, the groups mission coordinator who also runs a tattoo parlor the gang likes to hang out in. Rourke ends up being the only character that reveals some emotional scars, wounds caused by the grisly stuff he has seen in the past. His eyes leak in one scene, a sequence I’m surprised that Stallone even allowed into the film. Everything and everyone else ends up being a blank slate with a machine gun. To make matters worse, the dialogue that is provided by Stallone and David Callaham is all written to set up for cringe inducing one-liners for the group members to spout off to each other as they riddle soldier extras with bullets.

I suppose if you are in the target audience for The Expendables, you are absolutely going to love it regardless of what I say. If you are the type who enjoys spending your weekend watching 80’s action movies and wrestling, you have probably already seen this more times than you can count. There are two minor positives in The Expendables, mostly in the expertly photographed action sequences and the editing. To be honest, I never thought I would praise the editing in a film like this in a million years but I guess there is a first for everything. The climactic shoot out boasts incredibly well done editing, allowing all the action to be extremely coherent and clear. Alas, a turd is still a turd and The Expendables is most certainly a turd. If Stallone would have forced his rag tag crew to confront the traits of the new breed of action films, the ones where the heroes wear their emotions on their sleeves, The Expendables may have turned out to be an interesting fusion of old school action with new school sentiment. I guess I’ll be one of the sissy men here and say that I did not favor Stallone’s tasteless and irresponsible testosterone boost.

Grade: D

The Expendables is now available of Blu-ray and DVD.

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