by Steve Habrat
Of all the Pixar movies that I have seen, my favorite one is without question director Andrew Stanton’s Wall-E, the film that I believe has the most heart and soul out of all the Pixar films. I absolutely love that this is a silent film for half the runtime, allowing us to get sucked in to actions rather than the words. It is very hard to not fall for the peculiar little robot that loves Hello, Dolly, has a cockroach for a pet, and is puzzled over a bra. You won’t be able to get enough of the moments where Wall-E discovers that he is in love with fellow robot EVE, mystified by her sudden presence in his lonely little world. I felt for him in his desperation for a friend, someone he could share all of his interests and chat with in his hysterical little robot blips and squeals. When Wall-E isn’t overtaking you emotionally, you will be shocked to see how intelligent this film truly is. With Wall-E, Stanton points out that big corporations control almost every aspect of our lives and have made us the overweight slobs that we are. They control fads, what we eat, drink, what we should fear, what we should see, etcetera. Tell me that is not thought provoking for a children’s film! And yet Wall-E still fills me with childlike wonder as it shows us how beautiful love can truly be.
Wall-E begins in the distant future, with earth having been abandoned by her polluting children and left to be cleaned up by a garbage-collecting robot named Wall-E. Wall-E has been by himself for quite a long time without anyone to connect with except for his pet cockroach. He spends his days working at a task that seems like it will never be finished and he spends his evenings watching Hello, Dolly and staring up at the stars, hoping for a savior to come and take him away from the mundane. One day, Wall-E sees an enormous spaceship land and send out a sleek robot named EVE (Extraterrestrial Vegetation Evaluator), who is on the hunt for plant life. Wall-E immediately falls for EVE but she is so consumed with her mission on earth that she barely even notices the sweet Wall-E following her around. The two eventually connect but when Wall-E shows her a small plant he has found, EVE scoops up the plant and heads back out to space to the Axiom, an enormous spaceship that contains what is left of the human race. Wall-E chases after her but once he boards the Axiom, the lovable duo discovers a plot that would prevent the humans aboard the Axiom from ever returning to earth.
While Wall-E remains consistent its entire runtime, the first half of the film is such a breath of fresh air, it remains one of the crowning moments for the Pixar team. When you aren’t wrapped up in little Wall-E’s daily routine of compacting and rummaging through trash, you will be pulling for the little guy to find that spark with EVE. I absolutely love watching Wall-E discover a Rubik’s cube, car keys, and a fire extinguisher. He has grown bored with the monotony of his day to day, desperate to find something that will entertain him enough to forget about the tedious task of shuffling garbage. We also get to meet his pet, a cuddly little cockroach (Did you EVER think a cockroach could be cuddly?) that crawls around Wall-E’s insides, making him giggle and fidget. Watching the two get out of bed was a chuckler, Wall-E so groggy that he bumps into things as he tries to get himself ready for the day. When EVE shows up, Wall-E really perks up as he zooms after EVE, hiding out of bashfulness as he attempts to work up the courage to approach her. The two share a moment in Wall-E’s little house that is movie magic at its absolute finest.
The second half of the film is just as entertaining but it marches to a different beat. We get to meet tons of robots that prowl the Axiom while the humans all lounge around on hovering recliners. The humans are all obese slaves to a corporation called Buy N’ Large that announces over loud speakers what the current trend is in fashion (Keep an ear out for a voice cameo from Sigourney Weaver and an eye out for an appearance by Fred Willard). Buy N’ Large provides the humans with endless amounts of soda as they video chat into screens that obstruct their vision. Wall-E accidentally knocks out one human’s screen, a man named John (Voiced by John Ratzenberger), who discovers a world around him that he has been completely oblivious to. Wall-E and EVE also manage to short out another screen that belongs to a woman named Mary (Voiced by Kathy Najimy). John and Mary meet up and they quickly fall for each other, laughing over the quirky, love drunk robots that brought them together. Aboard the Axiom, Wall-E gets a bit preachy, a call to shake ourselves out of current fads and trends that are controlled by others and explore the world around us. We also get to meet the ships captain (Voiced by Jeff Garlin), who is clueless to what Earth is until he begins to research it. Wall-E comes equipped with a green message, wagging its finger at us for polluting the earth in addition to our brains and bodies.
Wall-E takes its good old time developing the love story between Wall-E and EVE, forcing us to emotionally invest in these little joys and I’ll be damned if the payoff isn’t overwhelmingly satisfying. Not one aspect of the film seems rushed, despite the fact that the film only runs an hour and a half. The standout sequence of Wall-E has got to be when Wall-E and EVE dance around in space, their love deepening with each spin through the air. The film does get a bit intense in the final moments as our lovable little hero gets badly wounded and barely clings to life. It falls on EVE and the captain to save the little guy AND the humans aboard the Axiom. Wall-E is such a pleasant film because it allows us to really get to know this little guy inside and out. His binocular eyes practically overflow with intrigue, curiosity, and wonder at the world around him. It is astonishing that Wall-E’s eyes are more alive than the eyes of the “human” characters found in most other animated offerings. In the multiple times I have seen Wall-E since it was released on Blu-ray, I haven’t been able to find a single thing wrong with the film, a rarity considering most newer films are far from perfect. Wall-E turns out to be a great cinematic love story and a masterpiece of animated filmmaking. Don’t be afraid to fall for this one!
Wall-E is available on Blu-ray and DVD.
by Steve Habrat
I finally did the impossible. I pushed all my preconceived notions to the side, suspended all my incredulity, ignored my expectations for what a vampire movie should be and I sat through the entire first Twilight film. Sure, I seethed over the constant sensitivity and soft tones, the lack of any horror, and the cheese filled dialogue. I overlooked the plot holes the size of the Grand Canyon and came to the decision that the film is relentlessly average. Teeny director Catherine Hardwicke drenches the film in of-the-moment pop culture references and slang. It’s all tight jeans, indie pop music, mopey sleek, and speedy editing, all tailor made for those who get their eyeliner at Hot Topic. For a film I anticipated to loathe on all levels, I just found it to be like soda that’s gone flat. It needed a little fizz to liven the mood. The setting for the film is absolutely perfect—dreary and humdrum. The film is also grossly misguided in it’s aesthetic, under the impression that it is telling a gritty tale of forbidden love. It’s actually an elaborate soap opera stretched out for two hours and preaching a shallow message to its viewers: love is eternal. Making things worse is the fact that Hardwicke treats the material like child’s play, never aiming high and making anything more ample that would reach a wider audience. This is strictly for the pre-teens.
Everyone is familiar with the story of Twilight whether you like it or not. Clumsy Bella Swan (Played by Kristen Stewart) moves to Forks, Washington to shack up with her stiff sheriff father Charlie (Played by Billy Burke). She quickly makes friends but is mesmerized by a mysterious and brooding boy in her science class. His name is Edward Cullen (Played by Robert Pattinson. Ya know, the guy who makes every girl want to tear their hair out), and he doesn’t take kindly to Bella at first. The two finally strike up a conversation and end up falling for each other. Bella, however, has suspicions about Edward, mostly when he saves her from being seriously injured or killed when she is almost crushed by an out-of-control van. As Edward and Bella’s love affair blossoms, a trio of rabid vampires tears through the woods and kill anyone in their path. This trio consists of James (Played by Cam Gigandet), Victoria (Played by Rachelle Lefevre) and Laurent (Played by Edi Gathegi). Upon meeting Bella, James sets his sights on her and sees her as pure food. Edward and the rest of his eccentric vampire clan scramble to protect her as James closes in and threatens her entire family.
A good majority of Twilight is spent watching Bella and Edward lock eyes, Bella biting her lip, and the star crossed lovers arguing with each other about the fate of their relationship. Edward denies that they can ever be together and that Bella should leave him alone even though he is always the one that seeks her out. You’d think Bella would point this out to him but she inexplicably goes right along with it. Everyone suspects something is strange about Edward, a suspicion that could stem from the fact that he walks around with too much powder on his face. It’s cringe inducing when we first see him. It doesn’t help that Hardwicke has him sitting in front of a stuffed owl with a hulking white wings, making it seem like Edward himself is an angle sent to Bella. While watching it, it’s truly hard to figure out why this material drives girls crazy to the point of hysterics. I can understand the fantasy element here, about your dream man sweeping you off your feet. Seriously, Edward really does this at points, throwing the love drunk Bella on his back as he scampers up a tree like a giant, baby-powder covered monkey. It can only get better, right?
Further frustrating is the love-is-eternal implication that flows forth from the film. It’s chaste to the point of being sickening, all heavy breathes and light pecks between Bella and Edward. For a film that is meant to relish in contemporary portrayal, it’s clueless about teens today. It’s a little too clean and lacking in fun. The bit players are all mostly annoying clichés; the only one who really makes a stand in her character is Anna Kendrick’s Jessica, who has a few good one-liners. I suppose they are good not because they are well written snippets of dialogue, but because Kendrick herself is better than this garbage she finds herself in. This takes me to the dialogue itself, which seems like the screenwriter Melissa Rosenberg pulled dialogue straight from the book itself. I’m sorry but there are just some things that sound better on paper and Stephanie Myers’ dialogue is one of them. It should have stayed in the book and more thought should have gone in to what these kiddies have to say.
But I will be fair here and eat my words. I was quick to label Robert Pattinson overrated and lacking any skill when it came to acting. Throughout the duration of the film, he mostly resorts to staring longingly at Plain Jane Bella, but he is surprisingly self-aware in his character. When he cracks a joke, he flashes a genuine grin, obviously chuckling at the absurdity on display here. It could also mirror his sense of humor over the swarms of teens that go gaga over him. When he says, “Everyone’s looking” and follows it with an impressed grin, I believed his astonishment. Go figure! Who would have thought Pattinson would slap on a few complexities to this thing? The antagonist James is no more of a threat than a month old puppy. It is said that the Cullen clan needs to rip him apart and burn him, which sounds really cool until you realize that Hardwicke will hide the process through trick editing and blurry cinematography. Stewart’s Bella is about what you would expect, radiating a novice approach to acting. She’s not terrible, but there is definitely some room for improvement. It’s hard to blame her because she is still fairly young here.
Truth be told, what Twilight could really use is more of a sense of adventure and dropping the starry-eyed theatrics. Making the villains a bit more sinister and not like they are troupe of homeless hippies would help. Give Bella a bit more confidence and leave the two-left feet shtick on the cutting room floor. Give Edward more to do than just lurking around in the shadows and starring at Bella and no, I don’t mean give him more driving time. It should be noted that I think Edward also stepped out of The Fast and the Furious: Tokyo Drift, as he can apparently drive like he earns money street racing. Dropping the out-of-place slow motion shots would make a difference and also a better make-up and special effects team would do wonders. Seriously, watching the vamps leap around like Red Bull addicted apes was absurd. There is a smidgeon of potential here, but the film is too vain to even explore it. It couldn’t care less about providing a story worth telling and instead concerns itself with beauty. The only reason for the film version to exist is to exploit Robert Pattinson’s looks. Way to aim high, Twilight. Worse, way to respect yourselves, fans.
Twilight is now available on Blu-ray and DVD.